AI hustlers stole women’s faces to put in ads. The law can’t help them.; The Washington Post, March 28, 2024

 

Nitasha Tiku

 and 

Pranshu Verma

, The Washington Post; AI hustlers stole women’s faces to put in ads. The law can’t help them.

"Efforts to prevent this new kind of identity theft have been slow. Cash-strapped police departments are ill equipped to pay for pricey cybercrime investigations or train dedicated officers, experts said. No federal deepfake law exists, and while more than three dozen state legislatures are pushing ahead on AI bills, proposals governing deepfakes are largely limited to political ads and nonconsensual porn."

Tennessee becomes the first state to protect musicians and other artists against AI; NPR, March 22, 2024

  Rebecca Rosman, NPR; Tennessee becomes the first state to protect musicians and other artists against AI

"Tennessee made history on Thursday, becoming the first U.S. state to sign off on legislation to protect musicians from unauthorized artificial intelligence impersonation.

"Tennessee (sic) is the music capital of the world, & we're leading the nation with historic protections for TN artists & songwriters against emerging AI technology," Gov. Bill Lee announced on social media.

The Ensuring Likeness Voice and Image Security Act, or ELVIS Act, is an updated version of the state's old right of publicity law. While the old law protected an artist's name, photograph or likeness, the new legislation includes AI-specific protections."

Classical Musicians Victimized by Erroneous Copyright Claims; Violinist.com, December 19, 2023

Laurie Niles, Violinist.com; Classical Musicians Victimized by Erroneous Copyright Claims

""One or more actions were applied to your video because of a copyright match."

This was just one of two copyright claims that Amy Beth Horman received from Facebook Thursday, disputing ownership of videos of her daughter's violin performances. First, she received a copyright claim for a video of Ava's live performance of the Mendelssohn Violin Concerto this week. Then, she got another for video she had posted in 2020 of then-10-year-old Ava performing "Meditation from Thais." These are both classical works that are in the public domain - not subject to copyright.

Nonetheless, classical musicians receive these kinds of dreaded messages on a regular basis if they post videos of their performances on social media outlets such as Facebook, Instagram or YouTube.

Has the musician violated anyone's copyright? Almost never. These are automated copyright claims created by bots on behalf of big companies like Sony Music Entertainment, Warner Music Group or Universal Music. If the bot finds that your performance has approximately the same notes and timing as one in their catalogue, they then claim that they own rights to your recording. But musicians have every right to perform and post a public domain work. Even so, musicians often find their recordings muted, earnings from ads on their performances given instead to the company filing the erroneous claim, and threats of having their accounts suspended or banned."

Prominent journal editor fired for endorsing satirical article about Israel-Hamas conflict; Science, October 24, 2023

 SCIENCE NEWS STAFF, Science; Prominent journal editor fired for endorsing satirical article about Israel-Hamas conflict

"Michael Eisen, editor-in-chief of the prominent open access journal eLife and a longtime critic of traditional journals, says he is losing that job for publicly endorsing a satirical article that criticized people dying in Gaza for not condemning the recent attacks on Israel by the Palestinian group Hamas...

Eisen has previously been a frequent, feisty participant in debates about scientific publishing, doggedly supporting the development of free access to journal articles. In 2003, he co-founded the Public Library of Science (PLOS), whose journal PLOS ONE grew to become one of the largest open-access journals. Authors pay a fee so that their articles in PLOS journals are free to read when published. Eisen has criticized the paywalls still in place at many subscription journals as slowing the progress of science and the diffusion of useful findings. But critics of PLOS’s model have suggested author fees create an incentive for journals to maximize the number of papers published at the expense of adequate peer review and quality and can create barriers for authors with limited resources."

How to Submit a Removal Request on YouTube Due to Copyright; MakeUseOf, October 9, 2023

SAM WOLFE, MakeUseOf; How to Submit a Removal Request on YouTube Due to Copyright

"Ultimately, YouTube wants to protect creators who put in time and hard work to produce original content. If you find that someone is stealing your content or YouTube has found matches of your videos, don’t hesitate to turn in a removal request."

