Trump Installs Top Justice Dept. Official at Library of Congress, Prompting a Standoff; The New York Times, May 12, 2025

Maya C. Miller and Devlin Barrett , The New York Times; Trump Installs Top Justice Dept. Official at Library of Congress, Prompting a Standoff

"Around 9 a.m., the two Justice Department officials arrived at the library’s James Madison Memorial Building and sought access to the U.S. Copyright Office, which is housed there. They brought a letter from the White House declaring that Mr. Blanche was the acting librarian and that he had selected the two men for top roles at the agency.

They were Paul Perkins, an associate deputy attorney general who the letter said would serve as the acting register of copyrights and the director of the Copyright Office, and Brian Nieves, a deputy chief of staff and senior policy counsel who had been designated as the acting deputy librarian. Mr. Trump also fired the previous director of the Copyright Office, Shira Perlmutter, over the weekend, one of the people said.

Staff members at the library balked and called the U.S. Capitol Police as well as their general counsel, Meg Williams, who told the two officials that they were not allowed access to the Copyright Office and asked them to leave, one of the people said.

Mr. Perkins and Mr. Nieves then left the building willingly, accompanied to the door by Ms. Williams. The library’s staff is recognizing Robert Newlen, the principal deputy librarian who was Dr. Hayden’s No. 2, as the acting librarian until it gets direction from Congress, one of the people familiar with the situation said.

In a brief email to the staff on Monday, Mr. Newlen noted that the White House had named a new acting librarian and suggested that the matter was still unresolved." 

Librarian of Congress Carla Hayden is fired by Trump; Politico, May 8, 2025

 NICHOLAS WU, LISA KASHINSKY and KATHERINE TULLY-MCMANUS, Politico; Librarian of Congress Carla Hayden is fired by Trump

[Kip Currier: I saw this story at 4:11 AM EDT via Library Link of the Day. I'd had an inkling this might be coming after seeing a 4/30/25 Daily Mail story ("Trump urged to fire 'deep state librarians' as he continues massive government purge") about the American Accountability Foundation targeting the Librarian of Congress Carla Hayden and the Register of Copyrights Shira Perlmutter; that latter office reports to the Librarian of Congress. Dr. Hayden's bio (excerpted in part) states that:

Carla Hayden was sworn in as the 14th Librarian of Congress on September 14, 2016. Dr. Hayden, the first woman and the first African American to lead the national library, was nominated to the position by President Barack Obama on February 24, 2016, and her nomination was confirmed by the U.S. Senate later that year on July 13.

Her vision for America’s national library, connecting all Americans to the Library of Congress, has redefined and modernized the Library’s mission: to engage, inspire and inform Congress and the American people with a universal and enduring source of knowledge and creativity.

During her tenure, Dr. Hayden has prioritized efforts to make the Library and its unparalleled collections more accessible to the public. Through her social media presence, events and activities, she has introduced new audiences to many of the Library’s treasures – from Frederick Douglass’ papers, to the contents of President Abraham Lincoln’s pockets on the night of his assassination, to James Madison’s crystal flute made famous by Lizzo.

https://www.loc.gov/about/about-the-librarian/

 

This is the first firing of a Librarian of Congress since that office was first filled in 1802 by an appointee (John James Buckley) of America's 3rd President Thomas Jefferson. All prior Librarians of Congress retired or passed away while serving in the position.

The Library of Congress was established in 1800 in Washington, D.C. It is the world's largest library and functions as the de facto national library of the United States. See Welcome message below, as of 5/9/25 6:55 AM EDT, on Library of Congress website:

Welcome Message from Carla Hayden, 14th Librarian of Congress

The Library of Congress is the largest library in the world, with millions of books, films and video, audio recordings, photographs, newspapers, maps and manuscripts in its collections. The Library is the main research arm of the U.S. Congress and the home of the U.S. Copyright Office.

The Library preserves and provides access to a rich, diverse and enduring source of knowledge to inform, inspire and engage you in your intellectual and creative endeavors. Whether you are new to the Library of Congress or an experienced researcher, we have a world-class staff ready to assist you online and in person.

I encourage you to visit the Library of Congress in person in Washington, D.C., explore the Library online from wherever you are and connect with us on social media.

Sincerely,

Carla Hayden

Librarian of Congress"

https://www.loc.gov/about/]

[Excerpt]

"President Donald Trump fired Librarian of Congress Carla Hayden Thursday, according to a library spokesperson and an email obtained by POLITICO.

