Microsoft AI CEO predicts 'most, if not all' white-collar tasks will be automated by AI within 18 months; Business Insider, February 12, 2026

 Lloyd Lee and Kelsey Vlamis, Business Insider; Microsoft AI CEO predicts 'most, if not all' white-collar tasks will be automated by AI within 18 months

[Kip Currier: Microsoft AI Chief Mustafa Suleyman's assertion that AI will be performing "most, if not all" white-collar  tasks within 12 to 18 months raises lots of questions, like:

• Is this forecast accurate or AI hype?
• As individuals and societies, do we want AI to displace human workers? Who has decided that this is "a good thing"?
• What are the spiritual implications of this revolutionary transformation of our world?
• What are the implications of such changes for the physical and mental well-being of children, young people, and adults?
• What are the short-term and long-term cognitive impacts of AI use?
• How will marginalized persons around the globe be affected by such radical employment changes? How will the Global South be impacted?
• What are the implications for income disparities and wealth concentration?
• In what ways will culture, the arts, science, medicine, and research be influenced?
• What are the impacts on education, life-long learning, and professional development?
• How will the environment, diminishing resources like water, and climate change be influenced by this employment forecast?
• In what ways will AI proliferation impact people in need and the fauna and flora of the world, particularly vulnerable organisms and ecosystems?
• How will monies and resources spent on AI data centers create new environmental justice communities and exacerbate inequities in existing ones?
• What are the implications for democracy, human rights, and civil liberties, like privacy, data agency, free expression, intellectual freedom, and access to accurate, uncensored information?
• Do you trust AI to do the white-collar jobs that humans have done? 
• Are Microsoft and Suleyman disinterested parties? Microsoft has major self-interest in hyping AI enterprise products that Microsoft will be charging users to adopt and license.
• If Suleyman's claim is accurate, or even is accurate but in a longer time period than 12 to 18 months, what kinds of oversight, regulations, and ethical guardrails are needed/desired?]

[Excerpt]

"Mustafa Suleyman, the Microsoft AI chief, said in an interview with the Financial Times that he predicts most, if not every, task in white-collar fields will be automated by AI within the next year or year and a half.

"I think that we're going to have a human-level performance on most, if not all, professional tasks," Suleyman said in the interview that was published Wednesday. "So white-collar work, where you're sitting down at a computer, either being a lawyer or an accountant or a project manager or a marketing person — most of those tasks will be fully automated by an AI within the next 12 to 18 months.""

Scoop: Disney sends cease and desist letter to ByteDance over Seedance 2.0; Axios, February 13, 2026

Sara Fischer, Axios ; Scoop: Disney sends cease and desist letter to ByteDance over Seedance 2.0

"The Walt Disney Company on Friday sent a cease-and-desist letter to ByteDance, alleging the Chinese tech giant has been infringing on its works to train and develop an AI video generation model without compensation, according to a copy of the letter obtained by Axios.

Why it matters: It's the most serious action a Hollywood studio has taken so far against ByteDance since it launched Seedance 2.0 on Thursday. 

Zoom in: The letter, addressed to ByteDance global general counsel John Rogovin, accuses ByteDance of pre-packaging its Seedance service "with a pirated library of Disney's copyrighted characters from Star Wars, Marvel, and other Disney franchises, as if Disney's coveted intellectual property were free public domain clip art." 

"Over Disney's well-publicized objections, ByteDance is hijacking Disney's characters by reproducing, distributing, and creating derivative works featuring those characters. ByteDance's virtual smash-and-grab of Disney's IP is willful, pervasive, and totally unacceptable," Disney's outside attorney David Singer wrote. 

"We believe this is just the tip of the iceberg – which is shocking considering Seedance has only been available for a few days," he added.

Between the lines: The letter includes a slew of examples of infringing Seedance videos that feature Disney's copyrighted characters, including Spider-Man, Darth Vader, Star Wars' Grogu (Baby Yoda), Peter Griffin from Family Guy and others."

