State Department will delete X posts from before Trump returned to office; NPR, February 7, 2026

 Shannon Bond, Stephen Fowler, NPR; State Department will delete X posts from before Trump returned to office

"The State Department is removing all posts on its public accounts on the social media platform X made before President Trump returned to office on Jan. 20, 2025.

The posts will be internally archived but will no longer be on public view, the State Department confirmed to NPR. Staff members were told that anyone wanting to see older posts will have to file a Freedom of Information Act request, according to a State Department employee who asked to remain anonymous for fear of retaliation by the Trump administration. That would differ from how the U.S. government typically handles archiving the public online footprint of previous administrations.

The move comes as the Trump administration has removed wide swaths of information from government websites that conflict with the president's views, including environmental and health data and references to women, people of color and members of the LGBTQ+ community. The government has also taken down signs at national parks mentioning slavery and references to Trump's impeachments and presidency at the National Portrait Gallery.

The White House has also launched a revisionist history account of the Jan. 6, 2021, attack on the U.S. Capitol and has replaced the government's coronavirus resource sites with a page titled "Lab Leak: The True Origins of Covid-19."

The removal of State Department X posts from public view appears to be less about ideological differences with past statements and more about control of future messaging. The directive will see the removal of posts from Trump's first term as well as those under then-Presidents Joe Biden and Barack Obama.

In response to NPR's questions about the removals, an unnamed State Department spokesperson said the goal "is to limit confusion on U.S government policy and to speak with one voice to advance the President, Secretary, and Administration's goals and messaging. It will preserve history while promoting the present." The spokesperson said the department's X accounts "are one of our most powerful tools for advancing the America First goals and messaging of the President, Secretary, and Administration, both to our fellow Americans and audiences around the world.""

‘In the end, you feel blank’: India’s female workers watching hours of abusive content to train AI; The Guardian, February 5, 2026

 Anuj Behal, The Guardian; ‘In the end, you feel blank’: India’s female workers watching hours of abusive content to train AI

[Kip Currier: The largely unaddressed plight of content moderators became more real for me after reading this haunting 9/9/24 piece in the Washington Post, "I quit my job as a content moderator. I can never go back to who I was before."

As mentioned in the graphic article's byline, content moderator Alberto Cuadra spoke with journalist Beatrix Lockwood. Maya Scarpa's illustrations poignantly give life to Alberto Cuadra's first-hand experiences and ongoing impacts from the content moderation he performed for an unnamed tech company. I talk about Cuadra's experiences and the ethical issues of content moderation, social media, and AI in my Ethics, Information, and Technology book.]

[Excerpt]

"Murmu, 26, is a content moderator for a global technology company, logging on from her village in India’s Jharkhand state. Her job is to classify images, videos and text that have been flagged by automated systems as possible violations of the platform’s rules.

On an average day, she views up to 800 videos and images, making judgments that train algorithms to recognise violence, abuse and harm.

This work sits at the core of machine learning’s recent breakthroughs, which rest on the fact that AI is only as good as the data it is trained on. In India, this labour is increasingly performed by women, who are part of a workforce often described as “ghost workers”.

“The first few months, I couldn’t sleep,” she says. “I would close my eyes and still see the screen loading.” Images followed her into her dreams: of fatal accidents, of losing family members, of sexual violence she could not stop or escape. On those nights, she says, her mother would wake and sit with her...

“In terms of risk,” she says, “content moderation belongs in the category of dangerous work, comparable to any lethal industry.”

Studies indicate content moderation triggers lasting cognitive and emotional strain, often resulting in behavioural changes such as heightened vigilance. Workers report intrusive thoughts, anxiety and sleep disturbances.

A study of content moderators published last December, which included workers in India, identified traumatic stress as the most pronounced psychological risk. The study found that even where workplace interventions and support mechanisms existed, significant levels of secondary trauma persisted."

X offices raided in France as UK opens fresh investigation into Grok; BBC, February 3, 2026

 Liv McMahon, BBC; X offices raided in France as UK opens fresh investigation into Grok

"The French offices of Elon Musk's X have been raided by the Paris prosecutor's cyber-crime unit, as part of an investigation into suspected offences including unlawful data extraction and complicity in the possession of child pornography.