“Carla, On behalf of President Donald J. Trump, I am writing to inform you that your position as the Librarian of Congress is terminated effective immediately. Thank you for your service,” wrote Deputy Director of Presidential Personnel Trent Morse in an email to Hayden sent at 6:56 p.m."

The Library of Congress marks a year of helping solve copyright disputes; Federal News Network, July 14, 2023

 Tom Temin, Federal News Network; The Library of Congress marks a year of helping solve copyright disputes

"The Copyright Office’s equivalent of small claims court has helped hundreds of people solve disputes in its first year. The three-member Copyright Claims Board will help in cases worth up to $30,000. For a progress report,  Federal Drive with Tom Temin spoke with Claims Board member Brad Newberg."

New open access resources from Library of Congress; Illinois State University News, March 2, 2023

Eric Willey, Illinois State University News; New open access resources from Library of Congress

"For those interested in Open Access materials, one of the places to watch is the Library of Congress (LoC). Often serving in the role of a de facto national library, the LoC contributes Open Access materials on a wide variety of topics to its digital collections and publicizes the efforts through a blog, The Signal.

The librarians at LoC have hit the ground running in 2023, having added historical recordings, books, and datasets to their online collections. These include 58 new recordings to the Archive of Recorded Poetry and Literature from the 1960s-1980s, and LandScan GIS datasets for Ukraine and Russia that include population density. The library also added over 100 Open Access ebooks and German language newspapers published in Washington, D.C.

Even when online materials are Open Access, they still require software to be viewed. In February, LoC announced the creation of an EPUB reader for its ebooks. This viewer allows readers to access over 6,000 OA ebooks on the website without downloading a PDF and provides an improved interface for readers.

LoC is also planning to actively add materials to its online collections in the future and has outlined a digitization strategy for 2023-2027. With over 9 million items already digitized, this program offers five guiding principles to “expand, optimize, and centralize its collections digitization program to significantly expand access to users across the country to rare, distinctive, and unique collection materials which can be made openly available online and use digitization as a core method for preservation reformatting of rights restricted collection materials.”"

Barbara Ringer’s Legacy of Fighting for Equity at the Copyright Office: An Interview with Amanda Levendowski; Library of Congress, November 19, 2021

Steve Andreadis, Library of Congress ; Barbara Ringer’s Legacy of Fighting for Equity at the Copyright Office: An Interview with Amanda Levendowski

"Forty-eight years ago today, November 19, Barbara Ringer was appointed the Copyright Office’s first female Register of Copyrights. She spent her career fighting for equity within the Office and beyond and led the way for the four women who have since served in the role. In 1995, the Library of Congress awarded Ringer its Distinguished Service Award in recognition of her lifetime contributions to the field of copyright and the Library.

To commemorate Ringer’s legacy, I spoke with Amanda Levendowski, associate professor of law at Georgetown Law and the founding director of the Intellectual Property and Information Policy (iPIP) Clinic, about the inspiration Barbara Ringer provides to those in the field of copyright. Through articles and events, Levendowski has shined a light on a visionary leader who continues to inspire current and future intellectual property professionals."

Ode to Cicadas; Library of Congress, May 24, 2021

George Thuronyi,  Library of Congress; Ode to Cicadas

"They’re flying, buzzing, and crawling everywhere! Washington, DC, neighborhoods around the U.S. Copyright Office are teeming with Brood X cicadas, taking their next steps on a seventeen-year journey. Along the way, they’re also inspiring musicians, photographers, artists, and authors to create copyrighted works."

A New Copyright Office Warehouse–25 Years in the Making; Library of Congress, August 19, 2020

Holland Gormley, Library of Congress; A New Copyright Office Warehouse–25 Years in the Making

"The following is a guest post by Paul Capel, Supervisory Records Management Section Head.

The United States Copyright Office holds the most comprehensive collection of copyright records in the world. The Office has over 200,000 boxes of deposit copies spread among three storage facilities in Landover, Maryland; a contracted space in Pennsylvania; and the National Archives and Records Administration (NARA) facility in Massachusetts. Even with these three warehouses, that’s not enough space. Each day, the Office receives new deposits, and despite the increase in electronic deposits, our physical deposits continue to grow year after year.

These deposits are managed by the Deposit Copies Storage Unit, a dedicated team that springs into action to retrieve deposits when requested by examiners or researchers or for litigation cases. In this type of work, speed and efficiency of retrieval are critical. Managing deposits across three storage locations can present a challenge to our ideal retrieval times. When our records are stored in several locations, the potential for miscommunication or misplaced deposits increases.