The Guardian view on the BBC World Service: this is London calling; The Guardian, February 13, 2026

 Editorial,The Guardian; The Guardian view on the BBC World Service: this is London calling

[Kip Currier: This is the "money quote" for me in this persuasive Guardian Editorial on supporting the BBC World Service:

Accurate journalism is the strongest weapon in the war of information.

https://www.theguardian.com/commentisfree/2026/feb/13/the-guardian-view-on-the-bbc-world-service-this-is-london-calling]

With just seven weeks before its funding runs out, the UK’s greatest cultural asset and most trusted international news organisation must be supported

"The programmes will neither be very interesting nor very good,” said the then BBC director general John Reith, when he launched its Empire Service in December 1932. Nearly a century later, the BBC World Service, as it is now known, broadcasts in 43 languages, reaches 313 million people a week and is one of the UK’s most influential cultural assets. It is also a lifeline for millions. “Perhaps Britain’s greatest gift to the world” in the 20th century, as Kofi Annan, the former UN secretary general, once put it.

But this week Tim Davie, the corporation’s director general, announced that the World Service will run out of funding in just seven weeks. Most of its £400m budget comes from the licence fee, although the Foreign Office – which funded it entirely until 2014 – contributed £137m in the last year. The funding arrangement with the Foreign Office finishes at the end of March. There is no plan for what happens next.

Meanwhile, Russia and China are pouring billions into state-run media. And American news organisations are crumbling under the Trump administration. Last week the Washington Post axed 300 jobs including its Ukraine reporter, and hundreds were lost at Voice of America, the closest US equivalent to the BBC, last year.

Although some question why licence-fee payers should subsidise services largely consumed abroad, it is also loved by many at home. In the small hours, it is a window on a dark world, an alternative to doomscrolling and a pushback against parochialism. Jeremy Paxman summed it up when he compared the World Service to a cords- and cardigan-wearing “ageing uncle who’s seen it all. It has a style that makes understatement seem like flamboyance”. But we should not allow this cosy, slightly fusty image to obscure its purpose.

For many it is not just life-enhancing, but life‑saving. Last month, during the internet blackout in Iran, the BBC’s Persian service provided additional radio programmes over shortwave and medium wave. Emergency services were also launched in response to conflicts in Ukraine, Syria, Gaza and Sudan, and after the earthquake in Myanmar. It remains the only international news organisation still broadcasting inside Afghanistan, setting up an education programme for Afghan children in 2024.

But it has been beleaguered by cuts, closures and job losses. In 2022, radio broadcasts in 10 languages including Arabic, Persian, Chinese and Bengali were replaced by digital services, a decision criticised for disproportionately affecting women, who rely most on radios. Wherever the BBC has been forced to withdraw – for financial or political pressures – propaganda has been quick to fill the gap.

No one doubts the World Service’s value as an instrument of soft power. But, as BBC bosses argue, it is also part of our national security. Accurate journalism is the strongest weapon in the war of information. The World Service must not be allowed to stumble into decline. Mr Davie is right – if optimistic – to urge the government to back it decisively and urgently.

During the second world war, radio was “scattering human voices into the darkness of Europe”, Penelope Fitzgerald wrote in her 1980 novel Human Voices, based on her time working for the BBC. Amid the AI noise and disinformation, the World Service must be enabled to keep scattering human voices in our own dark times."

A.I. Companies Are Eating Higher Education; The New York Times, February 12, 2026

Matthew Connelly, The New York Time; A.I. Companies Are Eating Higher Education

"Young people are quickly becoming so dependent on A.I. that they are losing the ability to think for themselves. And rather than rallying resistance, academic administrators are aiding and abetting a hostile takeover of higher education...

It is still too early to know how A.I. usage affects young people’s ability to learn. But research suggests that students using A.I. do not read as carefully when doing research and that they write with diminished accuracy and originality. Students do not even realize what they are missing. But educators and employers know. Reading closely, thinking critically and writing with logic and evidence are precisely the skills people need to realize the bona fide potential of A.I. to support lifelong learning."

