Monday, January 31, 2022

Know if Someone Else Will Own the Copyright in What Your Freelance Writer Creates; Lexology, January 27, 2022

Gordon Feinblatt LLC - Ned T. Himmelrich, Lexology; Know if Someone Else Will Own the Copyright in What Your Freelance Writer Creates

"Be sure to understand who owns the copyright when you hire someone to contribute to your project. If the person is also working for another entity, consider what rights that other principal may have. The situation may arise where a business wants to use the creative input of someone on a temporary or freelance basis, or wants to use the writer’s expertise for certain projects, but that person may be employed by someone else. The issue is that under the copyright principles of “work made for hire,” the employer, not the creator, owns anything created by an employee within the scope of his or her employment. If the creator is employed elsewhere and is providing any type of content which could be deemed within the scope of his or her employment, then the first employer, and not the second venture who is receiving the freelance help, may own the work created."

Sunday, January 30, 2022

Is Old Music Killing New Music?; The Atlantic, January 23, 2022

Ted Gioia, The Atlantic ; Is Old Music Killing New Music?

"A series of unfortunate events are conspiring to marginalize new music. The pandemic is one of these ugly facts, but hardly the only contributor to the growing crisis.

Consider these other trends:...

When a new song overcomes these obstacles and actually becomes a hit, the risk of copyright lawsuits is greater than ever before. The risks have increased enormously since the “Blurred Lines” jury decision of 2015, and the result is that additional cash gets transferred from today’s musicians to old (or deceased) artists.

Adding to the nightmare, dead musicians are now coming back to life in virtual form—via holograms and “deepfake” music—making it all the harder for young, living artists to compete in the marketplace."

Massive open index of scholarly papers launches; Nature, January 24, 2022

Dalmeet Singh Chawla , Nature; Massive open index of scholarly papers launches

"An ambitious free index of more than 200 million scientific documents that catalogues publication sources, author information and research topics, has been launched.

The index, called OpenAlex after the ancient Library of Alexandria in Egypt, also aims to chart connections between these data points to create a comprehensive, interlinked database of the global research system, say its founders. The database, which launched on 3 January, is a replacement for Microsoft Academic Graph (MAG), a free alternative to subscription-based platforms such as Scopus, Dimensions and Web of Science that was discontinued at the end of 2021."

Thursday, January 27, 2022

Stephen G. Breyer may shape tech’s copyright battles for years to come; The Washington Post, January 27, 2022

Cristiano Lima with research by Aaron Schaffer, The Washington Post; Stephen G. Breyer may shape tech’s copyright battles for years to come

"Stephen G. Breyer may shape tech’s copyright battles for years to come

With the looming retirement of Supreme Court Justice Stephen G. Breyer, tech policy wonks say the high court is losing one of the nation’s preeminent thought leaders on intellectual property and copyright.

But while Breyer may be on his way out of federal court, his influence over those standards, and how they map onto emerging technologies, is poised to live on long after.

For decades, Breyer has carved out a unique role on the bench as a copyright specialist, said Meredith Rose, senior policy counsel at consumer group Public Knowledge. And his advocacy for a more limited view of intellectual property rights than some of his colleagues, such as the late Justice Ruth Bader Ginsburg, made him a “rarity” in the space, Rose said. 

“He’s definitely got the biggest depth of experience in copyright issues on the bench currently,” she said. “It was really him and Justice Ginsburg were the two titans of copyright.”

Corynne McSherry, legal director at the Electronic Frontier Foundation, called Breyer “a very strong voice for a balanced intellectual property system” that ensured that copyright and patents are “encouraging innovation, encouraging new creativity … as opposed to thwarting it.”

These traits, they said, were exemplified in one of Breyer’s most recent high-profile copyright cases: the contentious, decade-long Google v. Oracle bout."

Monday, January 24, 2022

Aboriginal flag copyright transferred to Commonwealth, as artist agrees to make flag freely available to all; ABC News, January 24, 2022

Jake Evans, ABC News; Aboriginal flag copyright transferred to Commonwealth, as artist agrees to make flag freely available to all

"The iconic flag that has become a symbol of Aboriginal Australia is now freely available for public use, after its designer agreed to transfer copyright to the Commonwealth following long negotiations.