This October, the Office will be opening a new 40,000 square foot warehouse that has been in discussion for over twenty-five years. We will be moving our deposits out of facilities that are more than forty years old to centrally locate them in a new state-of-the-art facility. This is a huge undertaking, and we are aiming to move 88,000 boxes from Landover in under 45 days. The new space is environmentally controlled and meets preservation requirements for the storage of federal records. Even more importantly, the new facility will allow the Office to maintain control over all our records in a single location, which will improve our retrieval times and will enable us to serve our stakeholders better.

This new facility is a great start, but we have an even bigger vision for our deposits. To truly inventory and track our deposits, the Office is investigating a warehouse management system that will help staff inventory, track, locate, and manage all the items in our warehouse. This type of system will help the Office enhance the availability and accessibility of materials, decreasing manual processing, and allowing for real-time tracking of deposits at any given time. It will also let us know who has them and when their period of retention ends.

This system will provide all the notifications  expected from any modern delivery service. Copyright Office staff will be able to obtain a copy of their order and tell when it is in transit, know when it has been delivered, and sign for it digitally. This system will also provide transparency to others who might have an interest in requesting the same deposit, to see where it currently is, who has it, and how long they have had it."

The Lifecycle of Copyright: 1924 Works Enter the Public Domain; Library of Congress, February 20, 2020

Nicole Lamberson, Library of Congress; The Lifecycle of Copyright: 1924 Works Enter the Public Domain

"Last year, for the first time in twenty years, published creative works entered into the public domain in the United States. Works from 1923 saw their copyright terms end, meaning they were no longer subject to copyright protection. With the new year, works published in 1924 joined them.

The public domain is an important part of the lifecycle of copyright. The U.S. Constitution set the stage for Congress to pass copyright law protection for creative works, granting creators exclusive rights, subject to certain exceptions and limitations, for the use of their works. But, that control is not infinite. Just as significant is the Constitution’s assertion that those exclusive rights should only exist for “limited times.”

Once in the public domain, anyone can use a work without permission from the author. This often means that works in the public domain inspire the creation of new works, adaptations, derivatives, and more—which further enriches the cultural landscape of the country.

On January 1, 2020, thousands of historical and cultural works from 1924 entered the public domain in the United States. These are just a few of the notable highlights."

Listening Session on Appointment of Next Register of Copyrights; The Library of Congress, January 2020

The Library of Congress 

"Listening Session on Appointment of Next Register of Copyrights

At 10:00 AM on Tuesday at the Library of Congress, Madison Building, 101 Independence Ave. SE, Mumford Room (LM-649), Washington, D.C. 20540.

On January 5, Maria Strong’s tenure as Acting Register of Copyrights and Director of the U.S. Copyright Office began a few weeks after her appointment by Librarian of Congress Carla Hayden. This event will be the first of two listening sessions hosted by the Library of Congress this week to explore the appointment of the next Register of Copyrights to take over the position full-time after Karyn Temple stepped away from the Copyright Office in December. The session will feature a briefing from Librarian Hayden and Copyright Office staff on the selection process and will include time for comments and questions from attendees."

The Copyright Office belongs in the Library of Congress; ALA District Dispatch, August 9, 2017

Alan Inouye, ALA District Dispatch; The Copyright Office belongs in the Library of Congress

"In “Lessons From History: The Copyright Office Belongs in the Library of Congress,” a new report from the American Library Association (ALA), Google Policy Fellow Alisa Holahan compellingly documents that Congress repeatedly has considered the best locus for the U.S. Copyright Office (CO) and consistently reaffirmed that the Library of Congress (Library) is its most effective and efficient home.

Prompted by persistent legislative and other proposals to remove the CO from the Library in both the current and most recent Congresses, Holahan’s analysis comprehensively reviews the history of the locus of copyright activities from 1870 to the present day. In addition to providing a longer historical perspective, the Report finds that Congress has examined this issue at roughly 20-year intervals, declining to separate the CO and Library each time."

It's About Time for Congress to Improves [sic] the Copyright Office; Forbes, March 31, 2017

Harold Furchtgott-Roth, Forbes; 

It's About Time for Congress to Improves [sic] the Copyright Office

"In the pecking order of Washington organizations, the Copyright Office is close to last. The head of the Copyright Office does not report to the president. He reports to the Librarian of Congress. That’s right: the Librarian of Congress, who in turn reports to various members of Congress.

