US Supreme Court asked to hear dispute over copyrights for AI creations; Reuters, October 10, 2025

Blake Brittain, Reuters; US Supreme Court asked to hear dispute over copyrights for AI creations

 "A computer scientist on Friday asked the U.S. Supreme Court to reconsider a ruling that a work of art generated by artificial intelligence cannot be copyrighted under U.S. law.

Stephen Thaler told the justices that the U.S. Copyright Office's decision denying copyright protection for the art made by his AI system "created a chilling effect on anyone else considering using AI creatively" and "defies the constitutional goals from which Congress was empowered to create copyright.""

Tilly Norwood & AI Confusion Will Shape Looming Guild Negotiations, Copyright Experts Agree; Deadline, October 12, 2025

 Dade Hayes , Deadline; Tilly Norwood & AI Confusion Will Shape Looming Guild Negotiations, Copyright Experts Agree

"Handel and Mishawn Nolan, managing partner of intellectual property law firm Nolan Heimann, shared their perspectives during a panel Friday afternoon at Infinity Festival in Los Angeles.

Digital scanning of human actors, for the purposes of using their likenesses in film and TV projects is another tricky area for the unions given how untested the legal questions are, the attorneys agreed.

“I actually have a client right now” whose body is being scanned, Nolan said. “What I received [from the company] was just a sort of standard certificate of engagement. It was all rights, just like you would normally use. And I said, ‘Well, what are you gonna do with the data? What is the scope of the use?’”

Because of the intense pressure on productions to move quickly, Nolan said, “everyone would like to just turn around [a talent agreement] tomorrow.” But the complexities of copyright issues raised by AI, which is evolving at a breakneck clip, require a lot more thought, she argued. “The way that we’ve always done business can’t be done in the future. It can’t be done instantaneously,” she continued. “You have to take a moment and think about, what are you doing? What are you capturing? What are you going to use it for? How are you going to use it? How long are you going to have access to it? And what happens in the long term? Who holds onto it? Is it safe? Is it gonna be destroyed?”"

OpenAI’s Sora Is in Serious Trouble; Futurism, October 10, 2025

Victor Tangermann, Futurism ; OpenAI’s Sora Is in Serious Trouble

"The cat was already out of the bag, though, sparking what’s likely to be immense legal drama for OpenAI. On Monday, the Motion Picture Association, a US trade association that represents major film studios, released a scorching statementurging OpenAI to “take immediate and decisive action” to stop the app from infringing on copyrighted media.

Meanwhile, OpenAI appears to have come down hard on what kind of text prompts can be turned into AI slop on Sora, implementing sweeping new guardrails presumably meant to appease furious rightsholders and protect their intellectual property.

As a result, power users experienced major whiplash that’s tarnishing the launch’s image even among fans. It’s a lose-lose moment for OpenAI’s flashy new app — either aggravate rightsholders by allowing mass copyright infringement, or turn it into yet another mind-numbing screensaver-generating experience like Meta’s widely mocked Vibes.

“It’s official, Sora 2 is completely boring and useless with these copyright restrictions. Some videos should be considered fair use,” one Reddit user lamented.

Others accused OpenAI of abusing copyright to hype up its new app...

How OpenAI’s eyebrow-raising ask-for-forgiveness-later approach to copyright will play out in the long term remains to be seen. For one, the company may already be in hot water, as major Hollywood studios have already started suing over less."

You Can’t Use Copyrighted Characters in OpenAI’s Sora Anymore and People Are Freaking Out; Gizmodo, October 8, 2025

AJ DELLINGER, Gizmodo; You Can’t Use Copyrighted Characters in OpenAI’s Sora Anymore and People Are Freaking Out

 "OpenAI may be able to appease copyright holders by shifting its Sora policies, but it’s now pissed off its users. As 404 Media pointed out, social channels like Twitter and Reddit are now flooded with Sora users who are angry they can’t make 10-second clips featuring their favorite characters anymore. One user in the OpenAI subreddit said that being able to play with copyrighted material was “the only reason this app was so fun.” Another claimed, “Moral policing and leftist ideology are destroying America’s AI industry.” So, you know, it seems like they’re handling this well."

It’s Sam Altman: the man who stole the rights from copyright. If he’s the future, can we go backwards?; The Guardian, October 10, 2025

 Marina Hyde , The Guardian; It’s Sam Altman: the man who stole the rights from copyright. If he’s the future, can we go backwards?

