Kevin Melrose, ComicBookResources.com; Disney joins Marvel in copyright fight with Kirby family:
"The Walt Disney Co. has waded into the legal battle over many of Marvel's best-known characters, filing a memo in support of the publisher's efforts to dismiss copyright claims by the heirs of Jack Kirby.
Marvel sued the Kirby children in January, seeking to invalidate notices sent almost four months earlier to terminate copyrights to such characters as the Avengers, the Fantastic Four, Thor, the Incredible Hulk, the X-Men, Iron Man and Spider-Man. The Kirby family responded in March by suing Marvel and its new parent company Disney.
In the Disney memo, filed on Monday, the media giant asks the court to delay to delay ordering an accounting of profits from the properties Kirby created or co-created, arguing that the copyright claims of his heirs haven't been validated. Disney also seeks to dismiss the Kirby family's claims about unreturned original artwork and lack of credit in The Incredible Hulk and X-Men Origins: Wolverine films.
You can read the full complaint at THR, Esq."
http://robot6.comicbookresources.com/2010/05/disney-joins-marvel-in-copyright-fight-with-kirby-family/
Issues and developments related to IP, AI, and OM, examined in the IP and tech ethics graduate courses I teach at the University of Pittsburgh School of Computing and Information. My Bloomsbury book "Ethics, Information, and Technology", coming in Summer 2025, includes major chapters on IP, AI, OM, and other emerging technologies (IoT, drones, robots, autonomous vehicles, VR/AR). Kip Currier, PhD, JD
Showing posts with label copyright claims by heirs of comic book artist Jack Kirby. Show all posts
Showing posts with label copyright claims by heirs of comic book artist Jack Kirby. Show all posts
Thursday, May 27, 2010
Sunday, March 21, 2010
A Supersized Custody Battle Over Marvel Superheroes; New York Times, 3/21/10
Brooks Barnes and Michael Cieply, New York Times; A Supersized Custody Battle Over Marvel Superheroes:
"The dispute is also emblematic of a much larger conflict between intellectual property lawyers and media companies that, in Mr. Toberoff’s view, have made themselves vulnerable by building franchises atop old creations. So-called branded entertainment — anything based on superheroes, comic strips, TV cartoons or classic toys — may be easier to sell to audiences, but the intellectual property may also ultimately belong in full or in part to others.
“Any young lawyer starting out today could turn what he’s doing into a real profit center,” Paul Goldstein, who teaches intellectual-property law at Stanford’s law school, said of Mr. Toberoff’s specialty.
Mr. Goldstein said cases like the one involving Marvel are only the tip of an iceberg. A new wave of copyright termination actions is expected to affect the film, music and book industries as more works reach the 56-year threshold for ending older copyrights, or a shorter period for those created under a law that took effect in 1978.
Mr. Toberoff is tackling what could be one of the most significant rights cases in Hollywood history; it’s certainly the biggest involving a superhero franchise. Unlike his continuing fight with Warner Brothers over Superman, Mr. Toberoff’s rights-reclamation effort against Marvel involves dozens of stories and characters from about 240 comic books."
http://www.nytimes.com/2010/03/21/business/21marvel.html?scp=1&sq=copyright%20marvel&st=cse
"The dispute is also emblematic of a much larger conflict between intellectual property lawyers and media companies that, in Mr. Toberoff’s view, have made themselves vulnerable by building franchises atop old creations. So-called branded entertainment — anything based on superheroes, comic strips, TV cartoons or classic toys — may be easier to sell to audiences, but the intellectual property may also ultimately belong in full or in part to others.
“Any young lawyer starting out today could turn what he’s doing into a real profit center,” Paul Goldstein, who teaches intellectual-property law at Stanford’s law school, said of Mr. Toberoff’s specialty.
Mr. Goldstein said cases like the one involving Marvel are only the tip of an iceberg. A new wave of copyright termination actions is expected to affect the film, music and book industries as more works reach the 56-year threshold for ending older copyrights, or a shorter period for those created under a law that took effect in 1978.
Mr. Toberoff is tackling what could be one of the most significant rights cases in Hollywood history; it’s certainly the biggest involving a superhero franchise. Unlike his continuing fight with Warner Brothers over Superman, Mr. Toberoff’s rights-reclamation effort against Marvel involves dozens of stories and characters from about 240 comic books."
http://www.nytimes.com/2010/03/21/business/21marvel.html?scp=1&sq=copyright%20marvel&st=cse
Tuesday, September 22, 2009
Confirmed: Jack Kirby's heirs want a piece of Spider-Man; Comic Book Resources, 9/22/09
Kevin Melrose, Comic Book Resources; Confirmed: Jack Kirby's heirs want a piece of Spider-Man:
"According to the Heat Vision report, Kirby's heirs seek to recapture a share of the copyright to characters and story elements that appeared in Amazing Fantasy #15 -- Aunt May, Uncle Ben, Flash Thompson, etc. -- plus characters and concepts like J. Jonah Jameson, the Daily Bugle, Chameleon, the Tinkerer and the Lizard, most of which debuted months later in issues of The Amazing Spider-Man. (The Daily Bugle first appeared in Fantastic Four #2.)
If the Kirby children are successful, they would reclaim their father's portion of the copyright to key characters and concepts from the Marvel Universe as early as 2017 for the Fantastic Four. In most cases, that would seem to mean co-ownership with Marvel, as Lee agreed to waive claim to any of the characters. With Spider-Man, one-third ownership could be possible if the Kirbys were to prevail yet the judge recognized Ditko's interests."
http://robot6.comicbookresources.com/2009/09/confirmed-jack-kirbys-heirs-want-a-piece-of-Spider-Man/
"According to the Heat Vision report, Kirby's heirs seek to recapture a share of the copyright to characters and story elements that appeared in Amazing Fantasy #15 -- Aunt May, Uncle Ben, Flash Thompson, etc. -- plus characters and concepts like J. Jonah Jameson, the Daily Bugle, Chameleon, the Tinkerer and the Lizard, most of which debuted months later in issues of The Amazing Spider-Man. (The Daily Bugle first appeared in Fantastic Four #2.)
If the Kirby children are successful, they would reclaim their father's portion of the copyright to key characters and concepts from the Marvel Universe as early as 2017 for the Fantastic Four. In most cases, that would seem to mean co-ownership with Marvel, as Lee agreed to waive claim to any of the characters. With Spider-Man, one-third ownership could be possible if the Kirbys were to prevail yet the judge recognized Ditko's interests."
http://robot6.comicbookresources.com/2009/09/confirmed-jack-kirbys-heirs-want-a-piece-of-Spider-Man/
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