Twitter’s Broken Its Copyright Strike System, Users Are Uploading Full Movies; Forbes, November 20, 2022

Paul Tassi, Forbes; Twitter’s Broken Its Copyright Strike System, Users Are Uploading Full Movies

"It should be fairly obvious to anyone what kind of liability it opens Twitter up to if their copyright system is non-functional, and its newly limited pool of workers are going to need to manually hunt down infringers. Once media companies get wind of this, we could see Twitter hit with all sort of DMCA claims and potential legal issues if they can’t get a handle on this quickly. I’m picturing Disney content starting to be uploaded here and them going nuclear."

As the 'engine of free expression,' copyright law plays a vital role in enabling journalists to shine a light on injustice; The Hill, June 11, 2020

Terrica Carrington, Tom Kennedy, and Akili-Casundria Ramsess; As the 'engine of free expression,' copyright law plays a vital role in enabling journalists to shine a light on injustice

"An op-ed published in the Washington Post unjustly criticized the IP Subcommittee, as well as Don Henley and the other creators who were asked to testify on June 2, for “debating the nuances of copyright law” in the midst of this unrest. There is no doubt that last week’s DMCA hearing was far from the most significant or newsworthy thing to happen in recent weeks, but it was necessary. And while the link may seem attenuated on the surface, ensuring that copyright law is effective plays a critical role in enabling the press to report on the events unfolding all across the country, elevate the voices of marginalized communities, and hold those in power accountable."

The Unrepentant Bootlegger; New York Times, 9/27/14

Jenna Wortham, New York Times; The Unrepentant Bootlegger:

"To the government, Ms. Beshara was a thief, plain and simple. The Motion Picture Association of America alerted the federal government to NinjaVideo and nine other movie-streaming sites, and they all went dark at the same time. The raids were carried out by several federal agencies working to combat counterfeiting and piracy, and the scale of the operation was meant to send a warning that the government wasn’t ignoring the freewheeling world of illegal online streaming and downloading.

Ms. Beshara, however, still can’t accept that what she was doing deserved the heavy hammer of the law. She served 16 months in prison for conspiracy and criminal copyright infringement, but she still talks about NinjaVideo as something grand. It was a portal that spirited her away from the doldrums of her regular life as a receptionist living with her parents to an online community that regarded her as its queen. Sure, she showed movies that were still playing in theaters, but it seemed like harmless, small-stakes fun.

“In hindsight — I know it’s naïve — but I never imagined it going criminal,” she said. “It didn’t seem like it was something to be bothered with. Even if it is wrong.”

She is not the only one who feels that way. It has proved very difficult to reverse a pervasive cultural nonchalance about what constitutes intellectual property theft on the web. Despite the government crackdown in 2010 and subsequent efforts to unplug websites that host or link to illegal content, new sites have emerged that filled the void that NinjaVideo left behind.

Online piracy is thriving. File-sharing, most of it illegal, still amounts to nearly a quarter of all consumer Internet traffic, according to Cisco Systems’ Visual Networking Index. And a recent report from Tru Optik, a media analytics firm, said that nearly 10 billion movies, television shows and other files, including games and pornography, were downloaded globally in the second quarter of 2014. Tru Optik estimates that about 6 percent of those downloads were legal. In July, a high-quality version of “The Expendables 3,” the Sylvester Stallone action comedy film, surfaced online and was downloaded millions of times, well before its release in theaters."

A Stolen Video of My Daughter Went Viral. Here’s What I Learned; New York Times, 9/26/14

Carrie Goldman, New York Times; A Stolen Video of My Daughter Went Viral. Here’s What I Learned:

"In early September, someone downloaded my video of Cleo, stripped it of all identifying information, changed the title from “Cleo on Equality” to “Wisdom of a 4-Year-Old”, and re-uploaded it to YouTube, passing it off as his or her own video. A woman in Amsterdam posted an embedded version of the stolen video to her Facebook page, from which it went viral. Within a matter of days, the stripped-down version of the video had been shared over 80,000 times.

I only learned about it when the pirated video began appearing in the news feed of people who recognized Cleo and noticed that it was not linked to any of my accounts. I felt sick on multiple levels. I have always known, of course, that the mere act of uploading a video to any digital site means potentially losing control over that content. But now it had happened, and even though the shares appeared to be harmless — approving, even — it was still terrifying. What if someone decided to do something creepy with it?

There was also a part of me that saw all the comments lauding Cleo’s grasp of acceptance, and I wanted those people to be linked back to my anti-bullying work. I missed the opportunity to share what I do for a living with a wide audience. I was sad and confused. Was I upset because the video was out there being viewed by tons of strangers, or was I upset because it was out there and I wasn’t getting credit? Both, probably...

I knew I had rights under the Digital Millennium Copyright Act. Since I speak to students and teachers all the time about good digital citizenship, I knew what steps to take next:

• Do not retaliate against someone online

• Take a screen shot and record the evidence

• Use this online form to report the violation to Facebook.

• Use this online form to report a copyright infringement on YouTube."

Bugging out: How rampant online piracy squashed one insect photographer; Ars Technica, 9/24/14

Alex Wild, Ars Technica; Bugging out: How rampant online piracy squashed one insect photographer:

"Here is a true story about how copyright infringement costs my small photography business thousands of dollars every year.

Or, maybe it isn’t. It could also be a true story of how copyright infringement earns me thousands of dollars every year. I can’t be sure. Either way, this is definitely the story of how copyright infringement takes up more of my time than I wish to devote to it. Copyright infringement drains my productivity to the point where I create hundreds fewer images each year. And it's why, in part, I am leaving professional photography for an academic position less prone to the frustrations of a floundering copyright system."