John Timmer, Ars Technica; Google book digitization prompts the EU to rethink copyright:
"The legal settlement that would sanctify Google's book digitization efforts may be on hold, but that hasn't stopped the sniping over digitization in general, and Google's specific role in vending e-books. The Frankfurt Book Fair, a major publishing event, is playing host to the latest skirmishes over what role Google and other organizations should play in controlling access to digitized material. Google continues to insist that it's doing the world a favor by preserving knowledge and bringing lost books back to the public, but at least some European academics are blasting the company's statements as propaganda. In the meantime, however, the EU itself has used the Fair to announce an effort to update its copyright laws and launch its own pan-European digital library.
The Google book settlement was not well received within the EU, in part because of the same sorts of competition concerns that caused the US Department of Justice to weigh in against it. But Europeans had some distinct concerns, as Google has scanned copies of European works that reside in US Libraries, even though these were never licensed for US distribution. This unlicensed content was especially problematic given the settlement's structure, which would allow Google to distribute the works unless their owners explicitly opted out.
Google eventually made some concessions in an attempt to mollify its European critics, and these seem to have at least produced some fruitful discussions. Today, the European Commission released a statement entitled "Copyright in the Knowledge Economy" that suggests that the EU may be ready to tackle copyright reform for digital works.
The document describes extensive consultations with stakeholders, including libraries and publishers, and discusses the impact that digitization could have on improving access to orphaned works, preserving content, and making works accessible to the disabled. Although all of these are presented as a public good, the documents and statements by Commissioners that accompanied its release make it clear that Google was a major impetus for this effort. The company is mentioned by name several times, and Commissioner Viviane Reding said that updating the rules governing books had acquired a degree of urgency due to Google's actions: "If we act swiftly, pro-competitive European solutions on books digitisation may well be sooner operational than the solutions presently envisaged under the Google Books Settlement in the United States."
Of course, acting swiftly may be a relative thing, given that the EU has yet to even harmonize the rules governing copyrighted books among its member states...
[T]he EU government also had an open access announcement to make at the meeting. It's gone back and digitized all 50 years of its own documents, and has placed all 12 million pages online at the EU Bookshop. The documents are available to the public for free in PDF form, and will eventually appear in the Europeana digital archive."
http://arstechnica.com/tech-policy/news/2009/10/google-book-digitization-prompts-the-eu-to-rethink-copyright.ars
Showing posts with label copyright harmonization efforts. Show all posts
Showing posts with label copyright harmonization efforts. Show all posts
Tuesday, October 20, 2009
Sunday, June 14, 2009
Copyright Holders Acknowledge Losing Battle For Public Consciousness At World Copyright Summit; IP Watch, 6/11/09
Liza Porteus Viana via IP Watch; Copyright Holders Acknowledge Losing Battle For Public Consciousness At World Copyright Summit:
""The enemies of copyright have really done a good job at creating the false premise that the interest of copyright holders and the interest of society as a whole are antagonistic, and they always talk about the need for balance,” said Fritz Attaway, executive vice president and senior policy adviser for the Motion Picture Association of America. “We have got to do a better job” at attempting approaches at copyright protection “in a way that we get paid but also that consumers can access our works,” he added.
He cited MPAA’s work with the technology industry in the introduction of the DVD. He also noted that via Hulu - a joint venture of NBC Universal and News Corp. that offers television shows for free, for now - almost all TV products can be legitimately available to consumers in the United States.
”We’ve got to do more of that. We live in an age where we cannot block access to our content,” he said. “People are going to get it one way or the other. We would like them to pay for it and we need to seek out ways where they can pay for it. But just saying ‘no’ isn’t the answer.”
Eduardo Bautista, president of the management board of Spanish collective management group, Sociedad General de Autores y Editores, agreed, saying, “We’ve done a lousy job. We should have been fired.”
That’s also the message one of those referenced “enemies” tried to relay. Gary Shapiro, president of the Consumer Electronics Association and president of the Home Recording Rights Coalition, said content creators cannot simply keep saying “no” - particularly with the next generation’s seemingly rebellious nature - because it will create more anti-copyright backlash.
"Recognise that kids today have been so turned off by the RIAA approach to litigation that they’re rejecting everything you say,” Shapiro said to National Association of Music Publishers President David Israelite.
Although Israelite made the comparison that if people were stealing computers from stores en masse, the technology industry would be up in arms, Shapiro argued that it is not the same, and that copyright and intellectual property rights are different than “real” property - a statement that received groans from the rights holder-friendly audience. “That’s hurting your case because you’re being rejected by anyone under 25 who is saying, ‘these guys are full of it,’” Shapiro continued.
One way to strengthen the creators’ case, particularly given the current state of the global economy, is to stress the economic value of their industry, particularly in developing countries, experts said. The World Intellectual Property Organization, for example, pointed out that the copyright industry is responsible for roughly 6 percent of a developing economy.
”When you bring those figures to the attention of the government of developing countries, they begin to see it differently,” said WIPO Deputy Director General Michael Keplinger. “There’s something in it for them … it’s not just something for America and the Europeans and the Japanese.”"
http://www.ip-watch.org/weblog/2009/06/11/copyright-holders-acknowledge-losing-battle-for-public-consciousness-at-world-copyright-summit/
""The enemies of copyright have really done a good job at creating the false premise that the interest of copyright holders and the interest of society as a whole are antagonistic, and they always talk about the need for balance,” said Fritz Attaway, executive vice president and senior policy adviser for the Motion Picture Association of America. “We have got to do a better job” at attempting approaches at copyright protection “in a way that we get paid but also that consumers can access our works,” he added.
He cited MPAA’s work with the technology industry in the introduction of the DVD. He also noted that via Hulu - a joint venture of NBC Universal and News Corp. that offers television shows for free, for now - almost all TV products can be legitimately available to consumers in the United States.
”We’ve got to do more of that. We live in an age where we cannot block access to our content,” he said. “People are going to get it one way or the other. We would like them to pay for it and we need to seek out ways where they can pay for it. But just saying ‘no’ isn’t the answer.”
Eduardo Bautista, president of the management board of Spanish collective management group, Sociedad General de Autores y Editores, agreed, saying, “We’ve done a lousy job. We should have been fired.”
That’s also the message one of those referenced “enemies” tried to relay. Gary Shapiro, president of the Consumer Electronics Association and president of the Home Recording Rights Coalition, said content creators cannot simply keep saying “no” - particularly with the next generation’s seemingly rebellious nature - because it will create more anti-copyright backlash.
"Recognise that kids today have been so turned off by the RIAA approach to litigation that they’re rejecting everything you say,” Shapiro said to National Association of Music Publishers President David Israelite.
Although Israelite made the comparison that if people were stealing computers from stores en masse, the technology industry would be up in arms, Shapiro argued that it is not the same, and that copyright and intellectual property rights are different than “real” property - a statement that received groans from the rights holder-friendly audience. “That’s hurting your case because you’re being rejected by anyone under 25 who is saying, ‘these guys are full of it,’” Shapiro continued.
One way to strengthen the creators’ case, particularly given the current state of the global economy, is to stress the economic value of their industry, particularly in developing countries, experts said. The World Intellectual Property Organization, for example, pointed out that the copyright industry is responsible for roughly 6 percent of a developing economy.
”When you bring those figures to the attention of the government of developing countries, they begin to see it differently,” said WIPO Deputy Director General Michael Keplinger. “There’s something in it for them … it’s not just something for America and the Europeans and the Japanese.”"
http://www.ip-watch.org/weblog/2009/06/11/copyright-holders-acknowledge-losing-battle-for-public-consciousness-at-world-copyright-summit/
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