"I’ve seen it said that OpenAI’s motto should be “better to beg forgiveness than ask permission”, but that cosies it preposterously. Its actual motto seems to be “we’ll do what we want and you’ll let us, bitch”. Consider Altman’s recent political journey. “To anyone familiar with the history of Germany in the 1930s,” Sam warned in 2016, “it’s chilling to watch Trump in action.” He seems to have got over this in time to attend Donald Trump’s second inauguration, presumably because – if we have to extend his artless and predictable analogy – he’s now one of the industrialists welcome in the chancellery to carve up the spoils. “Thank you for being such a pro-business, pro-innovation president,” Sam simpered to Trump at a recent White House dinner for tech titans. “It’s a very refreshing change.” Inevitably, the Trump administration has refused to bring forward any AI regulation at all.

Meanwhile, please remember something Sam and his ironicidal maniacs said earlier this year, when it was suggested that the Chinese AI chatbot DeepSeek might have been trained on some of OpenAI’s work. “We are aware of and reviewing indications that DeepSeek may have inappropriately distilled our models, and will share information as we know more,” his firm’s anguished statement ran. “We take aggressive, proactive countermeasures to protect our technology.” Hilariously, it seemed that the last entity on earth with the power to fight AI theft was OpenAI."

OpenAI wasn’t expecting Sora’s copyright drama; The Verge, October 8, 2025

Hayden Field , The Verge; OpenAI wasn’t expecting Sora’s copyright drama

"When OpenAI released its new AI-generated video app Sora last week, it launched with an opt-out policy for copyright holders — media companies would need to expressly indicate they didn’t want their AI-generated characters running rampant on the app. But after days of Nazi SpongeBob, criminal Pikachu, and Sora-philosophizing Rick and Morty, OpenAI CEO Sam Altman announced the company would reverse course and “let rightsholders decide how to proceed.”

In response to a question about why OpenAI changed its policy, Altman said that it came from speaking with stakeholders and suggested he hadn’t expected the outcry.

“I think the theory of what it was going to feel like to people, and then actually seeing the thing, people had different responses,” Altman said. “It felt more different to images than people expected.”

OpenAI hastily retreats from gung-ho copyright policy after embarrassing Sora video output like AI Sam Altman surrounded by Pokémon saying 'I hope Nintendo doesn't sue us'; PC Gamer, October 5, 2025

Stevie Bonifield, PC Gamer ; OpenAI hastily retreats from gung-ho copyright policy after embarrassing Sora video output like AI Sam Altman surrounded by Pokémon saying 'I hope Nintendo doesn't sue us'

"This video is just one of many examples, but you'll have a much harder time finding Sora-generated videos containing Marvel or Disney characters. As reported by Automaton, Sora appears to be refusing prompts containing references to American IP, but Japanese IP didn't seem to be getting the same treatment over the past week.

Japanese lawyer and House of Representatives member Akihisa Shiozaki called for action to protect creatives in a post on X (formerly Twitter), which has been translated by Automaton: "I’ve tried out [Sora 2] myself, but I felt that it poses a serious legal and political problem. We need to take immediate action if we want to protect leading Japanese creators and the domestic content industry, and help them further develop. (I wonder why Disney and Marvel characters can’t be displayed).""

Sam Altman says Sora will add ‘granular,’ opt-in copyright controls; TechCrunch, October 4, 2025

Anthony Ha , TechCrunch; Sam Altman says Sora will add ‘granular,’ opt-in copyright controls

"OpenAI may be reversing course on how it approaches copyright and intellectual property in its new video app Sora.

Prior to Sora’s launch this week, The Wall Street Journal reported that OpenAI had been telling Hollywood studios and agencies that they needed to explicitly opt out if they didn’t want their IP to be included in Sora-generated videos.

Despite being invite-only, the app quickly climbed to the top of the App Store charts. Sora’s most distinctive feature may be its “cameos,” where users can upload their biometric data to see their digital likeness featured in AI-generated videos.

At the same time, users also seem to delight in flouting copyright laws by creating videos with popular, studio-owned characters. In some cases, those characters might even criticize the company’s approach to copyright, for example in videos where Pikachu and SpongeBob interact with deepfakes of OpenAI CEO Sam Altman.

In a blog post published Friday, Altman said the company is already planning two changes to Sora, first by giving copyright holders “more granular control over generation of characters, similar to the opt-in model for likeness but with additional controls.”"

Harvard Professors May Be Eligible for Payments in $1.5 Billion AI Copyright Settlement; The Harvard Crimson, October 1, 2025

Victoria D. Rengel, The Harvard Crimson;  Harvard Professors May Be Eligible for Payments in $1.5 Billion AI Copyright Settlement

"Following mediation, the plaintiffs and defendants filed a motion for the preliminary approval of a settlement on Sept. 5, which included an agreement from Anthropic that it will destroy its pirated databases and pay $1.5 billion in damages to a group of authors and publishers.