Luritja artist Harold Thomas created the flag in 1970 to represent Aboriginal people and their connection to the land, and it has been an official national flag since the end of the last century — but its copyright remained with Mr Thomas.

Anyone who wanted to use the flag legally had to ask permission or pay a fee.

Indigenous Affairs Minister Ken Wyatt said following negotiations with Mr Thomas, the flag now belonged to all Australians...

Copyright issues with the flag had repeatedly drawn conflict, such as when Mr Thomas handed the rights to use the flag on clothing to a non-Indigenous company, which later threatened legal action against the NRL and AFL for using the flag on player uniforms.

That led to Mr Wyatt encouraging football fans to drape themselves in the Aboriginal flag in protest.

Mr Thomas will retain moral rights over the flag, but has agreed to give up copyright in return for all future royalties the Commonwealth receives from flag sales to be put towards the ongoing work of NAIDOC.

The government has also agreed to establish an annual scholarship in Mr Thomas's honour worth $100,000 for Indigenous students to develop skills in leadership, and to create an online history and education portal for the flag."

Thursday, January 20, 2022

2022–2026 Strategic Plan: Fostering Creativity and Enriching Culture; U.S. Copyright Office, January 20, 2022

U.S. Copyright Office; 2022–2026 Strategic Plan: Fostering Creativity and Enriching Culture

"The Copyright Office has released its 2022–2026 Strategic Plan: Fostering Creativity and Enriching Culture. The plan seeks to benefit the public by expanding the Office’s outreach, improving integration of data and technology, and continuing to provide expertise to the copyright community as a whole.

For more information about the strategic plan, download or view the complete document here."

Monday, January 17, 2022

Lego sued over leather jacket worn by toy Antoni in Queer Eye set; The Guardian, January 16, 2022

, The Guardian; Lego sued over leather jacket worn by toy Antoni in Queer Eye set

"An artist has accused Lego of recreating a leather jacket he made for Queer Eye cast-member Antoni Porowski without the artist’s permission, claiming that a toy jacket included in a Lego set based on the Netflix show is a “blatant copy” of his design.

James Concannon, whose clothes have been regularly worn by Porowski on the popular program, filed a lawsuit against the Danish toy giant in a Connecticut district court last month. The designer, who is seeking damages, alleges that one of the outfits included in the set for Porowski’s figurine copies “the unique placement, coordination, and arrangement of the individual artistic elements” on the jacket."

Saturday, January 15, 2022

Texas scientists’ new Covid-19 vaccine is cheaper, easier to make and patent-free; The Guardian, January 15, 2022

 , The Guardian; Texas scientists’ new Covid-19 vaccine is cheaper, easier to make and patent-free

"Although more than 60 other vaccines are in development using the same technology, Bottazzi said their vaccine is unique because they do not intend to patent it, allowing anyone with the capacity to reproduce it...

“Pretty much anybody that can make hepatitis B vaccines or has the capacity to produce microbial-based protein like bacteria or yeast, can replicate what we do,” Bottazzi said.

Patent wars over mRNA vaccines have recently heated up. Moderna and the National Institutes of Health are in a dispute over who should get credit for specific discoveries that led to a Covid-19 vaccine which has been delivered to more than 73 million Americans. If Moderna is found to have infringed on the federal government’s patent, it could be forced to pay more than $1bn.

At the same time, activists have called for Pfizer and Moderna to share the technology and knowhow for producing their vaccines, including taking the fight to the World Trade Organization."

Monday, January 10, 2022

The Epic Rise and Fall of Elizabeth Holmes; The New York Times, January 3, 2022

 David Streitfeld. The New York Times; The Epic Rise and Fall of Elizabeth Holmes

In Silicon Valley’s world of make-believe, the philosophy of “fake it until you make it” finally gets its comeuppance

"Whenever anyone — a regulator, an investor, a reporter — wanted to know a little more about exactly how the Theranos machines functioned, the company cried “trade secrets.” The real secret, of course, was that Theranos didn’t have any trade secrets because its machines didn’t work. But her answer worked for a long time."

Sunday, January 9, 2022

President Biden, creatives need copyright champions in the federal government ; The Hill, January 7, 2022

 

RUTH VITALE, The Hill; President Biden, creatives need copyright champions in the federal government 


"The copyright industries bring not only cultural but also economic prosperity to our country. They contribute $1.5 trillion per year of value to the U.S. GDP, accounting for 7.41 percent of the national economy. U.S. copyright products sold overseas amounted to nearly $219 billion in sales in 2019 – more than other major industries including pharmaceuticals, aerospace, and agriculture. 

