European court of justice rules Pirate Bay is infringing copyright; Guardian, June 15, 2017

Alex Hern, Guardian; European court of justice rules Pirate Bay is infringing copyright

"The European court of justice (ECJ) has ruled that BitTorrent site The Pirate Bay is directly infringing copyright, in a move that could lead to ISPs and governments blocking access to other torrent sites across Europe.

The ruling comes after a seven-year legal battle, which has seen the site, founded in Sweden in 2003, blocked and seized, its offices raided, and its three founders fined and jailed."

T Bone Burnett Delivers Scathing Message to Copyright Office, Urging Reform: 'Our Culture Is At Stake'; Billboard, February 21, 2017

Dan Rys, Billboard; 

T Bone Burnett Delivers Scathing Message to Copyright Office, Urging Reform: 'Our Culture Is At Stake'

"T Bone Burnett today submitted a five minute video to the U.S. Copyright Office that issued a scathing critique of current copyright laws, taking aim at "mega corporations and web moguls" that "are enriching themselves off the artistic, cultural and economic value everyone else creates," and urging Congress to fix a copyright system that he says threatens the ability of artists and creators to make a living.

At issue is section 512 of the Digital Millennium Copyright Act (DMCA) signed in 1998, which includes the "safe harbor" provisions that protect digital service providers such as YouTube from copyright infringement litigation by outlining a system to deal with illegal copyrighted material uploaded to its platform. Burnett, who serves on the advisory board of the Content Creators Coalition (c3) and submitted the video on behalf of the organization, says the current safe harbors provision has failed, allowing the internet to become a "digital black hole.""

[Excerpt from transcript of T Bone Burnett remarks]

The false prophets of the internet may have imagined an egalitarian, open source, creative wonderland, but what we got instead was an exploitative digital black hole that benefits a handful of mega corporations and web moguls. They are enriching themselves off the artistic, cultural and economic value everyone else creates."

Taylor Swift Wants YouTube To Treat Artists More Fairly, Too; Huffington Post, 6/20/16

Sara Boboltz, Huffington Post; Taylor Swift Wants YouTube To Treat Artists More Fairly, Too:

"Taylor Swift, Sir Paul McCartney and U2 are among those set to join the music industry’s increasingly loud battle with the world’s largest music service: YouTube. The musicians hope to plead the case in a series of ads this week that it is time to reform a 17-year-old law known as the Digital Millennium Copyright Act that they believe puts tech giants before musicians.

Enacted way back in 1998, the DMCA offers certain protections — sometimes called “safe harbor” — for websites hosting copyrighted content. Under the law, websites like YouTube can serve copyrighted music uploaded by ordinary users so long as the site takes it down when the rights holder asks. In an open letter to be published Tuesday in D.C.-based publications The Hill, Politico and Roll Call, dozens of artists and major record labels call for reforming the DMCA, according to multiple reports.

Many major record labels are currently involved in contract renegotiations with YouTube, or will be shortly, meaning the letter will make its debut at a key time. Those same labels believe that the DMCA gives big tech companies like YouTube a leg up in negotiating fees — meaning less revenue is making its way back to music creators. And that doesn’t make artists very happy, either. Music industry executives call that difference between actual profit from user-generated content sites and estimated potential profit a “value gap.” And they’re out to close it."

Music World Bands Together Against YouTube, Seeking Change to Law; New York Times, 5/31/16

Ben Sisario, New York Times; Music World Bands Together Against YouTube, Seeking Change to Law:

"The fight over the Digital Millennium Copyright Act has touched a nerve. The music industry is bracing for what may be a high-wattage lobbying battle reminiscent of the one over the Stop Online Piracy Act, a bill that was abandoned in 2012 after opposition from technology activists and Internet giants like Google and Wikipedia.

The copyright law gives “safe harbor” to Internet service providers that host third-party material. While music groups criticize the law, some legal scholars and policy specialists say any change to it would need to be considered carefully, particularly to preserve protections like fair use.

“Anything that rewrites the D.M.C.A. isn’t just going to affect YouTube,” said James Grimmelmann, a law professor at the University of Maryland. “It is going to affect blogs. It is going to affect fan sites. It is going to affect places for game creators and documentarians and all kinds of others.”

In December, the United States Copyright Office asked for comments about D.M.C.A. as part of a review of the law, and filings by record companies show how laborious copyright policing can be."

US Copyright Office is taking comments about how well the DMCA is working; ArsTechnica.com, 1/6/16

Joe Mullin, ArsTechnica.com; US Copyright Office is taking comments about how well the DMCA is working:

"If you're feeling down about the DMCA this winter—or feeling just skippy about it—there's a government agency that wants to hear from you. On December 31, the US Copyright Office said it intends to take public comments about the effectiveness of the DMCA and its "safe harbor" provisions.

The comments will be part of a "public study to evaluate the impact and effectiveness of the safe harbor provisions" of the DMCA. Questions that the office wants to consider include:...

There are 30 numbered questions in all (but there's no requirement to address every point.) The questions and other information about the study are listed in the Federal Register notice.

Specific instructions on how to submit the comments will be posted by February 1 on the Copyright Office website, and comments are due by March 21. While a comment to the Copyright Office is a long way from influencing policy, the discussion could be interesting. Many of those on the receiving end of DMCA notices tend to think it's a "shoot first, ask questions later" approach to the problem, while content owners concerned about piracy have long held that the DMCA is too burdensome on them."