Scott Tobias, The New York Times; ‘Westworld’ Season 2: Seven Big Things We Still Don’t Know at Midseason
[SPOILERS BELOW]
"Delos cares about its intellectual property. The theme parks are merely a means to an end — that much was clear from the first season, even clearer from the second, in which recovering Dolores’s father, Peter Abernathy (Louis Herthum), has been a top priority.”
Issues and developments related to IP, AI, and OM, examined in the IP and tech ethics graduate courses I teach at the University of Pittsburgh School of Computing and Information. My Bloomsbury book "Ethics, Information, and Technology", coming in Summer 2025, includes major chapters on IP, AI, OM, and other emerging technologies (IoT, drones, robots, autonomous vehicles, VR/AR). Kip Currier, PhD, JD
Showing posts with label Westworld. Show all posts
Showing posts with label Westworld. Show all posts
Monday, May 21, 2018
Wednesday, December 7, 2016
TV for the fake news generation: why Westworld is the defining show of 2016; Guardian, 12/7/16
Paul MacInnes, Guardian; TV for the fake news generation: why Westworld is the defining show of 2016:
"Westworld is a hit. Viewing figures released this week confirmed that the first season of HBO’s sci-fi western drama received a bigger audience than any other debut in the channel’s history... The producers deliberately reached out to an audience that enjoys obsessing. They knew some fans would watch the show again and again on their laptops. They knew they would freeze-frame the screen and zoom in on details that would pass the casual viewer by. From there the fans would try to make connections, to unravel the mysteries, to find deeper meaning. Things were left uncertain enough that people could believe what they wanted. Whether a theory was “true” was less important than the fact that someone believed in it. Sound familiar? I’m not calling HBO a purveyor of fake news, and neither am I suggesting that Westworld has been captured by the alt-right like Pepe the Frog. But the drama has certainly tapped into an audience of young people who love video games and cracking codes, and understands both technology and identity politics."
Labels:
AI,
ambiguity,
belief,
facts,
fake news,
fan culture,
HBO,
IP,
robots,
social media,
theories,
truth,
TV watchers,
Westworld,
young people
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