H.R. 1695 is a great start to remedy that situation, but it could be improved. For example, under the current bill, the Librarian of Congress would still select the Associate Registers of Copyrights. An improved bill would remove the Librarian of Congress from all responsibilities with respect to the Office of Copyright.

An astute observer might suggest that the obscurity of the Copyright Office and benign neglect in Washington have benefitted the copyright industries. Perhaps. The copyright industries have done quite well economically for decades without a forceful voice in government to advocate for them or to look after their interests. Have they done well because of neglect, or despite neglect?"

Let’s Make The Copyright Office Less Political, Not More; Electronic Frontier foundation (EFF), March 27, 2017

Kerry Sheehan, Electronic Frontier foundation (EFF); 

Let’s Make The Copyright Office Less Political, Not More

"In sum, we’ll have a Register, and a Copyright Office, that is accountable only to the President and the special interests that helped get them approved in the first place.  That will inevitably accelerate the politicization of the Office.

Under the current system, the official in charge of selecting the Register is a member of the one community that can usually be trusted to think about all of the interests copyright law affects: librarians.  As we’ve said before, libraries have an institutional obligation to serve the public, and to support access to knowledge and culture. Given copyright’s constitutional mandate to promote progress, we think the Office’s mission is best served when it is subject to the oversight and guidance of the library community.

It’s bad enough that Congress and the public can no longer look to the Register as a neutral arbiter of copyright policy.  We shouldn’t make the problem worse by effectively making the Copyright Office into an independent regulator and policymaker. Instead, the Register should remain an advisor to Congress and an administrator of the registration system."

A new bill on US copyright law would take power from the Library of Congress and give it to Trump; Quartz, March 24, 2017

Thu-Huong Ha, Quartz; 

A new bill on US copyright law would take power from the Library of Congress and give it to Trump

"Yesterday, a bipartisan bill was introduced in the House of Representatives that proposes to change the country’s head of copyright from someone appointed by the Library of Congress, to someone picked by the president."

Library Experts Weigh in On Next Register of Copyrights; Library Journal, 1/12/17

Brandon Butler, Kyle K. Courtney, Mary Minow, Kevin Smith, Library Journal; 

Library Experts Weigh in On Next Register of Copyrights

"In the wake of the October 29 resignation of Maria Pallante, the former Register of Copyrights, the Library of Congress (LC) has put out a call to the public for input on the expertise needed by the next Register of Copyrights. (On January 17, Pallante will join the Association of American Publishers as president and CEO). The survey, posted on the LC website on December 16, invites the public to answer a series of questions about the knowledge, skills, abilities, and priorities that the incoming Register should possess...

LJ asked four library copyright experts to give their opinions on what they see as important considerations for the incoming Register of Copyrights, and for LC as well.

The survey will be open through January 31."

Library of Congress and U.S. Copyright Office Roundup; Information Today, 1/10/17

Corilee Christou, Information Today; Library of Congress and U.S. Copyright Office Roundup

"Copyright Office Struggles

The overall picture at the LC certainly seems rosy. However, the U.S. Copyright Office is a different story. The office, led by then Register of Copyrights Maria Pallante, was attempting to fix its problems in 2016, but with its budget and IT systems both dependent on the LC, this was not a simple task. After only a month as the Librarian of Congress, Hayden removed Pallante from her position. She had been Register of Copyrights since 2011, after holding several positions at the Copyright Office since 2008. Never before has a Register of Copyrights been removed from his or her post by the Librarian of Congress.

Instead of taking the alternative position of senior advisor to the Librarian of Congress that Hayden offered her, Pallante resigned, effective Oct. 29. Reactions were both positive and negative."

Librarian of Congress Seeks Input on Register of Copyrights; Press Release, Library of Congress, DECEMBER 16, 2016 (REVISED JANUARY 11, 2017)

"DECEMBER 16, 2016 (REVISED JANUARY 11, 2017)Librarian of Congress Seeks Input on Register of Copyrights

Press Contact: Gayle Osterberg (202) 707-0020
Website: Librarian of Congress Seeks Input on Register of Copyrights (Survey) External

The public will have the opportunity to provide input to the Library of Congress on expertise needed by the Register of Copyrights, the Librarian of Congress, Carla Hayden, announced today.

Beginning today, December 16, an online survey is open to the public. The survey will be posted through Jan. 31, 2017.

Link to survey: https://www.research.net/r/RegisterOfCopyrightsNR External
Deadline for submitting comments: Jan. 31, 2017

Input will be reviewed and will inform development of knowledge, skills and abilities requirements for the position.