President Biden has personally demonstrated long-standing support for the creative industries. As a senator 20 years ago, he convened a hearing called “Theft of American Intellectual Property: Fighting Crime Abroad and at Home.” As vice president, over 10 years ago, he helped to implement a new law that created the Office of Intellectual Property Enforcement Coordinator. Unequivocally, he stated, “Piracy is theft. Clean and simple.”...

Infringing content draws users to platforms, helping to fuel BigTech’s ascent to previously inconceivable heights of wealth. Meanwhile, digital pirates are stealing the rightful earnings of hard-working Americans, facilitated by Big Tech. The U.S. Chamber of Commerce estimates that digital piracy takes between $29.2 billion and $71 billion from the national economy every year. It also takes away between 230,000 and 560,000 American jobs...

I remain hopeful that President Biden’s future appointments will better reflect his lengthy and strong record in support of respect for copyright. Specifically, the position of U.S. Intellectual Property Enforcement Coordinator (IPEC) is open once again.  

As the president knows better than anyone else, the person serving in the IPEC’s role oversees Executive Office efforts to curb piracy, domestically and abroad. The previous IPEC was confirmed by the Senate in August of 2017 – today, during a critical moment for the creative communities, the position is vacant."

Friday, January 7, 2022

Meghan, Duchess of Sussex to receive confidential sum from UK newspaper for copyright infringement; CNN, January 5, 2022

Niamh Kennedy, CNN; Meghan, Duchess of Sussex to receive confidential sum from UK newspaper for copyright infringement

"The court found ANL infringed Meghan's copyright by publishing extracts of a handwritten letter she sent to her father in The Mail on Sunday newspaper and Mail Online website during hearings in January and May last year, the court order says.

The group is also set to pay the duchess £1 in nominal damages for misuse of private information, according to the court order.

On December 2, the Court of Appeal upheld a ruling that ANL had misused Meghan's private information through their publication of the letter, saying the Duchess had "had a reasonable expectation of privacy in the contents of the letter.""

Wednesday, January 5, 2022

Ryan Reynolds taunts Disney with ‘Winnie-the-Screwed’ ad as copyright battles heat up; Fast Company, January 3, 2022

JEFF BEER, Fast Company; Ryan Reynolds taunts Disney with ‘Winnie-the-Screwed’ ad as copyright battles heat up

Mint Mobile finds a way to make the copyrights of a 1926 classic children’s tale about your cellular bill.

"The new Mint Mobile ad is typical Reynolds ad fare, quickly and creatively tapping into a broader cultural conversation for one of his brands. That cultural conversation, however, is only going to get louder, especially for Disney. While it is symbolic that the original Mickey Mouse cartoon, Steamboat Willie, is up for public domain two years from now, more pressing are the copyright issues facing key Marvel characters this year.

As reported last fall, multiple former Marvel creators and their estates are challenging Disney with ongoing copyright termination cases around characters like Thor, Spider-Man, Iron Man, and Dr. Strange. These cases, which could go as high as the Supreme Court (as it almost did back in 2014, when the company reached a settlement with the estate of Jack Kirby), stem from the Copyright Revision Act of 1976, which provided an opportunity for authors or their heirs to regain ownership of a product after a given number of years."

When Does Intellectual Property Expire?; Lexology, January 3, 2022

[Post #4,000, since blog began in 2008]

GHB Intellect, Lexology; When Does Intellectual Property Expire?

"Intellectual property, including patents, trademarks, and copyrights, is not a tangible thing. These assets do not all last forever, and in some cases, they need to be maintained in order to remain something that can be protected under IP. Understanding the terms of these assets is very important if you are going to protect an asset and be able to enforce that protection."

Our View: Copyright absurdity must come to an end; Leader-Telegram, January 4, 2022

Leader-Telegram; Our View: Copyright absurdity must come to an end

"It’s far easier to argue that today’s copyright laws are largely beneficial to corporations who don’t want the money from the merchandising spigot turned off. Those companies are the true beneficiaries of 95-year coverage.