Local internet star wages cat fight over online copyrights; Monroe Journal, July 28, 2023

RAY VAN DUSEN, Monroe Journal; Local internet star wages cat fight over online copyrights

"After reporting the fake pages as infringing on her copyrights, she was previously able to have two of them taken down but said they have since reappeared online.

“That’s when the imposters started coming after me and started sending threatening emails to back off. When I didn’t back off, the imposters started reporting my videos as copyright infringement and said I was stealing my own YouTube videos from them,” she said."

Jason Aldean's 'Try That In A Small Town' music video edited due to copyright issues; Good Morning America (GMA), July 26, 2023

Angeline Jane Bernabe , Good Morning America (GMA); Jason Aldean's 'Try That In A Small Town' music video edited due to copyright issues

"Jason Aldean's "Try That In A Small Town" music video, which has faced controversy since its release last week, has been edited due to third party copyright clearance issues.

Last week, CMT told "Good Morning America" that it has pulled the music video from its rotation as Aldean faced backlash for the song from social media critics."

Instagram dodges photographers' copyright claims on appeal – but case likely continues; Reuters, July 18, 2023

 Alison Frankel, Reuters; Instagram dodges photographers' copyright claims on appeal – but case likely continues

"A class of photographers whose Instagram photos were embedded by other websites failed on Monday to convince a three-judge panel at the 9th U.S. Circuit Court of Appeals to set aside controversial precedent in order to hold Instagram liable for copyright infringement.

But the panel also said that the photographers had raised “serious and well argued” policy concerns about copyright holders’ ability to control and profit from their work. If lead plaintiffs Alexis Hunley and Matthew Scott Brauer want to challenge the precedent that controlled the outcome of this case, the panel said, they should petition the 9th Circuit for an en banc rehearing."

Does Section 230 cover artificial intelligence? Experts are not sure; ABC7, July 11, 2023

 GRAYCE MCCORMICK , ABC7; Does Section 230 cover artificial intelligence? Experts are not sure

"Burk said the decision over whether Section 230 covers generative AI boils down to whether the product is an informational product or a product with manufacturer liability...

It’s hard for us to imagine what social media would be like today without the protection of Section 230, or if it would have even been possible to develop without the risk of lawsuits.

On the other hand, there could be benefits to dictating how it’s developed, considering certain social media platforms’ documented harms.

“If you can identify discrete problems and you have an idea of the outcome that you would like to have or the outcomes you’re worried about, you can actually shape the development of technology into a socially desirable path,” Burk said. He cited products like automobiles and pharmaceuticals, which are now manufactured to be as safe as possible."

Twitter is threatening to sue Meta over Threads; Semafor, July 6, 2023

 Max Tani, Semarfor; Twitter is threatening to sue Meta over Threads

"Twitter is threatening legal action against Meta over its new text-based “Twitter killer” platform, accusing the social media giant of poaching former employees to create a “copycat” application.

On Wednesday, Instagram parent company Meta introduced Threads, a text-based companion to Instagram that resembles Twitter and other text-based social platforms. Just hours later, a lawyer for Twitter, Alex Spiro, sent a letter to Meta CEO Mark Zuckerberg accusing the company of engaging in “systematic, willful, and unlawful misappropriation of Twitter’s trade secrets and other intellectual property.”

“Twitter intends to strictly enforce its intellectual property rights, and demands that Meta take immediate steps to stop using any Twitter trade secrets or other highly confidential information,” Spiro wrote in a letter obtained exclusively by Semafor. “Twitter reserves all rights, including, but not limited to, the right to seek both civil remedies and injunctive relief without further notice to prevent any further retention, disclosure, or use of its intellectual property by Meta.”

Spiro accused Meta of hiring dozens of former Twitter employees who “had and continue to have access to Twitter’s trade secrets and other highly confidential information.”