MPA Calls On TikTok Owner ByteDance To Curb New AI Model That Created Tom Cruise Vs. Brad Pitt Deepfake; Deadline, February 12, 2026

Ted Johnson , Deadline; MPA Calls On TikTok Owner ByteDance To Curb New AI Model That Created Tom Cruise Vs. Brad Pitt Deepfake

"As reported by Deadline’s Jake Kanter, Seedance 2.0 users are prompting the Chinese AI tool to create videos that appear to be repurposing, with startling accuracy, copyrighted material from studios, including Disney, Warner Bros Discovery and Paramount. In addition to the Cruise vs. Pitt fight, the model has produced remixes of Avengers: Endgame and a Friends scene in which Rachel and Joey are played by otters."

Lawyer sets new standard for abuse of AI; judge tosses case; Ars Technica, February 6, 2026

 ASHLEY BELANGER , Ars Technica; Lawyer sets new standard for abuse of AI; judge tosses case

"Frustrated by fake citations and flowery prose packed with “out-of-left-field” references to ancient libraries and Ray Bradbury’s Fahrenheit 451, a New York federal judge took the rare step of terminating a case this week due to a lawyer’s repeated misuse of AI when drafting filings.

In an order on Thursday, District Judge Katherine Polk Failla ruled that the extraordinary sanctions were warranted after an attorney, Steven Feldman, kept responding to requests to correct his filings with documents containing fake citations."

Pitt climbed in the National Academy of Inventors’ global patent ranking; PittWire, February 12, 2026

PittWire ; Pitt climbed in the National Academy of Inventors’ global patent ranking

"The University of Pittsburgh climbed two spots on the list of the Top 100 Worldwide Universities Granted U.S. Utility Patents, according to the most recent list issued by the National Academy of Inventors (NAI).

Pitt innovators were issued 107 U.S. patents in 2025 for a No. 26 ranking, up from No. 28 in 2024, when they were issued 102 patents.

Released annually by the NAI since 2013, the Top 100 Worldwide Universities List spotlights the universities holding U.S. utility patents to showcase the important research and innovation taking place within academic institutions.

Nine institutions outside the U.S. and several multicampus statewide university systems were among those ranked ahead of Pitt.

“Pitt’s climb in the NAI patent ranking underscores the determination of our faculty and student innovators to turn research into real-world impact,” said Evan Facher, vice chancellor for innovation and entrepreneurship and associate dean for commercial translation at the School of Medicine. “Our innovators are submitting discoveries to the Office of Innovation and Entrepreneurship at a record pace, and securing intellectual property is a crucial step in translating those breakthroughs into technologies that improve lives.”

In the last fiscal year, Pitt innovators had their intellectual property licensed or optioned 137 times, including the formation of 15 startup companies, with technologies ranging from AI platforms for diagnosing macular degeneration, aortic aneurysms and ear infections, to a gene therapy to treat hearing loss, and more."

Figure Skaters Try to Master a New Routine: Copyright Compliance; The New York Times, February 12, 2026

Tariq Panja , The New York Times; Figure Skaters Try to Master a New Routine: Copyright Compliance

"The intricacies of intellectual property law have been the talk of the figure skating competition in Milan unlike at any previous Games. Several athletes have found themselves caught up in copyright controversies before and during one of the biggest competitions of their careers, illustrating the complex and error-prone process skaters must navigate to gain permission to use others’ music in their routines."

Why are copyright problems plaguing figure skating at the Milan Cortina Olympics?; AP, February 11, 2026

DAVE SKRETTA , AP; Why are copyright problems plaguing figure skating at the Milan Cortina Olympics?

"One of the recurring issues during the opening week of the figure skating program at the Milan Cortina Olympics has been copyright problems, which have forced some athletes to scramble for approval and others to ditch their planned programs entirely...

Why are copyright problems happening?

The International Skating Union long forbade the use of lyrics in any discipline besides ice dance, forcing athletes to perform to older pieces of music — often classical tunes, such as piano concertos. Those pieces were considered part of the public domain, which meant that they could be used or modified freely and without permission.

That changed in 2014, when the ISU lifted its ban on lyrics in the hope of appealing to younger audiences. Suddenly, skaters had the choice of just about any musical genre, from pop to hip-hop to hard rock and even heavy metal.