Protecting authors and creators is one thing. Ad infinitum extensions for wealthy corporate interests are quite another. It’s time to end this nonsense. We’re not advocating a rollback of the current terms, but we do oppose further extensions.

Absurd laws create contempt for all laws, and the absurdity of the current copyright approach is clear. It should not be compounded."

Marvel Runs Into Copyright Issue, Forced to Change Villain Name; InsideTheMagic.com, January 4, 2022

Rebekah Barton, InsideTheMagic.com ; Marvel Runs Into Copyright Issue, Forced to Change Villain Name

"Now, however, fans have noticed something strange (no pun intended) about a recent merchandise leak. A new LEGO set for the Doctor Strange (2016) sequel seemingly features the Marvel Comics villain known as Shuma-Gorath.

However, in this case, the box art suggests that the tentacled creature will go by the name of Gargantos.

This seemingly pointless name change frustrated some fans on social media, but it seems that there may be a very good explanation that has to do with copyright law. As Twitter user @UpToTASK noted:

After doing some research on ̶G̵a̵r̵g̵a̵n̵t̵o̵s̵/Shuma-Gorath, I get it but I hate it. The name “Shuma-Gorath” was first created by Robert E. Howard for Conan [Conan the Barbarian]. And yea, that’s a WHOLE problem that can be avoided by simply changing the name. UGH that SUCKS. But at least it’s him?"

Column: ‘Winnie-the-Pooh’ (born 1926) is finally in the public domain, a reminder that our copyright system is absurd; Los Angeles Times, January 3, 2022

MICHAEL HILTZIK, Los Angeles Times; Column: ‘Winnie-the-Pooh’ (born 1926) is finally in the public domain, a reminder that our copyright system is absurd

"As it happens, however, this massive release isn’t something entirely worth celebrating. Instead, it’s a pointer to the sheer absurdity of American copyright law, which long ago came under the thumb of the entertainment industry and distant heirs of artists determined to preserve what is essentially a windfall."

Monday, January 3, 2022

Ryan Reynolds Takes Advantage of Winnie-the-Pooh's Public Domain Status for Mint Mobile Ad; CBR.com, January 3, 2021

Kellie Lacey, CBR.com; Ryan Reynolds Takes Advantage of Winnie-the-Pooh's Public Domain Status for Mint Mobile Ad

With A.A. Milne's Winnie-the-Pooh now in the public domain, Deadpool's Ryan Reynolds wastes no time making his own version to promote Mint Mobile.

"In a short video, Reynolds introduces the tale of "Winnie-the-Screwed" and his big wireless bill...

United States copyright laws typically come with a 95-year shelf life on published works, and as of Jan. 1, both Winnie-the-Pooh by A.A. Milne and Felix Saten's Bambi, a Life in the Woods became public domain. This is why Reynolds' video can adhere so closely to the original without fear of legal action."

Sunday, January 2, 2022

This Bear’s For You! (Or, Is It?) Can Companies Use Copyright and Trademark To Claim Rights to Public Domain Works?; Duke’s Center for the Study of the Public Domain

Jennifer Jenkins, Duke’s Center for the Study of the Public DomainThis Bear’s For You! (Or, Is It?)

Can Companies Use Copyright and Trademark To Claim Rights to Public Domain Works?


"The original Winnie-the-Pooh book from 1926 is in the public domain. However, Disney still owns copyrights over later works, and trademark rights for “Winnie the Pooh” on a variety of products. Hopefully they will not follow the example of the Sherlock Holmes, Tarzan, or Zorro rights holders and try to use residual rights to prevent what copyright expiation allows. This could lead to unnecessary litigation, and even the threat of lawsuits could chill the creative reuse the public domain is designed to promote.


In fact, Disney’s own beloved works show just how valuable the public domain is. Many of its animated classics were remakes of public domain books and folk tales. Works from Alexandre Dumas, Charles Dickens, Gabrielle-Suzanne de Villeneuve, Jules Verne, Lewis Carroll, The Brothers Grimm, Victor Hugo, Charles Perrault, Hans Christian Anderson, Carlo Collodi, Mark Twain, English folklore, and The Book of One Thousand and One Nights fed Disney’s The Three MuskateersA Christmas CarolBeauty and the BeastAround the World in 80 DaysAlice in WonderlandSnow WhiteThe Hunchback of Notre DameSleeping Beauty and CinderellaThe Little MermaidPinocchioHuck FinnRobin Hood, and Aladdin, to name a few. When it got into a dispute with the rightsholders of Bambi, Disney even filed an unsuccessful lawsuit claiming that the book had gone into the public domain much earlier. Let us hope that Disney remembers its own debt to the public domain when Pooh, and later the Steamboat Willie version of Mickey Mouse, enter the realm from which it has drawn so heavily!"

