DIY Tractor Repair Runs Afoul Of Copyright Law; NPR, All Tech Considered, 8/17/15

Laura Sydell, NPR, All Tech Considered; DIY Tractor Repair Runs Afoul Of Copyright Law:

"You may wonder why Alford doesn't just break that digital lock and get into the software and fix the problems himself. He could, but he'd be breaking the law. It's called the Digital Millennium Copyright Act of 1998, or DMCA. It was written because movie studios were worried that people would break the digital locks on DVDs, make copies and pirate them.

"And now we have this situation where there's digital locks on all kinds of things," says Kyle Wiens, co-founder of iFixit, which helps people repair their own technology. "There's digital locks on your garage door opener and if you want to circumvent that, if you want to use an aftermarket garage door opener that wasn't made by your garage door manufacturer, you might be violating copyright law."

And you can add to this list. It is illegal to break the digital locks on medical devices, such as a pacemaker, as well as game consoles and cars — pretty much anything you purchase that runs with software. If you break the digital lock you can face five years in prison and/or a half a million dollars in fines. Though we haven't heard of that happening to a farmer.

The law provides that every three years the Library of Congress' copyright office can review the law and make exemptions. Farm groups, mechanics, security researchers, consumer advocates are all in the midst of fighting for several exceptions.

Automakers, John Deere and other makers of construction equipment are opposed."

A South Bronx Graffiti Walkabout; New York Times, 8/17/15

David Gonzalez, New York Times; A South Bronx Graffiti Walkabout:

"When asked what was the difference between graffiti and street art, Crash replied that traditionalists see graffiti as strictly aerosol art that placed an emphasis on letters and color, while street artists might employ different types of paint, stencils or subjects and surfaces. Some have suggested that real graffiti artists should still be outlaws, but some of the most dedicated — and respected — graffiti artists in the Bronx are tired of that unrealistic expectation. Graffiti is not just a way of life for them, it is also how they have been able to make a living doing commissioned pieces or exhibiting and selling at galleries (or defending their copyright when used without permission by designers and ad agencies)."

Artist Outraged at 'Plagiarism' of His Sculpture in China; Associated Press via New York Times, 8/12/15

Associated Press via New York Times; Artist Outraged at 'Plagiarism' of His Sculpture in China:

"Renowned artist Anish Kapoor has expressed outrage about the appearance of a sculpture in China that appears identical to his "Cloud Gate" in Chicago.

Representatives of the British-Indian sculptor said Wednesday he was shocked at the "blatant plagiarism" of his sculpture, a giant, mirrored piece displayed in Chicago's Millennium Park that reflects the city's skyline...

"It seems that in China today it is permissible to steal the creativity of others," he said. "I hope that the Mayor of Chicago will join me in this action. The Chinese authorities must act to stop this kind of infringement and allow the full enforcement of copyright.""

The twisted history of the Happy Birthday song—and the copyright shenanigans that keep it profitable; BoingBoing.net, 8/7/15

Glenn Fleishman, BoingBoing.net; The twisted history of the Happy Birthday song—and the copyright shenanigans that keep it profitable:

"The final determination about when "Happy Birthday" lost its copyright protection will be made by the judge in the case, who, after some back and forth filings and possibly an in-court hearing in the next week, will probably issue his opinion between the end of August and the end of September, says Rifkin.

It would be nice to close the book on "Happy Birthday," but it doesn't close the book on copyright absurdity. An abundance of material from 1923 is poised to enter the public domain in 2019 unless a further taking of the public interest occurs, as the Sonny Bono Copyright Term Extension Act did in 1998, adding an unnecessary 20 years to the existing 50 years' protection past an authors' death.

Rather than sing "Happy Birthday" on January 1, 2019, we should sing another variation of the song: "Good-bye to you.""

‘Right to Be Forgotten’ Online Could Spread; New York Times, 8/5/15

Farhad Manjoo, New York Times; ‘Right to Be Forgotten’ Online Could Spread:

"Proponents of the law also reacted skeptically to the claim that the right to be forgotten would be used by other countries to force content restrictions beyond those involving privacy.

“That’s nonsense,” said Marc Rotenberg, the executive director of the Electronic Privacy Information Center, a privacy advocacy group. He argued there were ways to limit access to private information that would not conflict with free speech, and he noted that Google already had a process for global removal of some identifiable private information, like bank account numbers, social security numbers and sexually explicit images uploaded without the subject’s consent (known as “revenge porn.”).

“A global implementation of the fundamental right to privacy on the Internet would be a spectacular achievement,” said Mr. Rotenberg. “For users, it would be a fantastic development.”

Mr. Zittrain, of Harvard, pointed out that Google also removes content globally to abide by copyright law. When Google receives a takedown notice for linking to infringing content, it removes those links from all of its sites across the world. Couldn’t it do the same for private information?

The trouble with comparing copyright law to privacy, though, is that the United States and Europe broadly agree on what constitutes copyrighted content, but private information is far more nebulous."

Katy Perry's Met Ball dress the subject of copyright infringement lawsuit; Guardian, 8/6/15

Tshepo Mokoena, Guardian; Katy Perry's Met Ball dress the subject of copyright infringement lawsuit:

"One artist is less than impressed with the dress that Katy Perry wore to this year’s Met Ball – and not for sartorial reasons. Brooklyn street artist Rime, born Joseph Tierney, has filed a copyright infringement lawsuit against designer Jeremy Scott and design house Moschino, for making a dress that Tierney believes imitates a signature graffiti tag that he painted on a Detroit building."

An Old Songbook Could Put ‘Happy Birthday’ in the Public Domain; New York Times, 8/4/15

Ben Sisario, New York Times; An Old Songbook Could Put ‘Happy Birthday’ in the Public Domain:

"Yet “Happy Birthday to You” has long been a prime target for critics of the laws that regulate copyright. Thanks to an extension made under the Sonny Bono Copyright Term Extension Act of 1998 — which was lobbied for heavily by Hollywood — the song remains under protection through 2030.

“The fact that ‘Happy Birthday to You’ is still under copyright is the most symbolic example of how copyright has expanded and overreached beyond its Constitutional purpose,” said Kembrew McLeod, a communications professor at the University of Iowa who has written about the song."