Books under attack, then and now; MIT News, October 26, 2023

 Brigham Fay | MIT Libraries, MIT News; Books under attack, then and now

"Richard Ovenden was dressed appropriately for the start of Banned Books Week. He proudly displayed the American Library Association’s “Free people read freely” T-shirt as he approached the podium at Hayden Library on Oct. 2. Ovenden, Bodley’s Librarian at the University of Oxford, spoke about the willful destruction of recorded knowledge for an event titled “Book Wars,” the inaugural event in a new series called Conversations on Academic Freedom and Expression (CAFE), a collaboration between the MIT Libraries and History at MIT. 

“The idea for CAFE is to introduce the MIT community to the broader landscape of what’s going on in the world of academic freedom and free expression, beyond some of our local exchanges,” says Malick Ghachem, history professor and department head and a member of MIT’s Ad Hoc Working Group on Free Expression. 

“The libraries were a natural partner for the CAFE series,” says Chris Bourg, director of MIT Libraries. “The value of free and open access to information underpins everything we do.” 

Ovenden, who writes extensively on libraries, archives, and information management, is the author of “Burning the Books: A History of the Deliberate Destruction of Knowledge,” which was shortlisted for the Wolfson History Prize in 2021. In his MIT talk he provided a historical overview of attacks on libraries — from the library of Ashurbanipal in the Assyrian capital of Nineveh (now northern Iraq), destroyed by fire in 612 BC, to book burning under the Nazi regime to current efforts across the United States to remove or restrict access to books.

In spite of this history of loss, Ovenden finds hope in “the human impulse to preserve, to pass on, to bear witness, to allow for diverse ideas to thrive.” He detailed the extraordinary actions people have taken to save knowledge, citing the “Paper Brigade,” a forced labor unit of poets and intellectuals in Nazi-occupied Vilnius who smuggled and hid rare books and manuscripts, and the tragic death of Aida Buturovic, a 32-year-old librarian who was killed as she tried to rescue books during the 1992 assault on the National and University Library in Sarajevo.

Ovenden concluded by making the case that libraries and archives are the infrastructure for democracy — institutions dedicated not only to education, but to safeguarding the rights of citizens, providing reference points for facts and truth, preserving identity, and enabling a diversity of views. Despite millennia of attacks, libraries continue to fight back, most recently with public libraries expanding digital access to combat book bans nationwide. 

Following Ovenden’s talk, Ghachem led a discussion and audience Q&A that touched on the connections between book bans and so-called “cancel culture,” how censorship itself is used as a means of expressing political views, and growing distrust of expertise.  

The CAFE series is one of several opportunities to engage the Institute community that emerged from the Report of the MIT Ad Hoc Working Group on Free Expression. Ghachem also started a new first-year advising seminar, “Free Expression, Pluralism, and the University,” and the Institute Community and Equity Office launched Dialogues Across Difference: Building Community at MIT. A second CAFE event is being planned for the spring term. 

“At this moment in our history, we should try to encourage discussion, and not debate,” said Ovenden. “We must try to move away from this idea that it’s a contest, that it’s a battle, and encourage and foster the idea of listening and discussion. And that's all part of the deliberation that I think is necessary for a healthy society.”"

The National Archives was wrong to alter history. Fortunately, it reversed course.; The Washington Post, January 18, 2020

Editorial Board, The Washington Post; The National Archives was wrong to alter history. Fortunately, it reversed course.

"This editorial has been updated.

IN AN era of “fake news,” “alternative facts” and other assaults on the very idea of truth, you would expect the National Archives — devoted to the preservation of the nation’s history — to be at the forefront of those pushing back. “The National Archives and Records Administration (NARA) is the nation’s record keeper,” the government agency proudly announces on its website. How utterly depressing it was, then, to discover on Friday that the Archives had gone into the business of altering history.

And how reassuring to read the Archives’ forthright — and, for Washington, extraordinary — statement on Saturday: “We made a mistake. . . . We have removed the current display. . . . We apologize.”

The Post’s Joe Heim reported Friday that the Archives made numerous alterations to a photograph included in an exhibit dedicated to the 100th anniversary of women’s suffrage. The photo shows the massively attended Women’s March held in January 2017 to protest President Trump’s inauguration. But Archives curators altered signs being carried by the women to delete references to Mr. Trump — and thereby they seriously distorted the meaning of the event. “A placard that proclaims ‘God Hates Trump’ has ‘Trump’ blotted out so that it reads ‘God Hates,’ ” The Post reported. But “God Hates” was not the message of the protester carrying that sign. Another sign that reads “Trump & GOP — Hands Off Women” has the word ‘Trump” blurred out.