Photo Agency Sues Twitter for $228.9 Million Over Copyright Infringement; PetaPixel, January 12, 2023

 PESALA BANDARA, PetaPixel; Photo Agency Sues Twitter for $228.9 Million Over Copyright Infringement

"Photo agency Backgrid and ten anonymous defendants have sued Twitter for allegedly failing to take down more than 1,500 photographs of celebrities owned by them and illegally posted to the platform by users.

According to the lawsuit filed on December 30, 2022, Backgrid alleges it sent over 6,700 Digital Millennium Copyright Act (DMCA) notices to Twitter requesting the removal of its copyrighted photos, but Twitter failed to respond or take down a single image.

Furthermore, Backgrid claims that its images were posted continuously by some Twitter users, but the social media platform failed to suspend any accounts under its “repeat infringer” policy."

Music Labels are Ramping Up Enforcement Unlicensed Music in Brand Social Media Posts; SocialMediaToday, December 8, 2022

 Andrew Hutchinson, SocialMediaToday; Music Labels are Ramping Up Enforcement Unlicensed Music in Brand Social Media Posts

"The increasing enforcement of copyright for social media usage flags a new focus for the major labels. In recent years, big recording companies have employed entire teams to scour the online landscape for unlicensed usage of their clients’ work.

That’s been most present on YouTube, where labels had up till recently been able to claim revenue on any video that used their licensed music, providing an additional revenue stream within itself. YouTube has since changed its process, and now gives creators the opportunity to remove violative segments of their uploads, as opposed to simply reverting ad revenue to the labels. But the increased emphasis on music copyright infringement has made this a higher priority for rights-holding organizations.

And TikTok is now their key focus.

The short-form video platform has become a key avenue for music promotion, with popular tracks playing a big part in many viral trends, and even sparking entire careers off the back of TikTok momentum."

California police department investigates officers blaring Disney music; The Guardian, April 15, 2022

Maya Yang , The Guardian; California police department investigates officers blaring Disney music

"A California police department has launched an investigation into its own officers who were filmed blaring copyrighted Disney music in attempts to prevent residents from recording them...

The incident reflects an apparently growing trend in which police officers play copyrighted music in order to prevent videos of them from being posted on to social media platforms such as YouTube and Instagram, which can remove content that includes unauthorized content."

Marvel Runs Into Copyright Issue, Forced to Change Villain Name; InsideTheMagic.com, January 4, 2022

Rebekah Barton, InsideTheMagic.com ; Marvel Runs Into Copyright Issue, Forced to Change Villain Name

"Now, however, fans have noticed something strange (no pun intended) about a recent merchandise leak. A new LEGO set for the Doctor Strange (2016) sequel seemingly features the Marvel Comics villain known as Shuma-Gorath.

However, in this case, the box art suggests that the tentacled creature will go by the name of Gargantos.

This seemingly pointless name change frustrated some fans on social media, but it seems that there may be a very good explanation that has to do with copyright law. As Twitter user @UpToTASK noted:

After doing some research on ̶G̵a̵r̵g̵a̵n̵t̵o̵s̵/Shuma-Gorath, I get it but I hate it. The name “Shuma-Gorath” was first created by Robert E. Howard for Conan [Conan the Barbarian]. And yea, that’s a WHOLE problem that can be avoided by simply changing the name. UGH that SUCKS. But at least it’s him?"

YouTube reveals millions of incorrect copyright claims in six months; The Verge, December 6, 2021

Mia Sato , The Verge; YouTube reveals millions of incorrect copyright claims in six months

"Over 2.2 million copyright claims hit YouTube videos before later being overturned between January and June of this year, according to a new report published by the company today. The Copyright Transparency Report is the first of its kind published by YouTube, which says it will update biannually going forward.

The 2.2 million incorrect claims represent less than 1 percent of the more than 729 million total copyright claims issued in the first half of this year, 99 percent of which originated from Content ID, YouTube’s automated enforcement tool. When users disputed these claims, the case was resolved in favor of the uploader of the video 60 percent of the time, according to the report."