The prosecutor's office also said both Musk and former X chief executive Linda Yaccarino had been summoned to appear at hearings in April.

In a separate development, the UK's Information Commissioner's Office (ICO) announced a probe into Musk's AI tool, Grok, over its "potential to produce harmful sexualised image and video content."

X is yet to respond to either investigation - the BBC has approached it for comment."

AI chatbots are not your friends, experts warn; Politico, February 3, 2026

 PIETER HAECK , Politico; AI chatbots are not your friends, experts warn

"Millions of people are forming emotional bonds with artificial intelligence chatbots — a problem that politicians need to take seriously, according to top scientists.

The warning of a rise in AI bots designed to develop a relationship with users comes in an assessment released Tuesday on the progress and risks of artificial intelligence."

Public Shame Is the Most Effective Tool for Battling Big Tech; The New York Times, January 14, 2026

Jessica Grose , The New York Times; Public Shame Is the Most Effective Tool for Battling Big Tech

"It might be harder to shame the tech companies themselves into making their products safer, but we can shame third-party companies like toymakers, app stores and advertisers into ending partnerships. And with enough public disapproval, legislators might be inspired to act.

In some of the very worst corners of the internet might lie some hope...

Without more public shaming, what seems to be the implacable forward march of A.I. is unstoppable...

As Jay Caspian Kang noted in The New Yorker recently, changing social norms around kids and tech use can be powerful, and reforms like smartphone bans in schools have happened fairly quickly, and mostly on the state and local level."

Copyright laws need to modernize to include fan-made edits; The Miami Hurricane, January 14, 2026

Marissa Levinson, The Miami Hurricane; Copyright laws need to modernize to include fan-made edits

[Kip Currier: Unfortunately, this University of Miami's student newspaper's Op-Ed -- Copyright laws need to modernize to include fan-made edits -- contains staggeringly inaccurate interpretations and assertions about copyright law and fair use. 

No one wanting to make informed decisions on copyright-related matters should rely on the writer's cherry-picked aspects of copyright law that are then stitched together to make wildly erroneous conclusions.

Copyright literacy is essential.]

 

[Excerpt]

"I can’t even count the amount of times I’ve been scrolling through my saved folders on TikTok, Instagram or X to watch video edits of clips from my favorite TV shows, only to find nothing but a shell of what once used to be there, with a body of text over it. It reads: “This video is no longer available due to a copyright claim.” 

Video edits of shows and movies, which are often paired with trending songs as the audios, have gained traction on social media platforms among hundreds of fan bases. Navigating this new age of fan-generated edits comes with confusion. As copyright laws based on precedent aren’t current enough to guide regulations on this new type of content, video edits deserve to be protected under copyright law.

Are edits legal?

Fan-made video edits range from less than 30-seconds to a few minutes long. This poses the question of whether they are legal in terms of copyright. The law gives copyright the “power ‘to promote the Progress of Science and useful Arts, by securing for limited Times to Authors and Investors the exclusive Right to their Respective Writings and Discoveries,’” according to Article 1, Section 8 of the United States Constitution. 

This means, under the Copyright Act of 1976, “original works of authorship fixed in tangible medium of expression” are protected. According to the four exemptions of the copyright law, video edits are protected by the first amendment and therefore, should be legal to publish."

To anybody still using X: sexual abuse content is the final straw, it’s time to leave; The Guardian, January 12, 2026

 Marie Le Conte, The Guardian; To anybody still using X: sexual abuse content is the final straw, it’s time to leave

"What does matter is that X is drifting towards irrelevance, becoming a containment pen for jumped-up fascists. Government ministers cannot be making policy announcements in a space that hosts AI-generated, near-naked pictures of young girls. Journalists cannot share their work in a place that systematically promotes white supremacy. Regular people cannot be getting their brains slowly but surely warped by Maga propaganda.

We all love to think that we have power and agency, and that if we try hard enough we can manage to turn the tide – but X is long dead. The only winning move now is to step away from the chess board, and make our peace with it once and for all."

The Trump Administration's Deportation Reels Keep Getting Copyright Strikes for Using Music Without Permission; Reason , February/ March 2026 Issue

AUTUMN BILLINGS , Reason; The Trump Administration's Deportation Reels Keep Getting Copyright Strikes for Using Music Without Permission

"As masked Immigration and Customs Enforcement (ICE) agents deploy to U.S. cities, the Trump administration is also running a social media campaign. Its effort to stay viral online is colliding with copyright law.

