Showing posts with label robots. Show all posts
Showing posts with label robots. Show all posts

Thursday, March 1, 2018

Professor Tells UN, Governments Of Coming “Tsunami” Of Data And Artificial Intelligence; Intellectual Property Watch, February 21, 2018

William New, Intellectual Property Watch; Professor Tells UN, Governments Of Coming “Tsunami” Of Data And Artificial Intelligence

"[Prof. Shmuel (Mooly) Eden of the University of Haifa, Israel] said this fourth revolution in human history is made up of four factors. First, computing power is at levels that were unimaginable. This power is what makes artificial intelligence now possible. The smartphone in your hand has 1,000 times the components of the first rocket to the moon, he said, which led to a chorus of “wows” from the audience.

Second is big data. Every time you speak on the phone or go on the internet, someone records it, he said. The amount of data is unlimited. Eden said he would be surprised if we use 2 percent of the data we generate, but in the future “we will.”

Third is artificial intelligence (AI). No one could analyse all of that data, so AI came into play.

Fourth is robots. He noted that they don’t always look like human forms. Most robots are just software doing some function...

 Eden ended by quoting a hero of his, former Israeli Prime Minister Shimon Peres, who told him: “Technology without ethics is evil. Ethics without technology is poverty. That’s why we have to combine the two.”
Eden challenged the governments, the UN and all others to think about how to address this rapid change and come up with ideas.
He challenged the governments, the UN and all others to think about how to address this rapid change and come up with ideas. Exponentially."

Thursday, February 1, 2018

Amazon patents wristband that tracks warehouse workers' movements; Guardian, January 31, 2018

Olivia Solon, Guardian; Amazon patents wristband that tracks warehouse workers' movements

"Amazon has patented designs for a wristband that can precisely track where warehouse employees are placing their hands and use vibrations to nudge them in a different direction.

The concept, which aims to streamline the fulfilment of orders, adds another layer of surveillance to an already challenging working environment."

Friday, February 17, 2017

When Machines Create Intellectual Property, Who Owns What?; Intellectual Property Watch, February 16, 2017

Bruce Gain, Intellectual Property Watch; 

When Machines Create Intellectual Property, Who Owns What?

"The concept of machines that can think and create in ways that are indistinguishable from humans has been the stuff of science fiction for decades. Now, following major advances in artificial intelligence (AI), intellectual property created by machines without human input is fast becoming a reality. The development thus begs the question among legal scholars, legislative bodies, and judiciary branches of governments worldwide of who owns the intellectual property that humans did not create."

Wednesday, December 7, 2016

TV for the fake news generation: why Westworld is the defining show of 2016; Guardian, 12/7/16

Paul MacInnes, Guardian; TV for the fake news generation: why Westworld is the defining show of 2016:
"Westworld is a hit. Viewing figures released this week confirmed that the first season of HBO’s sci-fi western drama received a bigger audience than any other debut in the channel’s history...
The producers deliberately reached out to an audience that enjoys obsessing. They knew some fans would watch the show again and again on their laptops. They knew they would freeze-frame the screen and zoom in on details that would pass the casual viewer by. From there the fans would try to make connections, to unravel the mysteries, to find deeper meaning. Things were left uncertain enough that people could believe what they wanted. Whether a theory was “true” was less important than the fact that someone believed in it. Sound familiar?
I’m not calling HBO a purveyor of fake news, and neither am I suggesting that Westworld has been captured by the alt-right like Pepe the Frog. But the drama has certainly tapped into an audience of young people who love video games and cracking codes, and understands both technology and identity politics."