On Sept. 25, a California federal judge granted preliminary approval for a settlement, the largest in the history of copyright cases in the U.S.

Each member of the class will receive a payment of approximately $3,000 per pirated work.

Authors whose works are in the databases are not notified separately, but instead must submit their contact information to receive a formal notice of the class action — meaning a number of authors, including many Harvard professors, may be unaware that their works were pirated by Anthropic.

Lynch said Anthropic’s nonconsensual use of her work undermines the purpose behind why she, and other scholars, write and publish their work.

“All of us at Harvard publish, but we thought when we were publishing that we are doing that — to communicate to other human beings,” she said. “Not to be fed into this mill.”"

Disney Sends Cease And Desist Letter To Character.ai For Copyright Infringement As Studios Move To Protect IP; Deadline, September 30, 2025

Jill Goldsmith, Deadline; Disney Sends Cease And Desist Letter To Character.ai For Copyright Infringement As Studios Move To Protect IP

"Walt Disney sent a cease-and-desist letter to Character.AI, a “personalized superintelligence platform” that the media giant says is ripping off copyrighted characters without authorization.

The AI startup offers users the ability to create customizable, personalized AI companions that can be totally original but in some cases are inspired by existing characters, including, it seems, Disney icons from Spider-Man and Darth Vader to Moana and Elsa.

The letter is the latest legal salvo by Hollywood as studios begin to step up against AI. Disney has also sued AI company Midjourney for allegedly improper use and distribution of AI-generated characters from Disney films. Disney, Warner Bros. and Universal Pictures this month sued Chinese AI firm MiniMax for copyright infringement."

The fanfiction written on a notes app that’s become a bestseller – with a seven-figure film deal; The Guardian, September 29, 2025

The Guardian; The fanfiction written on a notes app that’s become a bestseller – with a seven-figure film deal

"How does a first-time novelist get out of the starting blocks quite like that? The thing is, the author behind the doorstopper dark fantasy novel, Alchemised, is no unknown debut: SenLinYu, 34, started off writing Harry Potter fanfiction that blew up online during the pandemic, racking up more than 20m downloads. Sen’s Draco and Hermione (“Dramione”) fanfic, heavily inspired by The Handmaid’s Tale, has now been rewritten – with third-party IP necessarily removed – and published traditionally as Alchemised. But if you didn’t know about Alchemised’s origins, you would be unlikely to clock them: even squinting, it’s hard to see any trace of Harry Potter in the revamped version, set in a different world and magic system...

Sen began rewriting Manacled around Christmas 2022, and as they were finishing up, they were approached by a literary agency. Stripping away the Harry Potter and overt Handmaid’s Tale references was not “in any way pleasant”, or something they would ever want to do again. “I would rather be shot,” Sen told their Tumblr followers last year. They described the process as taking two 5,000-piece jigsaw puzzles and “having to use both to build a new puzzle that somehow makes sense. Do not recommend. I also had to scrap and build from scratch an entirely new healing and medicine system and it was literally traumatic.”"

OpenAI's new Sora video generator to require copyright holders to opt out, WSJ reports; Reuters, September 29, 2025

Reuters; OpenAI's new Sora video generator to require copyright holders to opt out, WSJ reports

"OpenAI is planning to release a new version of its Sora generator that creates videos featuring copyrighted material, unless rights holders opt out of having their work appear, the Wall Street Journal reported on Monday, citing people familiar with the matter.

The artificial intelligence startup began notifying talent agencies and studios over the past week about the opt-out process and the product, which it plans to release in the coming days, the report said.

The new process would mean movie studios and other intellectual property owners would have to explicitly ask OpenAI not to include their copyrighted material in videos Sora creates, according to the report."

In the fight over AI, copyright is America’s competitive weapon; The Hill, September 29, 2025

In the fight over AI, copyright is America’s competitive weapon, The Hill; In the fight over AI, copyright is America’s competitive weapon

"On Monday, a new $100 million super-PAC network, Leading the Future, was introduced to shape artificial intelligence policy in next year’s elections. The group says it will fight for sensible guardrails on AI while pushing back against efforts it believes could slow AI development.

But if Leading the Future is to live up to its name, it must avoid an easy trap: framing copyright protections as an obstacle to American AI competitiveness."