January 1, 2022, is Public Domain Day: Works from 1926 are open to all, as is a cornucopia of recorded music: an estimated 400,000 sound recordings from before 1923!; Duke's Center for the Study of the Public Domain,

Jennifer Jenkins, Duke's Center for the Study of the Public Domain; January 1, 2022, is Public Domain Day: Works from 1926 are open to all, as is a cornucopia of recorded music: an estimated 400,000 sound recordings from before 1923!

"On January 1, 2022, copyrighted works from 1926 will enter the US public domain, 1  where they will be free for all to copy, share, and build upon. The line-up this year is stunning. It includes books such as A. A. Milne’s Winnie-the-Pooh, Felix Salten’s Bambi, Ernest Hemingway’s The Sun Also Rises, Langston Hughes’ The Weary Blues, and Dorothy Parker’s Enough Rope. There are scores of silent films—including titles featuring Harold Lloyd, Buster Keaton, and Greta Garbo, famous Broadway songs, and well-known jazz standards. But that’s not all. In 2022 we get a bonus: an estimated 400,000 sound recordings from before 1923 2  will be entering the public domain too! (Please note that this site is only about US law; the copyright terms in other countries are different.)

In 2022, the public domain will welcome a lot of “firsts”: the first Winnie-the-Poohbook from A. A. Milne, the first published novels from Ernest Hemingway and William Faulkner, the first books of poems from Langston Hughes and Dorothy Parker. What’s more, for the first time ever, thanks to a 2018 law called the Music Modernization Act, a special category of works—sound recordings—will finally begin to join other works in the public domain. On January 1 2022, the gates will open for all of the recordings that have been waiting in the wings. Decades of recordings made from the advent of sound recording technology through the end of 1922—estimated at some 400,000 works—will be open for legal reuse."

‘Pooh,’ ‘Sun Also Rises’ among works going public in 2022; Associated Press, December 31, 2022

 Associated Press; ‘Pooh,’ ‘Sun Also Rises’ among works going public in 2022

"“Winnie the Pooh” and “The Sun Also Rises” are going public. 

A.A. Milne’s beloved children’s book and Ernest Hemingway’s classic novel, along with films starring Buster Keaton and Greta Garbo are among the works from 1926 whose copyrights will expire Saturday, putting them in the public domain as the calendar flips to 2022. 

Poetry collections “The Weary Blues” by Langston Hughes and “Enough Rope” by Dorothy Parker will also turn 95 and enter the public domain under U.S. law. 

The silent films “Battling Butler” starring and directed by Buster Keaton, “The Temptress” starring Greta Garbo, “The Son of the Sheik” starring Rudolph Valentino, and “For Heaven’s Sake” starring Harold Lloyd are also becoming public property. 

And under 2018 legislation by Congress, sound recordings from the earliest area of electronic audio will become available."

Disney could lose the copyright to some very important characters; WKRC, January 1, 2022

WKRC; Disney could lose the copyright to some very important characters

"Disney is at risk of losing the copyright to some of its most important -- and lucrative -- characters."

Saturday, January 1, 2022

Intellectual property in a post-pandemic future part I - The world has become more IP-intensive; Lexology, December 31, 2021

Bird & Bird LLP, Lexology; Intellectual property in a post-pandemic future part I - The world has become more IP-intensive

"The coronavirus pandemic surprised the world a couple of years ago and forced people to adapt to exceptional circumstances. At the start of this series of articles, the return to the “new normal” has already been canceled once due to the omicron variant, and the old saying about the certainty of change feels very concrete.