Between January 26 and November 10, 2025, the Department of Homeland Security (DHS) posted 487 times on Instagram—more than 28 percent of the agency's total posting since joining the platform in 2014. The posts promote the crackdown by mixing 20th century propaganda with modern memes, and they feature a wide range of popular imagery and audio.

But not all the content they use has been licensed—or welcomed. Several creators have pushed back on the unauthorized use of their copyright-protected work."

‘Twitter never left:’ X sues Operation Bluebird for trademark infringement; The Verge, December 16, 2025

Emma Roth , The Verge; ‘Twitter never left:’ X sues Operation Bluebird for trademark infringement

"X Corp. is suing Operation Bluebird, a recently-announced startup that aims to reclaim the Twitter brand for a new social network. In a lawsuit filed on Tuesday, the Elon Musk-owned company alleges Operation Bluebird is “brazenly attempting to steal” Twitter’s trademarks, claiming “Twitter never left and continues to be exclusively owned by X Corp.”

Last week, Operation Bluebird filed a petition asking the US Patent and Trademark Office (USPTO) to cancel X Corp.’s ownership of the “Twitter” and “Tweet” trademarks. It alleged X Corp. “legally abandoned its rights” to Twitter’s brand with “no intention to resume use.” At the same time, Operation Bluebird filed a trademark application for Twitter as part of plans to launch a new site, called Twitter.new."

MAGA Official Slammed for Clobbering the Living Christmas Lights Out of AI Santa Claus; The Daily Beast, December 28, 2025

 Will Neal, The Daily Beast; MAGA Official Slammed for Clobbering the Living Christmas Lights Out of AI Santa Claus

[Kip Currier: I was curious about Indiana State Sen. Chris Garten's values and background when I saw this story. So it's eye-opening to see his own descriptor of himself on his Facebook page:

"My name is Chris Garten. I am a Christian, husband, father, Marine Corps veteran..."

https://www.facebook.com/GartenforSenate/

Though Garten's military service is commendable, nowhere in the Bible would the Christian Jesus condone the kinds of actions that Garten portrays himself performing in these AI-generated images of himself brutalizing Santa Claus. How do such images advance one of Jesus's greatest Commandments to "love thy neighbor as thyself" (Matthew 22:39, Mark 12:31)?

How does a person who self-identifies as a Christian justify such depictions to others, as well as when he prays? Especially when Jesus stands for helping the "least among us" (Matthew 25:40) and says that "the last shall be first" (Matthew 20:16).

Even in jest, do these images convey a sense of good judgment or an elected official who is a positive role model in a free and democratic society?]

[Excerpt]

"A MAGA official has branded his critics “snowflakes” after marking this year’s holiday season by sharing his apparent fantasy of whaling on a defenseless Saint Nick on the steps of Indiana’s State Capitol building.

State Senator Chris Garten shared the AI-generated images on X on Christmas Day. One of the four pictures features the two-term Republican state senator, decked in a sleeveless suit à la WWE, kicking a bewildered Santa Claus squarely on the chin to send the beloved, age-old children’s folk character sailing backwards through the air.

A second shows the MAGA official launching himself forward with the apparent intention of following up with a flying punch to the jaw. A third shows him further brutalizing the trembling, mythic gift-giver as he writhes in agony on the floor...

“Lots of intolerance, swearing, and outrage on display over a few AI pics I had a blast designing with my kids,” he wrote in a subsequent post. “Some of you clowns are just insufferable. Hopefully your negativity stays in the comments and not directed at your families.” 

“Merry Christmas, snowflakes,” Garten added, accompanied by another AI-generated photo of himself in a Santa suit, pointing at an oversized snowflake."

60 Minutes episode on brutal El Salvador prison, pulled from air by CBS, appears online; The Guardian, December 23, 2025

 Jenna Amatulli , The Guardian; 60 Minutes episode on brutal El Salvador prison, pulled from air by CBS, appears online

"Alfonsi notes the poor conditions in the prison, showing images of half-dressed men with shaved heads all lined up in rows in front of bunks stacked four high. The bunks have no pillows or pads or blankets. The lights are kept on 24 hours a day and detainees have no access to clean water.