I Sued Anthropic, and the Unthinkable Happened; The New York Times, September 29, 2025

 Andrea Bartz , The New York Times; I Sued Anthropic, and the Unthinkable Happened

"In August 2024, I became one of three named plaintiffs leading a class-action lawsuit against the A.I. company Anthropic for pirating my books and hundreds of thousands of other books to train its A.I. The fight felt daunting, almost preposterous: me — a queer, female thriller writer — versus a company now worth $183 billion?

Thanks to the relentless work of everyone on my legal team, the unthinkable happened: Anthropic agreed to pay authors and publishers $1.5 billion in the largest copyright settlement in history. A federal judge preliminarily approved the agreement last week.

This settlement sends a clear message to the Big Tech companies splashing generative A.I. over every app and page and program: You are not above the law. And it should signal to consumers everywhere that A.I. isn’t an unstoppable tsunami about to overwhelm us. Now is the time for ordinary Americans to recognize our agency and act to put in place the guardrails we want.

The settlement isn’t perfect. It’s absurd that it took an army of lawyers to demonstrate what any 10-year-old knows is true: Thou shalt not steal. At around $3,000 per work, shared by the author and publisher, the damages are far from life-changing (and, some argue, a slap on the wrist for a company flush with cash). I also disagree with the judge’s ruling that, had Anthropic acquired the books legally, training its chatbot on them would have been “fair use.” I write my novels to engage human minds — not to empower an algorithm to mimic my voice and spit out commodity knockoffs to compete directly against my originals in the marketplace, nor to make that algorithm’s creators unfathomably wealthy and powerful.

But as my fellow plaintiff Kirk Wallace Johnson put it, this is “the beginning of a fight on behalf of humans that don’t believe we have to sacrifice everything on the altar of A.I.” Anthropic will destroy its trove of illegally downloaded books; its competitors should take heed to get out of the business of piracy as well. Dozens of A.I. copyright lawsuits have been filed against OpenAI, Microsoft and other companies, led in part by Sylvia Day, Jonathan Franzen, David Baldacci, John Grisham, Stacy Schiff and George R. R. Martin. (The New York Times has also brought a suit against OpenAI and Microsoft.)

Though a settlement isn’t legal precedent, Bartz v. Anthropic may serve as a test case for other A.I. lawsuits, the first domino to fall in an industry whose “move fast, break things” modus operandi led to large-scale theft. Among the plaintiffs of other cases are voice actors, visual artists, record labels, YouTubers, media companies and stock-photo libraries, diverse stakeholders who’ve watched Big Tech encroach on their territory with little regard for copyright law...

Now the book publishing industry has sent a message to all A.I. companies: Our intellectual property isn’t yours for the taking, and you cannot act with impunity. This settlement is an opening gambit in a critical battle that will be waged for years to come."

Morgan & Morgan takes Disney to court over rights to feature ‘Steamboat Willie’ in law firm ads; News6, September 17, 2025

 Phil Landeros , News6; Morgan & Morgan takes Disney to court over rights to feature ‘Steamboat Willie’ in law firm ads

"Morgan & Morgan, Florida’s largest law firm, has filed a lawsuit asking a judge to declare the law firm’s planned use of the iconic film in an ad is protected against trademark claims from Disney. Steamboat Willie entered the public domain on Jan. 1, 2024, when Disney’s copyright protection expired.

The proposed ad depicts Mickey Mouse in a boat collision with a car, after which the driver seeks legal representation from Morgan & Morgan. According to the filing, before moving forward with the advertisement, the law firm sought assurance from Disney that the commercial wouldn’t trigger legal action. The filing said Disney would not comply."

Content Creators Want Congress To Revamp Decades-Old Copyright Law; Inc., September 25, 2025

BEN BUTLER , Inc., Content Creators Want Congress To Revamp Decades-Old Copyright Law

"“There’s a growing practice of using the [Digital Millennium Copyright Act] takedown tools built into platforms to restrict and shut down competition [which] are considered traditionally unfair trade practices,” Kayla Morán, a lawyer specializing in trademark and contract law, said last week during a hearing examining content creators and entrepreneurship before the House Committee on Small Business...

As content creation becomes more lucrative, creators can protect their IP by filing as LLCs, Morán said, shifting the liability from the person to the business. LLCs protect business assets from the owner of the business, creating a distinction between the two. Social media accounts can be protected as business assets, thus giving creators more legal protections if a podcast name gets stolen, for example, or in cases of impersonation.

But filing as an LLC as opposed to being a sole proprietorship requires registration fees and higher costs, which vary by state. And filing as an LLC doesn’t prevent the IP from being stolen, it would protect it from being pursued as an asset in a personal lawsuit against the creator. 