In their initial weak defense, Archives officials noted that they had not altered articles they preserve for safekeeping, only a photograph for a temporary exhibit. We did not find that reassuring, as we said in the first published version of this editorial. Photo alteration long has been the preserve of authoritarian governments, most famously Soviet dictator Josef Stalin, who erased comrades from historical photographs one by one as he had them executed.

The United States government should never play the same game, even on a small scale. The goal in this case may have been not to irritate the snowflake in chief residing up Pennsylvania Avenue from the Archives. After all, the Women’s March harks back to one of the foundational lies of the Trump presidency, when he falsely insisted, and insisted that his officials likewise falsely insist, that his inauguration crowd was the largest of all time. Mr. Trump’s refusal to back down then set the pattern for his presidency: Lies are acceptable, and evidence can be ignored.

Rather than remind anyone of such unpleasantness, the Archives chose to falsify history and pretend that the Women’s March had nothing to do with Mr. Trump. That, as we wrote, offered a terrible lesson to young visitors to the exhibit about how democracies deal with news, with history — with truth.

Now the Archives has presented a far more uplifting lesson. Admitting and correcting a mistake are usually a lot harder for any of us than erring in the first place. But in their statement, officials did not flinch. The Archives will replace the altered image “as soon as possible with one that uses the unaltered image. We apologize, and will immediately start a thorough review of our exhibit policies and procedures so that this does not happen again.”

Good for them."

Supreme Court hands Fox News another win in copyright case against TVEyes monitoring service; The Washington Post, December 3, 2018

Erik Wemple, The Washington Post; Supreme Court hands Fox News another win in copyright case against TVEyes monitoring service

"The Supreme Court’s decision not to hear the case could leave media critics scrambling. How to fact-check the latest gaffe on “Hannity”? Did Brian Kilmeade really say that? To be sure, cable-news watchers commonly post the most extravagant cable-news moments on Twitter and other social media — a democratic activity that lies outside of the TVEyes ruling, because it’s not a money-making thing. Yet Fox News watchdogs use TVEyes and other services to soak in the full context surrounding those widely circulated clips, and that task is due to get more complicated. That said, services may still provide transcripts without infringing the Fox News copyright."

TV for the fake news generation: why Westworld is the defining show of 2016; Guardian, 12/7/16

Paul MacInnes, Guardian; TV for the fake news generation: why Westworld is the defining show of 2016:

"Westworld is a hit. Viewing figures released this week confirmed that the first season of HBO’s sci-fi western drama received a bigger audience than any other debut in the channel’s history...

The producers deliberately reached out to an audience that enjoys obsessing. They knew some fans would watch the show again and again on their laptops. They knew they would freeze-frame the screen and zoom in on details that would pass the casual viewer by. From there the fans would try to make connections, to unravel the mysteries, to find deeper meaning. Things were left uncertain enough that people could believe what they wanted. Whether a theory was “true” was less important than the fact that someone believed in it. Sound familiar?

I’m not calling HBO a purveyor of fake news, and neither am I suggesting that Westworld has been captured by the alt-right like Pepe the Frog. But the drama has certainly tapped into an audience of young people who love video games and cracking codes, and understands both technology and identity politics."

Tim Berners-Lee warns of danger of chaos in unprotected public data; Guardian, 11/1/16

Alice Ross, Guardian; Tim Berners-Lee warns of danger of chaos in unprotected public data:

"Asked about whether open data could have security vulnerabilities, Berners-Lee said criminals could manipulate open data for profit, for example by placing bets on the bank rate or consumer price index and then hacking into the sites where the data is published and switching the figures.

“If you falsify government data then there are all kinds of ways that you could get financial gain, so yes,” he said, “it’s important that even though people think about open data as not a big security problem, it is from the point of view of being accurate.”...

Berners-Lee said during a presentation that a key challenge, particularly in the era of Brexit and Donald Trump, was making reliable data available to people who felt disenfranchised: “How can we help everyone in the country feel that they have access to good quality information … whether they get it on the web or not – maybe they get it through TV and radio? How can we restore a culture and civilisation based on knowledge … and a democratic system based on knowledge, based on facts and truth?”"