Alfonsi pointed to a 2023 report from the state department that “cited torture and life-threatening prison conditions” in Cecot, she said: “But this year, during a meeting with President Bukele at the White House, President Trump expressed admiration for El Salvador’s prison system,” before airing footage of Trump saying: “They make great facilities. Very strong facilities. They don’t play games.”

The segment also talks to Juan Pappier, deputy director at Human Rights Watch, who helped write an 81-page report that detailed Cecot’s pattern of “systematic torture” and found that nearly half the men in the prison did not actually have a criminal history. Pappier said the study was based on information obtained by Immigration and Customs Enforcement (ICE)’s own records. Alfonsi confirmed that 60 Minutes independently corroborated Human Rights Watch’s claims.

William Losada Sánchez, a Venezuelan national and former Cecot inmate, also describes to Alfonsi what it was like to get sent to “the island” – a punishment room where prisoners would be sent if they could not comply with being forced to sit on their knees for 24 hours a day.

“The island is a little room where there’s no light, no ventilation, nothing. It’s a cell for punishment where you can’t see your hand in front of your face. After they locked us in, they came to beat us every half hour and they pounded on the door with their sticks to traumatize us,” he said.

The segment briefly touches on Kristi Noem’s visit to Cecot. Pinto claims the Department of Homeland Security secretary did not speak to a single detainee during her visit...

Elizabeth Warren, the Democratic senator, shared the episode online, saying: “Take a few minutes to watch what they didn’t want you to see. This story should be told.”"

‘60 Minutes’ Report Was Pulled Off the Air. Now It’s on the Internet.; The New York Times, December 23, 2025

 Michael M. Grynbaum, The New York Times ; '60 Minutes’ Report Was Pulled Off the Air. Now It’s on the Internet.

"CBS News caused a controversy after it pulled a report from Sunday’s episode of the long-running news program that featured the stories of Venezuelan men who were deported by the Trump administration to a brutal prison in El Salvador. But the 13-minute segment, as originally edited by “60 Minutes” staff members, soon surfaced online in full.

The last-minute change had already set off a political firestorm. Bari Weiss, the network’s editor in chief, said she postponed the segment because its reporting was flawed and incomplete. Her critics — including the “60 Minutes” correspondent who reported the segment, Sharyn Alfonsi — saw it as an attempt by CBS to placate the administration. CBS is owned by David Ellison, a technology heir who is trying to acquire Warner Bros. Discovery in a deal that needs federal regulatory approval.

Now the viewing public can draw its own conclusions. After a Canadian television network briefly posted the video on its streaming app on Monday, copies were quickly downloaded and widely shared on social media."

, IGN; Copyright Takedowns Issued After What Looks to Be a Leaked Avengers: Doomsday Trailer Posted Online, December 16, 2025

TOM PHILLIPS, IGN; Copyright Takedowns Issued After What Looks to Be a Leaked Avengers: Doomsday Trailer Posted Online

 "Copyright takedowns are targeting what appears to be a leaked version of Marvel's first Avengers: Doomsday trailer, which is now being snapped out of existence across social media.

Uploads of the video file began yesterday, and were initially easy to find across social media. But today, copyright notices have replaced numerous instances of the file on X and reddit, and the original video is nowhere to be seen YouTube."

A.I. Videos Have Flooded Social Media. No One Was Ready.; A.I. Videos Have Flooded Social Media. No One Was Ready., December 8, 2025

 Steven Lee Myers and Stuart A. Thompson, The New York Times ; A.I. Videos Have Flooded Social Media. No One Was Ready.

Apps like OpenAI’s Sora are fooling millions of users into thinking A.I. videos are real, even when they include warning labels.

"Videos like the fake interview above, created with OpenAI’s new app, Sora, show how easily public perceptions can be manipulated by tools that can produce an alternate reality with a series of simple prompts.

In the two months since Sora arrived, deceptive videos have surged on TikTok, X, YouTube, Facebook and Instagram, according to experts who track them. The deluge has raised alarm over a new generation of disinformation and fakes.

Most of the major social media companies have policies that require disclosure of artificial intelligence use and broadly prohibit content intended to deceive. But those guardrails have proved woefully inadequate for the kind of technological leaps OpenAI’s tools represent."