Morán and Christina Brennan, who runs a social media management company, said entrepreneurs they work with don’t have the knowledge of contract law and how taxes on social media earnings work.

One way to help bridge the disconnect, Morán suggests, would be for the Small Business Administration to provide guidance, plus access to lawyers that can advise on common challenges that bubble up for content creators, like with protecting IP."

Gotta Deport ‘Em All? How Should Nintendo Respond To Immigrant-Hunting Social Media Post From DHS?; Above The Law, September 24, 2025

Steven Chung , Above The Law; Gotta Deport ‘Em All? How Should Nintendo Respond To Immigrant-Hunting Social Media Post From DHS?

"Last Monday, the Department of Homeland Security (DHS) posted a one-minute video on X (formerly Twitter) and other social media platforms, splicing together clips from the Pokémon anime intro with footage of border patrol agents arresting individuals, all set to the first season’s theme song.

The post’s caption was the famous tagline “Gotta Catch ‘Em All!” At the video’s end, it displayed Pokémon cards featuring photos of convicted criminals facing potential deportation...

Reactions were sharply divided: some users found it hilarious and praised its creativity, while others condemned it as dehumanizing and inappropriate, especially for using a children’s franchise to promote immigration enforcement.

Commenters from both sides speculated on how Nintendo would respond, given the company’s reputation for aggressively enforcing its intellectual property rights — evidenced by actions like issuing DMCA takedowns against over 8,500 GitHub repositories for the Yuzu emulator in 2024 and targeting hundreds of fan games on platforms like Game Jolt in multiple waves since 2016. As of now, Nintendo and The Pokémon Company have not issued any public statement on the matter, despite requests for comment from media outlets. However, Nintendo has at least three viable options."

Copyright and AI: Controlling Rights and Managing Risks; Morgan Lewis, September 23, 2025

 JOSHUA M. DALTON, Partner, Boston; COLLEEN GANIN, Partner, New York; MICHAEL R. PFEUFFER, Senior Attorney, Pittsburgh, Morgan Lewis; Copyright and AI: Controlling Rights and Managing Risks

"The law on copyright and AI is still developing, with courts and policymakers testing the limits of authorship, infringement, and fair use. Companies should expect continued uncertainty and rapid change in this space."

Screw the money — Anthropic’s $1.5B copyright settlement sucks for writers; TechCrunch, September 5, 2025

Amanda Silberling , TechCrunch; Screw the money — Anthropic’s $1.5B copyright settlement sucks for writers

"But writers aren’t getting this settlement because their work was fed to an AI — this is just a costly slap on the wrist for Anthropic, a company that just raised another $13 billion, because it illegally downloaded books instead of buying them.

In June, federal judge William Alsup sided with Anthropic and ruled that it is, indeed, legal to train AI on copyrighted material. The judge argues that this use case is “transformative” enough to be protected by the fair use doctrine, a carve-out of copyright law that hasn’t been updated since 1976.

“Like any reader aspiring to be a writer, Anthropic’s LLMs trained upon works not to race ahead and replicate or supplant them — but to turn a hard corner and create something different,” the judge said.

It was the piracy — not the AI training — that moved Judge Alsup to bring the case to trial, but with Anthropic’s settlement, a trial is no longer necessary."

The 18th-century legal case that changed the face of music copyright law; WIPO Magazine, September 18, 2025

 Eyal Brook, Partner, Head of Artificial Intelligence, S. Horowitz & Co , WIPO Magazine;The 18th-century legal case that changed the face of music copyright law

"As we stand at the threshold of the AI revolution in music creation, perhaps the most valuable lesson from this history is not any particular legal doctrine but rather the recognition that our conceptions of musical works and authorship are not fixed but evolving.

Imagine what would have happened had Berne negotiators decided to define the term in 1886. The “musical work” as a legal concept was born from Johann Christian Bach’s determination to assert his creative rights – and it continues to transform with each new technological development and artistic innovation.

The challenge for copyright law in the 21st century is to keep fulfilling copyright’s fundamental purpose: to recognize and reward human creativity in all its forms. This will require not just legal ingenuity but also a willingness to reconsider our most basic assumptions about what music is and how it comes into being.

Bach’s legacy, then, is not just the precedent that he established but the ongoing conversation he initiated – an unfinished symphony of legal thought that continues to evolve with each new technological revolution and artistic movement.

As we face the challenges of AI and whatever technologies may follow, we would do well to remember that the questions we ask today about ownership and creativity echo those first raised in a London courtroom almost 250 years ago by a composer determined to claim what he believed was rightfully his."