Information provided through the survey will be posted online and submitters’ names will appear. Note that input will be subject to review and input may not be posted that is off-topic; contains vulgar, offensive, racist, threatening or harassing content; personal information; or gratuitous links to sites that could be considered spam. The Library’s complete comment policy can be viewed here: loc.gov/legal/comment-and-posting-policy/.

The Library of Congress is the world’s largest library, offering access to the creative record of the United States—and extensive materials from around the world—both on site and online. It is the main research arm of the U.S. Congress and the home of the U.S. Copyright Office. Explore collections, reference services and other programs and plan a visit at loc.gov, access the official site for U.S. federal legislative information at congress.gov, and register creative works of authorship at copyright.gov."

Conspiracy Theories Run Amok Over Copyright Office Executive Changes; Techdirt, 11/2/16

Mike Masnick, Techdirt; Conspiracy Theories Run Amok Over Copyright Office Executive Changes:

"...[S]ome folks who support ever more draconian copyright immediately jumped on all sorts of conspiracy theories about how this was really Google somehow firing Pallante, including one site that directly had that as a headline.

To anyone who actually had knowledge of what was going on, this made no sense. Hayden is not connected to Google in any way. This is just out and out tinfoil hat conspiracy theory territory from people who see "Google" behind any policy they dislike. It seemed rather obvious that, like just about any new CEO of an organization, Hayden was clearing out some senior staff for a variety of reasons. And there was a pretty obvious big reason why Hayden would like to reassign Pallante: she has been directly and publicly advocating for Congress to move the Copyright Office outside of the Library of Congress. If you came in to run an organization and one of your direct reports was going over your head to try to transfer an entire division somewhere else, it's likely you'd fire that person too. It's kind of a management 101 thing.

Over the past week, in talking to a few people at the Library of Congress, or close to it, this is the basic story that came out. Hayden didn't feel comfortable with Pallante publicly advocating against the Library of Congress, and used her role as the boss to remove her from that position. Others seem to be discovering the same thing. A report at Publisher's Weekly notes that the conspiracy theories are bunk:"

A Copyright Coup in Washington; Wall Street Journal, 11/2/16

Wall Street Journal; A Copyright Coup in Washington:

"Ms. Hayden is now looking for a copyright office successor, and don’t be surprised if she chooses someone whose experience includes time at Google. This is reason enough for Congress to take a look: If the position is open to political influence, then the register should be politically accountable—and report to elected officials, not the nation’s librarian.

Perhaps these are all coincidences and Ms. Hayden merely botched a personnel dispute. But she now has an opening to install a register friendly to Google, and anyone tempted to write off the Pallante dispute as bureaucratic squabbling should remember: The company’s goal is to defenestrate laws that protect property. The guarantee to own what you create is the reason entrepreneurs take the risks that power the economy—a reason guys like Larry Page and Sergey Brin start Google."

Change at the Copyright Office; Publishers Weekly, 10/28/16

Andrew Albanese, Publishers Weekly; Change at the Copyright Office:

"Could Pallante’s departure spur Congress to finally appropriate sufficient resources to modernize the Copyright Office, which virtually everyone agrees is badly needed and long overdue? Hayden herself said she intends to build on the work Pallante did in terms of modernizing the Copyright Office for the digital age.

Or, might Pallante’s removal push Congress to consider removing the office from the Library of Congress altogether? Pallante was certainly held in high esteem by lawmakers. But sources expressed doubt that in the current political climate Congress would seek to create a new federal bureaucracy for copyright—which is the domain of Congress—that would be headed by a presidential appointee.

At the very least, ALA’s Sheketoff observed that Pallante’s removal suggests that the future of the U.S. Copyright Office is a high priority for at least one government official—Carla Hayden."

Maria Pallante's Departure From the Copyright Office: What It Means, And Why It Matters; Billboard, 10/25/16

Robert Levine, Billboard; Maria Pallante's Departure From the Copyright Office: What It Means, And Why It Matters:

"Although Hayden spoke about the importance of copyright during her confirmation hearings, she is perceived to favor looser copyright laws, since she previously served as president of the American Library Association, an organization that lobbies for greater public access to creative works, sometimes as the expense of creators. The Obama Administration also has close ties to technology companies, which would like to see a Copyright Office that values fair use and other exceptions to copyright over the rights of creators and copyright owners.

Hillary Clinton is thought to be view copyright more favorably, but she hasn’t said much about the topic, and she initially addressed it in her “Initiative on Technology & Innovation” -- not an encouraging sign for creators. Donald Trump doesn’t appear to have said much about the topic."