Law expert says Buc-ee’s faces uphill battle in Beaver’s Mini Mart suit; WHIO, August 6, 2026

  

Megan Finke, WHIO.com and Xavier Hershovitz, WHIO; Law expert says Buc-ee’s faces uphill battle in Beaver’s Mini Mart suit

"Hershovitz talked with University of Michigan law professor Jessica Litman. She focuses on intellectual property law. 

“Trademark infringement requires the trademark owner to prove that the marks are sufficiently similar that consumers are likely to be confused,” Litman said. 

She said Buc-ee’s has filed several lawsuits against businesses for copyright infringement.

“When Buc-ee’s started a national expansion, it started filing trademark suits against other convenience stores attached to gas stations that it saw in the way of its expansion, and it’s been something of a bully,” Litman said. 

When looking at the two logos, Litman said she finds it unlikely that it would “be able to prove a likelihood of confusion.”

But she said these lawsuits are very expensive. 

While she believes no judge or jury would rule in Buc-ee’s favor, getting to that point can be tough for small businesses. 

“A number of businesses have decided that it’s way too expensive to go to trial on this, and have settled by agreeing to change their neighbor logo,” she said."

Meet Sarah Beth Morgan: An Animation Artist Drawn to Purpose; Library of Congress Blogs, March 28, 2024

Ashley Tucker , Library of Congress Blogs; Meet Sarah Beth Morgan: An Animation Artist Drawn to Purpose

"Morgan works in the animation field of “motion graphics,” where she brings graphic shapes, typography, and characters to life. She defines her creative style as “playful, quirky, and maybe even a little bit unexpected.” Her most recent animation, Between Lines, is a short film about “the scarring experience of schoolgirl bullying—and the recovery that follows.” The film has received several accolades, including the Audience Award for Animation at the Brooklyn Film Festival as well as Official Selection at Pictoplasma Berlin and the SCAD Savannah Film Festival...

Animation is an example of a motion picture, which is a type of work that can be registered with the U.S. Copyright Office. Motion Pictures are works that contain a series of related images that are intended to be shown with a projector, digital display, or other device. When the images are shown in successive order, they create an impression of movement that is perceptible to the eye. The Copyright Office offers resources on registering a motion picture and provides ways to help grow a creative business in Copyright Registration at a Glance.

Women creators are an essential part of the copyright system, and participating in it allows women artists to benefit economically from their creative works. In 2022, the Copyright Office released a report, Women in the Copyright System: An Analysis of Women Authors in Copyright Registrations from 1978 to 2020. It found that women creators are significantly underrepresented in registrations, especially compared to their participation in copyright-intensive industries, despite an overall positive trend over time...

Sarah Beth Morgan is one of many women who enhance our nation’s creative landscape. The Copyright Office aims to broaden public awareness of what copyright encompasses and how to participate in it. A cornerstone of the Office’s current strategic plan is the advancement of Copyright for All, and the Office is committed to making the copyright system as clear and accessible to as many members of the public as possible, particularly individuals, small businesses, and historically underserved populations."

Is a picture really worth £1,000?, London Guardian, 11/27/08

Via London Guardian: Is a picture really worth £1,000?
A church and small businesses are just some of those accusing picture agencies of using heavy-handed tactics when pursuing payment:

"Dozens of small businesses and charities tell similar stories. On the online forums run by the Federation of Small Businesses, copyright infringement blows away every other subject. Many of those posting on the federation's forum have tried to do everything right; they aren't arguing about copyright. It's the enforcement tactics they find objectionable...

In the UK they'd struggle to make these amounts stick," he says. "UK law is only concerned with restoring the situation had licensing been correctly obtained. The courts don't like to be used as a means of extortion."

Drake says: "I understand the difficulty companies like Getty have and photographers have - they have a product that needs to be protected. But where is the Getty publicity campaign? Why aren't they issuing press releases and education to remind people that these images are not to be used?"

http://www.guardian.co.uk/technology/2008/nov/27/internet-photography