Our View: Copyright absurdity must come to an end; Leader-Telegram, January 4, 2022

Leader-Telegram; Our View: Copyright absurdity must come to an end

"It’s far easier to argue that today’s copyright laws are largely beneficial to corporations who don’t want the money from the merchandising spigot turned off. Those companies are the true beneficiaries of 95-year coverage.

Protecting authors and creators is one thing. Ad infinitum extensions for wealthy corporate interests are quite another. It’s time to end this nonsense. We’re not advocating a rollback of the current terms, but we do oppose further extensions.

Absurd laws create contempt for all laws, and the absurdity of the current copyright approach is clear. It should not be compounded."

The Songs Remain the Same, but Broadway Heirs Call the Shots; New York Times, 1/9/12

Patrick Healy, New York Times; The Songs Remain the Same, but Broadway Heirs Call the Shots:

"On Thursday, after years of fits and starts, “The Gershwins’ Porgy and Bess” will open on Broadway, updated and streamlined, part of a spate of unusually aggressive undertakings by musical-theater estates...

The newly adapted book for the Broadway version of “Porgy and Bess” — but not the songs — will likely gain a new copyright that could be licensed. The estates’ trustees say the moneymaking potential of the new copyright depends on the Broadway musical becoming a hit that producers will want to license in the future.

Since “Nice Work” is a new show, the Gershwin estates will have a long new copyright to enjoy, whereas the rights for the original 1926 show, “Oh, Kay!” expire at the end of 2021. (The Gershwin estates now earn a few million dollars a year, according to the trustees.)"