Inaugural copyright lecture to probe evolving landscape; Law Society Gazette Ireland, January 30, 2020

Law Society Gazette Ireland; Inaugural copyright lecture to probe evolving landscape

"The inaugural joint Irish Music Rights Organisation (IMRO) and Law Society annual copyright lecture takes place on 18 February. 

The theme is ‘European copyright law, from the printing press to the digital age –  a journey of constant change’.

This free lecture will be delivered by Dr Mark Hyland, the IMRO and Law Society adjunct professor of intellectual property law...

The lecture will be delivered at six pm on 18 February at the Education Centre, Law Society, Blackhall Place, Dublin 7."

Data mining: why the EU’s proposed copyright measures get it wrong; The Conversation, May 24, 2018

Martin Kretschmer

Professor of Intellectual Property Law, University of Glasgow and Thomas Margoni

Senior Lecturer in Intellectual Property and Internet Law, University of Glasgow,

The Conversation;  
Data mining: why the EU’s proposed copyright measures get it wrong

"Data that is mined with the help of machine learning techniques has been a rapid area of technological advancement – with good and bad consequences for everyone. And EU copyright law is currently caught in the crossfire.

Cambridge Analytica and Facebook’s recent data scandal, which involved the profiling of users from their online behaviour facilitated by social networks, brought important issues to the surface about web privacy, only after it was reported that millions of people had their data harvested and improperly shared with a political consultancy.

But the same data mining technique also offers great societal benefit in fields such as traffic prediction, natural language processing and the identification of potential cures for diseases.

Many people think that regulating the use of data is a matter of data protection or privacy laws. However, where the raw material subjected to analysis is not “personal data” but material protected under copyright law, such as texts or certain structured databases, another set of legal norms come into play. This has far reaching and little understood consequences."

Why Unreleased Marvin Gaye, Supremes, Beach Boys Tracks Are Suddenly Appearing: EU Copyright Law; Billboard, 1/10/17

Robert Levine, Billboard; Why Unreleased Marvin Gaye, Supremes, Beach Boys Tracks Are Suddenly Appearing: EU Copyright Law:

"On Dec 30th, without much fanfare or marketing, Universal Music Group put out Motown Unreleased: 1966, a digital-only collection of 80 previously unavailable tracks by Marvin Gaye, The Supremes, and lesser-known performers like the Underdogs. It’s one of a few recent archival releases of music from 1966 that may appeal to hardcore fans – and they have the European Union to thank.

In 2011, the EU updated copyright law in a way that means officially unreleased material could fall into the public domain 50 years after it was recorded. That would mean any company would be free to release it. In order to keep the copyright to such recordings – the law applies to live as well as studio material – artists and labels have been releasing them in what some fans call “copyright collections.”"