Copyright bots and classical musicians are fighting online. The bots are winning.; The Washington Post, May 21, 2020

Michael Andor Brodeur , The Washington Post

; Copyright bots and classical musicians are fighting online. The bots are winning.

"“We built these systems around the presumption that everybody is either: A, a pirate, or B, should be a copyright expert,” Rose says.

As it stands, the relationship between classical musicians and copyright bots is a study in contradictions, as newborn technologies police music that has been with us for centuries and individual musicians battle back against the indifference of massive corporations.

But this unhealthy dynamic also presents a consequential conundrum in terms of how the arts engage with social media as they grow more and more dependent on each other."

Facebook and Twitter took down a Trump campaign video over copyright concerns; Vox, June 5, 2020

Theodore Schleifer, Vox; Facebook and Twitter took down a Trump campaign video over copyright concerns

"This is not the first time Twitter has removed content posted by Trump due to copyright reasons. But notably, this takedown comes shortly after a series of much more controversial decisions by Twitter to limit the reach of Trump’s posts because they either did not pass a fact-check or, in Twitter’s opinion, glorified violence.

Facebook has made different decisions, citing its commitment to free speech, and has been willing to leave Trump’s posts up.

Complaints about copyright violations are not uncommon in the world of social media."

Court Rules Photographer Gave Up Exclusive Licensing Rights by Posting on Instagram; The Hollywood Reporter, April 14, 2020

Eriq Gardner, The Hollywood Reporter; Court Rules Photographer Gave Up Exclusive Licensing Rights by Posting on Instagram

"When it comes to appropriating images found online, the situation is understandably confusing. If an individual posts something on social media, does that give someone else the right to use it in a different forum? Most lawyers would likely answer, "Not so fast," and yet on Monday came a suggestive ruling perhaps otherwise from a New York federal court."

Users Lament PAIR Changes During USPTO Forum; IP Watchdog, January 30, 2020

Eileen McDermott, IP Watchdog; Users Lament PAIR Changes During USPTO Forum

"Jamie Holcombe, Chief Information Officer at the U.S. Patent and Trademark Office (USPTO), seemed surprised to learn on Wednesday that both the Public and Private versions of the USPTO’s Patent Application Information Retrieval (PAIR) System have serious issues that are making workflows untenable for users.

Holcombe was participating in a public Forum on the PAIR system, where USPTO staff listened to stakeholders’ experiences since the Office implemented major security changes to the system on November 15, 2019. “The USPTO disabled the ability to look up public cases outside of a customer number using Private PAIR,” explained Shawn Lillemo, Software Product Manager at Harrity LLP, who attended the Forum. “Most patent professionals prior to the change could retrieve all the PAIR information they needed from Private PAIR. That is no longer true.”"

Who Gets to Read the Research We Pay For?; Slate, August 21, 2018

Aaron Mak, Slate; Who Gets to Read the Research We Pay For?: Scientific journals’ lock on new studies has ignited tension for years. When it comes to access for people with rare diseases, it becomes an ethical issue too.

"This does not sit well with academics and other members of the research community, who often publicly complain about the company’s profit margins, its allegedly restrictive copyrights, and the fact that much of the research it sells access to is taxpayer-funded. This public outrage seems to have gotten under the skin of William Gunn, Elsevier’s director of scholarly communications. When one user argued that people in rare-disease families “shouldn’t have to jump through additional hoops to access information,” Gunn responded, “Yes, everyone should have rainbows, unicorns, & puppies delivered to their doorstep by volunteers. Y’all keep wishing for that, I’ll keep working on producing the best knowledge and distributing it as best we can.”

This is just one reckless tweet in the heat of a Twitter spat (though it’s worth bearing Gunn’s job title in mind), and, sure, he later apologized. But the issue of rare-disease families trying to avoid the high fees associated with accessing research on potential treatments goes beyond this Twitter spat: It’s a real problem that has not been adequately fixed by the company."