The problem is that modern music is not part of the public domain, which means athletes must obtain permission to use it. During the 2018 Pyeongchang Games, the first Olympics in which lyrics were allowed, American skaters Alexa Knierim and Brandon Frazier used a cover of “House of the Rising Sun,” and the indie rock band ultimately sued them for using it without its permission."

Don’t turn the military’s newspaper into a message platform; Stars and Stripes, February 10, 2026

 RUFUS FRIDAY | CENTER FOR INTEGRITY IN NEWS REPORTING, Stars and Stripes; Don’t turn the military’s newspaper into a message platform

"There are places where a news organization’s values aren’t just written down, they’re literally inscribed on the walls.

Recently, staff at the Stars and Stripes press facility at Camp Humphreys in South Korea, the largest United States overseas military facility, unveiled a large mural titled “Stars and Stripes’ Core Values.” The words aren’t subtle: Credibility. Impartiality. Truth-telling. Balanced. Accountable.

Those aren’t marketing slogans. They are the compact between a newsroom and its readers, and especially important when the readership is the U.S. military community, often far from home, often in harm’s way.

That is why the Department of Defense’s recent posture toward Stars and Stripes is so alarming.

According to reporting by The Associated Press and other news organizations, the Pentagon said in a public statement by a spokesperson for Defense Secretary Pete Hegseth that it would “refocus” Stars and Stripes away from certain subject areas and toward content “custom tailored to our warfighters,” including weapons systems, fitness, lethality and related themes. The same reporting describes proposed steps such as removing content from wire services like the AP and Reuters and having a significant portion of content produced by the Pentagon itself.

Stars and Stripes is unusual and intentionally structured as-so on purpose. The paper’s own “About” page states plainly that it is “editorially independent of interference from outside its own editorial chain-of-command,” and “unique among Department of Defense authorized news outlets” in being “governed by the principles of the First Amendment.” 

In August 2025, Stars and Stripes took a step that I believe should be studied by every news organization trying to rebuild trust: it adopted and published a statement of core values emphasizing credibility and impartiality, and drawing a bright line between news and opinion. 

When a government authority suddenly declares that a news outlet must abandon certain viewpoints and then signals it will take a more hands-on role in shaping editorial operations, it sends a clear message to readers: the outlet is being pressured to produce coverage that satisfies those in power, rather than reporting grounded in facts.

No serious newsroom can sustain trust under that condition, which is already in dangerously short supply. Gallup reports that Americans’ confidence in mass media has fallen to historic lows, with just 28% expressing a great deal or fair amount of trust. When Gallup began measuring media trust in the 1970s, that figure routinely exceeded two-thirds of the public.

If our nation is struggling to persuade people that journalism is independent, accurate, objective, impartial and not an instrument of power, why would we take one of the country’s most symbolically important newsrooms, an outlet serving people in uniform, and wrap it more tightly inside the very institution it is entrusted to cover?

Last fall, I was in Japan for the 80th anniversary celebration of the Pacific edition of Stars and Stripes. In a detailed first-person account, the gala’s keynote speaker, journalist Steve Herman, described the paper’s long history of resisting becoming a “propaganda rag,” including General Eisenhower’s defense of the paper’s independence. 

That history matters because it explains why generations of commanders tolerated uncomfortable stories: a paper that service members trust does more for cohesion and legitimacy than one that reads like a propaganda platform for approved narratives.

The Stars and Stripes values statement puts it plainly: “Credibility is the greatest asset of any news medium,” and impartiality is its “greatest source of credibility.” It describes truth-telling as the core mission, accountability as a discipline, and it emphasizes the strict separation between news and opinion. 

Those principles are neither ideological nor hostile to the military. They are the foundational principles of a free press, and they are especially important when the audience is made up of people who swear an oath to uphold the Constitution.

The Americans who serve in our Armed Forces deserve more than information that flatters authority.

They deserve journalism that respects them enough to tell the truth.

That mural in South Korea has it right. Credibility. Impartiality. Truth-telling. Balanced. Accountable.

We should treat those words as a promise kept and a commitment upheld.

Rufus Friday serves as chairman of the Stars and Stripes publisher advisory board of directors and is the former publisher of the Lexington Herald-Leader in Lexington, Kentucky. Currently he is the executive director of the Center for Integrity in News Reporting."

