Saturday, June 23, 2012

The Black Keys Sue Home Depot and Pizza Hut; New York Times, 6/22/12

James C. McKinley Jr., New York Times; The Black Keys Sue Home Depot and Pizza Hut:

"The Black Keys have sued both the Home Depot and Pizza Hut for copyright infringement, saying that the companies used musical elements from the band’s recent hits without permission in commercials, The Associated Press reported."

@KimDotcom Jokes of Money ‘Laundering’ and Tennis ‘Racketeering’; New York Times, 6/22/12

Ben Sisario, New York Times; @KimDotcom Jokes of Money ‘Laundering’ and Tennis ‘Racketeering’ :

"Mr. Dotcom’s defense team has gotten judges in New Zealand to relax the bail restrictions against him and to order the Federal Bureau of Investigation. to turn over its files on Megaupload (that part is now under “urgent review” by another court). In the latest twist, Mr. Dotcom — who was not allowed access to the Internet when he was first released from jail — apparently has started a Twitter feed, posting photos that lightly mock his case, and announcing his return to the world of cloud storage."

Japan Passes Jail-for-Downloaders Anti-Piracy Law; Wired.com, 6/21/12

Daniel Feit, Wired.com; Japan Passes Jail-for-Downloaders Anti-Piracy Law:

"Japan’s legislature has approved a bill revising the nation’s copyright law to add criminal penalties for downloading copyrighted material or backing up content from a DVD. The penalties will come into effect in October."

Unprecedented Vote: EU Parliament Trade Committee Rejects ACTA; Intellectual Property Watch, 6/21/12

Monika Ermert, Intellectual Property Watch; Unprecedented Vote: EU Parliament Trade Committee Rejects ACTA:

"In an unprecedented move, the European Parliament Committee on International Trade (INTA) today in Brussels passed a report recommending the rejection of the controversial Anti-Counterfeiting Trade Agreement (ACTA). Never before has INTA voted to reject a trade agreement negotiated by the Union.

With a vote of 19 to 12 (no abstentions) INTA members followed the recommendation of British MEP David Martin (S&D Party Group)."

Wednesday, June 20, 2012

NPR Intern Gets an Earful After Blogging About 11,000 Songs, Almost None Paid For; New York Times, 6/19/12

Ben Sisario, New York Times; NPR Intern Gets an Earful After Blogging About 11,000 Songs, Almost None Paid For:

"In the NPR post, a 20-year-old intern named Emily White wrote that despite being “an avid music listener, concertgoer and college radio D.J.,” with an iTunes library of 11,000 songs, she has bought only 15 CDs in her life. “As monumental a role as musicians and albums have played in my life,” she wrote, “I’ve never invested money in them aside from concert tickets and T-shirts.”"

Sunday, June 17, 2012

Fair Use, Art, Swiss Cheese and Me; New York Times, 6/16/12

Michael Rips, New York Times; Fair Use, Art, Swiss Cheese and Me:

"Patrick Cariou is not. He is an ethnographic photographer, and it is the sort of photographs he takes that have been some of the subjects of appropriation and subversion by the Pictures Generation. For this reason, the markets for Mr. Prince and Mr. Cariou are not just distinct; they are conflicting. In other words, no one heading out to purchase an ethnographic photograph by Mr. Cariou (or anyone else) was going to be diverted by the Prince show at Gagosian.

And that should be the answer to the legal question. Since Mr. Prince caused no economic injury to Mr. Cariou, despite his claims to the contrary, Mr. Prince should not be required to turn over his profits (or works)."

Friday, June 15, 2012

German court sentences founder of illegal movie downloading platform to prison term; Associated Press via Washington Post, 6/14/12

Associated Press via Washington Post; German court sentences founder of illegal movie downloading platform to prison term:

"A German court has convicted the founder of an illegal movie downloading platform of breaching copyright laws and sentenced him to four years and six months in prison."

MLA Shift on Copyright; Inside Higher Ed, 6/6/12

Scott Jaschik, Inside Higher Ed; MLA Shift on Copyright:

"Literary scholars on Twitter were offering praise Tuesday for an announcement by the Modern Language Association that it is adopting a new author agreement for its journals (including the flagship PMLA) that will leave copyright with authors, enabling them to post versions in open access repositories, or on individual or departmental websites. The reactions included "Fantastic," "Great open access news," "very cool and important" and "a watershed [for open access] in the humanities?""

French Publisher Group Strikes Deal With Google Over E-Books; New York Times, 6/11/12

Eric Pfanner, New York Times; French Publisher Group Strikes Deal With Google Over E-Books:

"The French Publishers Association and the Société des Gens de Lettres, an authors’ group, dropped lawsuits in which they contended that Google’s book scanning in France violated copyright. Google agreed to set up a “framework” agreement under which publishers would be able to offer digital versions of their works for Google to sell...

Other digital book initiatives are under way in France; the Parliament recently passed a law authorizing the French National Library to scan so-called orphan works — out-of-print books whose copyright holder cannot be found — for an openly available digital repository. Orphan works would be automatically included unless the rights holders objected within six months."

EU Negotiators Tentatively Agree On Plan For Orphan Works; Intellectual Property Watch, 6/9/12

Dugie Standeford, Intellectual Property Watch; EU Negotiators Tentatively Agree On Plan For Orphan Works:

"The measure will give European libraries, archives, film heritage institutions, public broadcasters and other organisations the appropriate legal framework to enable them to provide online, cross-border access to their collections, including orphan works, Barnier said. Greater legal security could boost funding of digitisation projects, he said."

Gershwin Shows’ Tonys Fuel Plans for a Musical; New York Times, 6/14/12

Patrick Healy, New York Times; Gershwin Shows’ Tonys Fuel Plans for a Musical:

"Over the last year the trustees — mostly nephews and grandnephews of George and Ira — have been called greedy, unsophisticated and insensitive to the artistic integrity of the brothers’ work: essentially, that they were cashing in on the music before their copyrights expired. While the famous opera songs from “Porgy and Bess” will be available in the public domain in about two decades, the musical version of “Porgy and Bess” is its own licensable property that can generate income for Gershwin relatives for decades, as will the separate license for the other new Gershwin songbook musical on Broadway, “Nice Work if You Can Get It.”"

Monday, June 11, 2012

Libraries Are Not The Same as Manga Scanlation Sites; About.com

Robin Brenner, About.com; Libraries Are Not The Same as Manga Scanlation Sites:

"To stop this nonsense once and for all, I asked librarian, author and blogger Robin Brenner to explain why borrowing and reading manga from a library isn't the same as reading illegal, scanned versions of the same books. Here's her breakdown on the four reasons why libraries aren't the same as scanlation websites."

Saturday, June 2, 2012

Lawyers in ‘Spider-Man’ Battle Spin Their Early Arguments; New York Times, 6/1/12

Patrick Healy, New York Times; Lawyers in ‘Spider-Man’ Battle Spin Their Early Arguments:

"Lawyers for the Broadway producers of “Spider-Man: Turn Off the Dark” argued in federal court on Friday that the musical’s former director, Julie Taymor, had borrowed so many ideas from Spider-Man superhero lore that she was not entitled to copyright protection for her initial three-page script outline for the musical, which features characters and subplots from Spider-Man comics and movies. Ms. Taymor’s lawyers, who regard the outline as crucial to her copyright claims and battle for more than $1 million from the producers, countered that the document reflected what they termed originality and the singular vision that she had demonstrated as the Tony Award-winning director of “The Lion King.”"