Dugie Standeford, Intellectual Property Watch; Rights Holders Launch Initiative To Protect Content In Africa:
"Foreign content producers and broadcasters hope the soon-to-be-launched Africa Media Rights Watch will help convince the region’s regulators and consumers alike to increase respect for copyright."
http://www.ip-watch.org/weblog/2010/08/26/rights-holders-launch-initiative-to-protect-content-in-africa/
Issues and developments related to IP, AI, and OM, examined in the IP and tech ethics graduate courses I teach at the University of Pittsburgh School of Computing and Information. My Bloomsbury book "Ethics, Information, and Technology", coming in Summer 2025, includes major chapters on IP, AI, OM, and other emerging technologies (IoT, drones, robots, autonomous vehicles, VR/AR). Kip Currier, PhD, JD
Showing posts with label Africa. Show all posts
Showing posts with label Africa. Show all posts
Tuesday, August 31, 2010
Sunday, November 29, 2009
[Op Ed] Copyright piracy has made it expensive to produce our films; Sunday Monitor (Uganda), 11/22/09
[Op Ed] Alec van Gelder, Sunday Monitor (Uganda); Copyright piracy has made it expensive to produce our films:
"Africa’s creative industries could be great success stories but they are held back by weak copyright protection. While the wealthiest Western creators often shout loudest, it is the poorest African entrepreneurs who suffer most. In some important ways, copyright piracy makes it more expensive to make a typical African film than a Hollywood blockbuster.
Piracy makes it harder for film-makers and musicians in developing countries to recover their costs than for their counterparts in Hollywood or Nashville. Where piracy is high (up to 90 per cent in much of West Africa), a musician or movie producer has precious little time to recover the original investment before the rip-offs move in and make it impossible to compete. No African country has piracy levels below about 25 per cent of the market."
http://www.monitor.co.ug/artman/publish/oped/Copyright_piracy_has_made_it_expensive_to_produce_our_films_94900.shtml
"Africa’s creative industries could be great success stories but they are held back by weak copyright protection. While the wealthiest Western creators often shout loudest, it is the poorest African entrepreneurs who suffer most. In some important ways, copyright piracy makes it more expensive to make a typical African film than a Hollywood blockbuster.
Piracy makes it harder for film-makers and musicians in developing countries to recover their costs than for their counterparts in Hollywood or Nashville. Where piracy is high (up to 90 per cent in much of West Africa), a musician or movie producer has precious little time to recover the original investment before the rip-offs move in and make it impossible to compete. No African country has piracy levels below about 25 per cent of the market."
http://www.monitor.co.ug/artman/publish/oped/Copyright_piracy_has_made_it_expensive_to_produce_our_films_94900.shtml
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