Adam Schiff And John Curtis Introduce Bill To Require Tech To Disclose Copyrighted Works Used In AI Training Models; Deadline, February 10, 2026

Ted Johnson, Deadline; Adam Schiff And John Curtis Introduce Bill To Require Tech To Disclose Copyrighted Works Used In AI Training Models

"Sen. Adam Schiff (D-CA) and Sen. John Curtis (R-UT) are introducing a bill that touches on one of the hottest Hollywood-tech debates in the development of AI: The use of copyrighted works in training models.

The Copyright Labeling and Ethical AI Reporting Act would require companies file a notice with the Register of Copyrights that detail the copyrighted works used to train datasets for an AI model. The notice would have to be filed before a new model is publicly released, and would apply retroactively to models already available to consumers.

The Copyright Office also would be required to establish a public database of the notices filed. There also would be civil penalties for failure to disclose the works used."

OpenAI Is Making the Mistakes Facebook Made. I Quit.; The New York Times, February 11, 2026

 Zoë Hitzig , The New York Times; OpenAI Is Making the Mistakes Facebook Made. I Quit.

"This week, OpenAI started testing ads on ChatGPT. I also resigned from the company after spending two years as a researcher helping to shape how A.I. models were built and priced, and guiding early safety policies before standards were set in stone.

I once believed I could help the people building A.I. get ahead of the problems it would create. This week confirmed my slow realization that OpenAI seems to have stopped asking the questions I’d joined to help answer.

I don’t believe ads are immoral or unethical. A.I. is expensive to run, and ads can be a critical source of revenue. But I have deep reservations about OpenAI’s strategy."

No, the human-robot singularity isn’t here. But we must take action to govern AI; The Guardian, February 10, 2026

 Samuel Woolley , The Guardian; No, the human-robot singularity isn’t here. But we must take action to govern AI

"Based upon my years of research on bots, AI and computational propaganda, I can tell you two things with near certainty. First, Moltbook is nothing new. Humans have built bots that can talk to one another – and to humans – for decades. They’ve been designed to make outlandish, even frightening, claims throughout this time. Second, the singularity is not here. Nor is AGI. According to most researchers, neither is remotely close. AI’s advancement is limited by a number of very tangible factors: mathematics, data access and business costs among them. Claims that AGI or the singularity have arrived are not grounded in empirical research or science.

But as tech companies breathlessly promote their AI capabilities another thing is also clear: big tech is now far from being the countervailing force it was during the first Trump administration. The overblown claims emanating from Silicon Valley about AI have become intertwined with the nationalism of the US government as the two work together in a bid to “win” the AI race. Meanwhile, ICE is paying Palantir $30m to provide AI-enabled software that may be used for government surveillance. Musk and other tech executives continue to champion far-right causes. Google and Apple also removed apps people were using to track ICE from their digital storefronts after political pressure.

Even if we don’t yet have to worry about the singularity, we do need to fight back against this marriage of convenience caused by big tech’s quest for higher valuations and Washington’s desire for control. When tech and politicians are in lockstep, constituents will need to use their power to decide what will happen with AI."

Don’t deny military community unbiased coverage issues that matter to them; Stars and Stripes, February 5, 2026

 BERN ZOVISTOSKI, Stars and Stripes; Don’t deny military community unbiased coverage issues that matter to them

[Kip Currier: Powerful testimonial of the importance of free and independent presses]

"Bern Zovistoski was editor of European Stars and Stripes from 1991 to 1996.

When Congress intervened several decades ago (1990) to change the way Stars and Stripes operated on behalf of the U.S. military worldwide, there was evidence of “undue influence” by the uniformed leadership.

The new directives adopted by the Department of Defense were aimed at eliminating military control over what to publish (or not publish) and to provide service members a newspaper that emulated the best aspects of American journalism, without censorship of any kind.

As the first editor of European Stars and Stripes under the revised policies, I was hired as a “colonel equivalent” with responsibility for ensuring fair and accurate news coverage, arriving at Stripes in Darmstadt, Germany, just 10 days before the massive air attack that launched Operation Desert Storm against Iraq.