A great deal has also happened in the field of intellectual property assets during the pandemic. I will discuss these, perhaps to some degree surprising, changes in the following series of articles, the first part of which concerns IP protection activity and its effects during the coronavirus era. In the second part, I will proceed to address the IP cultures of businesses which are nowadays seen as an increasingly significant part of the IP strategies of corporations. The third and final section of the series is dedicated to IP issues regarding sustainable development. All the themes mentioned show that even in the field of IP rights, only change is permanent and succeeding in a changing IP field requires companies to adapt a considerably more active and conscious frame of mind."

Friday, December 31, 2021

The global appeal of "Take Me Home, Country Roads"; CBS Sunday Morning, December 26, 2021

CBS Sunday Morning; The global appeal of "Take Me Home, Country Roads"

""Take Me Home, Country Roads," a song about a longing for home (co-written by a songwriter who had never even been in West Virginia), has been embraced by the Mountain State in a big way, and has since been appropriated by singers around the world looking for their very own "place I belong." Correspondent Conor Knighton looks into the genesis and global impact of John Denver's first big hit; and with country star Brad Paisley about the special pull the song has for him."

Thursday, December 16, 2021

Ben Reilly And Miles Morales Continue Clash Over Spider-Man Trademark; Bleeding Cool, December 15, 2021

, Bleeding Cool; Ben Reilly And Miles Morales Continue Clash Over Spider-Man Trademark

"You couldn't have planned it better, could you? On the 26th of August, Patrick S Ditko, the brother of the late Steve Ditko and administrator of his estate, registered two notices of copyright termination against Marvel Entertainment for the first appearances of Doctor Strange and Spider-Man in comic books. And in the comic books, The Beyond Corporation is fighting to steal/keep the trademark to Spider-Man, granting it to their Peter Parker replacement Ben Reilly, but denying it from Miles Morales."

Taylor Swift ‘Shake It Off’ Trial Alarms Legal Experts: “Makes Copyright Law Look Absurd” | Billboard News, December 2021

Billboard; Taylor Swift ‘Shake It Off’ Trial Alarms Legal Experts: “Makes Copyright Law Look Absurd” | 

"There’s a lawsuit alleging that Taylor Swift stole the lyrics to “Shake It Off.” The pop star could win the case, but some legal experts tell Billboard they’re alarmed that the case is headed to trial at all."

Tuesday, December 14, 2021

Pizza dough trade secrets case pits Schwan's against Conagra; AgWeek, December 8, 2021

Jeff Beach, Ag WeekPizza dough trade secrets case pits Schwan's against Conagra

"Court documents state that “Schwan’s alleges that from the time Cai accepted the job at Conagra until he was escorted from Schwan’s property, he accessed files containing Schwan’s confidential and proprietary information and trade secrets on several projects related to grain, pizza crust, and encapsulated sugar, among other projects.” 

Schwan’s also says Cai took devices and notebooks with research information. 

Nine days after Schwan’s fired him, Cai filed two United States patent applications: “Method of Making Frozen Dough and Products Made Using the Method” and “Microwaveable Frozen Breads and Method of Making the Same.” He also filed for a patent in China on the first patent.

Beginning from his hiring in 2003, Cai had signed agreements saying his Schwan’s work would be confidential and could not use that information to help another company or use it to get another job. It also specified that any patents from his work at Schwan’s would belong to the company."

Sonny Bono’s Widow Strikes Back in Cher Copyright Fight; Billboard, December 9, 2021

Bill Donahue, Billboard; Sonny Bono’s Widow Strikes Back in Cher Copyright Fight

"Cher’s legal battle with Sonny Bono’s widow is heating up, with Mary Bono arguing that the legendary singer should not be allowed to claim that her divorce agreement trumps important provisions of federal copyright law.

Cher sued Mary Bono last month, seeking to block her from taking control of Sonny’s music. The case is one of several closely-watched music lawsuits over copyright law’s “termination right” — a provision that allows creators or their heirs to win back control of rights they signed away decades prior."

Marvel's New Spider-Man is Taking The Name from Miles Morales; ScreenRant, December 13, 2021

LIAM MCGUIRE, ScreenRant ; Marvel's New Spider-Man is Taking The Name from Miles Morales

"The Beyond Corporation is using Marvel's newest Spider-Man to make sure Miles Morales doesn't continue using his usual superhero name as a potential legal battle continues to build up. In Amazing Spider-Man #81 by Marvel Comics, the corporation tells Ben Reilly needs him to protect the Spider-Man name and that he's contractually obligated to enforce their trademark against Brooklyn's web-slinger. Reilly begrudgingly agrees, setting up a conflict between Marvel's new Spider-Man and Miles Morales."

