Sunday, January 30, 2011

Young inventors prompt colleges to revamp rules; Associated Press, 1/24/11

Associated Press; Young inventors prompt colleges to revamp rules:

"Who owns the patents and copyrights when a student creates something of value on campus, without a professor's help?...

The issue has been cropping up on campuses across the nation, spurred by the boom in computer software in which teenagers tinkering in dorm rooms are coming up with products that rival the work of professional engineers.

Universities have had longstanding rules for inventions by faculty, generally asserting partial ownerships rights to technology created with university resources that have commercial potential. For students, though, policies often were vague because cases didn't come up very often.

With new apps worth big money, the legal questions are now being debated across academia."

Saturday, January 29, 2011

Can Your Camera Phone Turn You Into a Pirate?; New York Times, 1/16/11

Nick Bilton, New York Times; Can Your Camera Phone Turn You Into a Pirate? :

"Charles Nesson, the Weld professor of law at Harvard Law School and founder of the Berkman Center for Internet and Society there, also said that the act of “documenting” a book, as he called it, bears many similarities to pirating music. It could lead to a new wave of legal cases brought by bookstores or publishers, he said, much like the litigation brought by music companies against sites like Napster and LimeWire and their users."

Playing catch-up in a digital library race; New York Times, 1/9/11

Natasha Singer, New York Times; Playing catch-up in a digital library race:

"Lending libraries may have been the newfangled democratizing factor of their day. Centuries later, though, the United States finds itself trailing Europe and Japan in creating the modern equivalent: a national digital library that would serve as an electronic repository for the nation’s cultural heritage.

In other words, there’s a real digital library divide."

Obama Image Copyright Case Is Settled; New York Times, 1/12/11

David W. Dunlap, New York Times; Obama Image Copyright Case Is Settled:

"The Associated Press and the artist Shepard Fairey have settled their copyright battle over the unlicensed use by Mr. Fairey of an A.P. photograph of Barack Obama in the memorable 2008 “Hope” poster. The A.P. announced the settlement on Wednesday.

Under the agreement, The A.P. and Mr. Fairey are to share the rights to make posters and merchandise bearing the “Hope” image, which was based on a photo taken by Mannie Garcia in 2006, and collaborate on a project in which Mr. Fairey will create a series of images based on A.P. photographs. There was also an undisclosed financial settlement.

Perhaps most significantly, the two sides agreed to disagree on whether copyright law was infringed."

[Podcast] Digital Music Sampling: Creativity Or Criminality?; Talk of the Nation, 1/28/11

[Podcast] Talk of the Nation; Digital Music Sampling: Creativity Or Criminality? :

"The advent of the sampler in the '80s brought a long tradition of musical borrowing into the digital age. Today, "sampling," or repurposing a snippet of another artist's music, is mainstream. Is sampling theft, or is copyright law making creativity a crime?"

Fair use for poets, demystified; BoingBoing.net, 1/29/11

Cory Doctorw, BoingBoing.net; Fair use for poets, demystified:

"Pat [Aufderheide] from American University's Center for Social Media sez, "We're excited to announce the launch of a Code of Best Practices in Fair Use for Poetry, cofacilitated by WCL-AU's Peter Jaszi, UCB's Jennifer Urban, Kate Coles from the Poetry Foundation, and Center for Social Media's Pat Aufderheide. The hashtag is #fairusepoetry"

Monday, January 24, 2011

Music Industry Braces for the Unthinkable; New York Times, 1/24/11

Eric Pfanner, New York Times; Music Industry Braces for the Unthinkable:

""We are at one of the most worrying stages yet for the industry,” he continued. “As things stand now, digital music has failed.”

Music executives disagree, saying there is hope, as long as they can come to grips with piracy, which according to the industry federation accounts for the vast majority of music distributed online.

Stronger measures to crack down on unauthorized copying are taking effect in a number of countries, executives note, and even as the authorities wield a heavier stick, the complementary carrots are appearing, too, in the form of innovative digital services."