I saw what the situation had been.

For nearly the next six years, I saw a remarkable team of civilian journalists and military members transform the newspaper into one with strong editorial integrity that offered service members unvarnished news and information — which, of course, they deserved.

During my tenure, I benefited from an excellent relationship from the two publishers with whom I worked: Air Force Col. Gene Townsend, who hired me, and Air Force Col. Steven Hoffman. Both supported my efforts to the hilt.

In fact, I learned during my tenure that a good number of officers supported our efforts.

When the Gulf War ensued, we deployed reporters just as many U.S. newspapers did, and in short order our daily circulation surged from about 80,000 to 250,000 — and many of those readers were engaged in battle.

Who would deny these men and women an unbiased view of the monumental events in which they were involved?

Based on all the signals from the Trump administration’s people, they would.

I had held virtually every position in the newsroom in my career up to this point, including 25 years at The Times-Union in Albany, N.Y. — 18 in a managerial role.

I learned that the purpose of a newspaper is to provide truthful news to its readers.

There were many instances during my nearly six-year tenure that demonstrated some military leaders wanted to — and tried to — alter what we were doing to serve our readers.

But believe me, none succeeded.

In closing, I believe this anecdote sums up our success:

When I arrived at Stripes, there were no letters to the editor.

Oh, an occasional question was printed, with a “company policy” answer by the military. In essence, our readers were not given an opportunity to receive answers to their questions or even to ask questions.

We implemented a policy that enabled any and every reader to write a letter to the editor — expressing whatever they wished — and required the writer sign his or her name!

We were deluged with letters.

That was a biggie (although common in U.S. newspapers that we were emulating).

This action confirmed that the newspaper truly belonged to the readers and served them.

It’s doubtful President Donald Trump, Defense Secretary Pete Hegseth or anyone else in the current federal administration understands — or, perhaps, it’s because they do, and that’s their problem.""

Paul Thomas Anderson & Composer Jonny Greenwood Call For Removal Of ‘Phantom Thread’ Music From ‘Melania’ Documentary; Deadline, February 9, 2026

Matt Grover, Deadline ; Paul Thomas Anderson & Composer Jonny Greenwood Call For Removal Of ‘Phantom Thread’ Music From ‘Melania’ Documentary

"After taking notice of the use of a piece of music from their 2017 film Phantom Thread in Amazon MGM Studios‘ Melania Trump documentary Melania, filmmaker Paul Thomas Anderson and composer Jonny Greenwood are requesting its removal.

“It has come to our attention that a piece of music from Phantom Thread has been used in the Melania documentary,” said the duo in a statement issued by Greenwood’s camp.

They noted that while “Jonny Greenwood does not own the copyright in the score, Universal failed to consult Jonny on this third-party use which is a breach of his composer agreement. As a result Jonny and Paul Thomas Anderson have asked for it to be removed from the documentary.”"

Essential Knowledge for Journalists Reporting on AI, Creativity and Copyright; Webinar, National Press Foundation: Thursday, February 19, 2026 12 PM - 1 PM EST

Webinar, National Press Foundation: Essential Knowledge for Journalists Reporting on AI, Creativity and Copyright 

"Generative AI is one of the biggest technological and cultural stories of our time – and one of the hardest to explain. As AI companies train models on news articles, books, images and music, reporters face tough questions about permission, transparency and fair use. Should AI companies pay when creative works are used to train their AI models? Where’s the line between innovation and theft?

The National Press Foundation will host a webinar to help journalists make sense of the evolving AI licensing landscape and report on it with clarity and confidence. We’ll unpack what “AI licensing” really means, how early one-off deals are turning into structured revenue-sharing systems, and why recent agreements in media and entertainment could shift the conversation from conflict to cooperation.

Join NPF and a panel of experts for a free online briefing from 12-1 p.m. ET, Feb. 19, 2026. The practical, forward-looking discussion examines how trust, creativity, and innovation can coexist as this new era unfolds and will equip journalists with plain-language explanations, real-world examples, and story angles that help readers understand why AI licensing matters to culture, innovation and the creative ecosystem they rely on every day."