Monday, December 13, 2021

Papa’s Burgers changes name after trademark trouble with Houston’s Pappas Restaurants; KSAT.com, December 11, 2021

KSAT.com; Papa’s Burgers changes name after trademark trouble with Houston’s Pappas Restaurants

"A beloved San Antonio burger joint has officially rebranded itself after a recent “hurtful” trademark issue with a Houston restaurant chain.

Papa’s Burgers owner Robert Walker announced the restaurant’s new name on Friday, which is “The Good News Burgers.”

The name change comes after the restaurant received a cease and desist notice from Pappas Restaurants, due to the similarities in their restaurant titles.

Walker previously told KSAT that he filed a trademark for Papa’s Burgers, but before doing so, he reached out to the Houston restaurateur “out of respect so that it wouldn’t be an issue.” However, at last check, he didn’t hear back."

The sled that steers; Journeys of Innovation series, United States Patent and Trademark Office; December 2021

 Journeys of Innovation series, United States Patent and Trademark Office; The sled that steers

"In the 1880s, Samuel Leeds Allen reinvented winter with the Flexible Flyer, a sled on red steel runners that riders could steer with their hands or feet. A self-taught inventor, Allen knew he’d hit it big when the kids told him so."

Friday, December 10, 2021

Andy Warhol Foundation Asks Supreme Court to Review Prince Pop Art Dispute; The Hollywood Reporter, December 9, 2021

Ashley Cullins, The Hollywood Reporter; Andy Warhol Foundation Asks Supreme Court to Review Prince Pop Art Dispute

"The Warhol Foundation argues that allowing the split to stand would create a “sea-change” in copyright law and lead to “inconsistent results and forum shopping” if the 2nd and 9th Circuits are using different frameworks to analyze fair use.

It argues the decision also chills artistic expression because creating new works as cultural commentary — like Warhol and the larger pop art movement did — could now amount to copyright infringement if the image is deemed too “recognizeable” to be transformative."

Top Intellectual Property Issues to Watch in 2022; Bloomberg Law, December 3, 2021

Dorothy R. Auth, Howard Wizenfeld, David (Dash) Cole , Bloomberg Law; Top Intellectual Property Issues to Watch in 2022

"Evolving U.S. intellectual property law continues to impact many industries, including the technology and pharmaceutical sectors, with 2022 promising to be no different.

The U.S. Supreme Court will have a significant role to play in the coming year. On the patent front, it will decide whether to review the U.S. Court of Appeals for the Federal Circuit’s decision in American Axle, a case which could potentially expand patent- ineligible subject matter to include certain conventional methods of using mechanical devices

A second case, now seeking Supreme Court reviewAmgen v. Sanofi could have implications in the biotech and pharma space with regard to the ability to protect chemical genuses.

Copyright law is also evolving, with U.S. appellate courts trying to apply the Supreme Court’s Google v. Oracle decision addressing fair use in more traditional copyright settings."

4 Things to Know About Intellectual Property and COVID-19 Vaccines; U.S. Chamber of Commerce, December 9, 2021

U.S. Chamber of Commerce; 4 Things to Know About Intellectual Property and COVID-19 Vaccines

Intellectual property enabled the discovery of lifesaving COVID-19 vaccines. Here’s why calls to waive IP rights would undermine medical innovation and our ability to respond to the next pandemic.

"Key takeaways

  • Some governments, including the United States, are considering a proposal to waive intellectual property laws for COVID-19 vaccines.
  • But waiving intellectual property laws could jeopardize medical innovation, including the development of new or adapted vaccines to combat COVID-19 variants like Omicron.
  • Waiving intellectual property rights for COVID vaccines could have ripple effects on innovators and investments across industries."

How Led Zeppelin Gave Us All a Lesson in Copyright Law; Ultimate Guitar, December 9, 2021

Justin Beckner, Ultimate Guitar; How Led Zeppelin Gave Us All a Lesson in Copyright Law

"We often think of music as being a therapeutic, enjoyable, carefree world of creative expression, some of us decide to make our living in an industry built on those principles. That’s when things get very dark very quickly. Visions of rainbows and artistic freedom are crushed between binding contracts regarding the financial and legal terms of your intellectual property and the foaming mouth of the public ready to tear you apart because your music is too commercial. It can be a dark industry for anyone to navigate, especially those without law degrees.

