"After a decades-long battle, the Bundesverfassungsgericht (the supreme German Constitutional Court) has overturned a ban on a song that used a two-second sample of a Kraftwerk recording. In 1997, music producer Moses Pelham used a clip from 1977 release Metall auf Metall (Metal on Metal) in the song Nur mir (Only Mine) performed by Sabrina Setlur. Lead singer of Kraftwerk, Ralf Huetter, sued Pelham, and in 2012 the electropop pioneer won his case for copyright infringement in Germany's Federal Court of Justice (Bundesgerichtshof), gaining damages and a block on Nur mir. However, in today’s judgment, the eight judges of the First Senate of the Federal Constitutional Court decided that the lower court did not sufficiently consider whether the impact of the sample on Krafwerk might be “negligible.” Pelham successfully argued that sampling is common practice in the hip hop genre and that in some cases “artistic freedom overrides the interest of the owner of the copyright.""
Issues and developments related to IP, AI, and OM, examined in the IP and tech ethics graduate courses I teach at the University of Pittsburgh School of Computing and Information. My Bloomsbury book "Ethics, Information, and Technology", coming in Summer 2025, includes major chapters on IP, AI, OM, and other emerging technologies (IoT, drones, robots, autonomous vehicles, VR/AR). Kip Currier, PhD, JD
Tuesday, May 31, 2016
Kraftwerk loses hip-hop music-sampling copyright case; Ars Technica, 5/31/16
Jennifer Baker, Ars Technica; Kraftwerk loses hip-hop music-sampling copyright case:
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