Many litigations in the industry hinge on copyright law. So we sought out the aid of an expert in the field to help us understand the basics of copyright law using some high-profile case studies you have undoubtedly heard of. This article was written in collaboration with a copyright attorney, Rikki Mays-Reak, who helps us navigate the treacherous legal waters of the music industry...

With only 12 notes at our disposal in western music (I'm speaking in generality, of course), it's hard to imagine any combination of notes being so unique that it doesn’t sound like anything that has ever been recorded or composed in history of music. So these copyright lawsuits regarding intellectual property can be very complex and tricky, especially when you consider that it covers any improvised version of the song committed to some form of recording."


Wednesday, December 8, 2021

YouTube reveals millions of incorrect copyright claims in six months; The Verge, December 6, 2021

Mia Sato , The Verge; YouTube reveals millions of incorrect copyright claims in six months

"Over 2.2 million copyright claims hit YouTube videos before later being overturned between January and June of this year, according to a new report published by the company today. The Copyright Transparency Report is the first of its kind published by YouTube, which says it will update biannually going forward.

The 2.2 million incorrect claims represent less than 1 percent of the more than 729 million total copyright claims issued in the first half of this year, 99 percent of which originated from Content ID, YouTube’s automated enforcement tool. When users disputed these claims, the case was resolved in favor of the uploader of the video 60 percent of the time, according to the report."

Monday, December 6, 2021

USPTO implements the Trademark Modernization Act; United States Patent and Trademark Office (USPTO, November 17, 2021

United States Patent and Trademark Office (USPTO) ; USPTO implements the Trademark Modernization Act

"Regulations implementing the Trademark Modernization Act of 2020 (TMA) will go into effect on December 18, 2021. Individuals, businesses, and the United States Patent and Trademark Office (USPTO) will now have new tools to clear away unused registered trademarks from the federal trademark register as of December 18, 2021, and the USPTO will have the ability to move applications through the registration process more efficiently as of December 1, 2022.

The new ex parte expungement and reexamination proceedings provide a faster, more efficient, and less expensive alternative to a contested inter partes cancelation proceeding at the Trademark Trial and Appeal Board (TTAB).

Read the final ruleto learn more about these changes, and visit the USPTO’s new Trademark Modernization Act webpage for more information."

Diversity in innovation: Best practices; United States Patent and Trademark Office Webinar: Tuesday, December 7, 2021 12 PM EST - 1 PM EST

United States Patent and Trademark Office Webinar: Tuesday, December 7, 2021 12 PM EST - 1 PM EST; Diversity in innovation: Best practices 

"Join us virtually on Tuesday, December 7 for a presentation on best practices for diversity in innovation, followed by a discussion led by the United States Patent and Trademark Office (USPTO) Midwest Regional Director Damian Porcari.

In 2020, the USPTO collaborated with Santa Clara Law’s High Tech Law Institute (HTLI) to propose a study designed to increase diversity in the patenting process. The study specifically targeted in-house international property (IP) legal departments and their practices. The goal of the study was simple: to harvest the collective knowledge of nationwide IP professionals and to produce a practical guide to fostering a more diverse population of inventors. Join the USPTO and HTLI at this free event to learn more about the Diversity in Innovation Best Practices Guide and the goal of increasing the diversity of inventors within the innovation ecosystem.

The guide is presented in three categories of easy-to-read tables:

  • Do it now: Practices that are likely to be budget-neutral, easily implemented, and within the authority of an in-house attorney or IP manager.
  • Do it this year: Practices that may require 3–9 months of planning, e.g., because they require coordination with other groups or departments, and/or the creation of content, tools, or systems.
  • Do it next year: Practices that will likely take 6–12 months of planning to implement, e.g., because they need to be coordinated with different departments, require moderate or significant budgetary planning, and/or require buy-in from high level management.

Register today to gain insights from the guide's authors from HTLI: Laura Norris and Mary Fuller. An open discussion moderated by Midwest Regional Director Damian Porcari will follow the presentation.

Please see registration page for states where CLE credit is available.

    Materials