AI country singer Breaking Rust tops Billboard with ‘Walk My Walk’; San Francisco Chronicle, November 10, 2025

Aidin Vaziri, San Francisco Chronicle; AI country singer Breaking Rust tops Billboard with ‘Walk My Walk’

"A country hit made by artificial intelligence has climbed to the top of a Billboard chart — a first for the genre.

The song, “Walk My Walk,” by an artist known as Breaking Rust, is now No. 1 on  Billboard’s Country Digital Song Sales chart. But the brooding, gravel-voiced cowboy behind the hit doesn’t exist. At least, not in the traditional sense. 

He’s an AI creation with millions of streams, tens of thousands of followers and no verifiable human footprint." 

Trump's fake video featured 'Danger Zone.' Musician Kenny Loggins wants it scrubbed; NPR, October 20, 2025

 Anastasia Tsioulcas , NPR; Trump's fake video featured 'Danger Zone.' Musician Kenny Loggins wants it scrubbed

"Singer-songwriter Kenny Loggins is asking President Trump to remove the audio of one of his performances from a contentious AI-generated video that Trump posted on his Truth Social account on Saturday evening.

In the fake video, a crown-wearing Trump is in a fighter jet emblazoned "KING TRUMP." Accompanied by Loggins singing "Danger Zone" — a hit single from the 1986 movie Top Gun — the plane dumps sludgy brown material over crowds of protesters carrying American flags and signs in what appears to be New York City's Times Square.

The video was published as an apparent reply to the widespread No Kings protests that took place across the U.S. on Saturday."

OpenAI Blocks Videos of Martin Luther King Jr. After Racist Depictions; The New York Times, October 17, 2025

Claire Moses, The New York Times ; OpenAI Blocks Videos of Martin Luther King Jr. After Racist Depictions

[Kip Currier: This latest tech company debacle is another example of breakdowns in technology design thinking and ethical leadership. No one in all of OpenAI could foresee that Sora 2.0 might be used in these ways? Or they did but didn't care? Either way, this is morally reckless and/or negligent conduct.

The leaders and design folks at OpenAI (and other tech companies) would be well-advised to look at Tool 6 in An Ethical Toolkit for Engineering/Design Practice, created by Santa Clara University Markkula Center for Applied Ethics:

Tool 6: Think About the Terrible People: Positive thinking about our work, as Tool 5 reminds us, is an important part of ethical design. But we must not envision our work being used only by the wisest and best people, in the wisest and best ways. In reality, technology is power, and there will always be those who wish to abuse that power. This tool helps design teams to manage the risks associated with technology abuse.

https://www.scu.edu/ethics-in-technology-practice/ethical-toolkit/

The "Move Fast and Break Things" ethos is alive and well in Big Tech.]

[Excerpt]

"OpenAI said Thursday that it was blocking people from creating videos using the image of the Rev. Dr. Martin Luther King Jr. with its Sora app after users created vulgar and racist depictions of him.

The company said it had made the decision at the request of the King Center as well as Dr. Bernice King, the civil rights leader’s daughter, who had objected to the videos.

The announcement was another effort by OpenAI to respond to criticism of its tools, which critics say operate with few safeguards.

“Some users generated disrespectful depictions of Dr. King’s image,” OpenAI said in a statement. “OpenAI has paused generations depicting Dr. King as it strengthens guardrails for historical figures.”"

You Can’t Use Copyrighted Characters in OpenAI’s Sora Anymore and People Are Freaking Out; Gizmodo, October 8, 2025

AJ DELLINGER, Gizmodo; You Can’t Use Copyrighted Characters in OpenAI’s Sora Anymore and People Are Freaking Out

 "OpenAI may be able to appease copyright holders by shifting its Sora policies, but it’s now pissed off its users. As 404 Media pointed out, social channels like Twitter and Reddit are now flooded with Sora users who are angry they can’t make 10-second clips featuring their favorite characters anymore. One user in the OpenAI subreddit said that being able to play with copyrighted material was “the only reason this app was so fun.” Another claimed, “Moral policing and leftist ideology are destroying America’s AI industry.” So, you know, it seems like they’re handling this well."

Why I gave the world wide web away for free; The Guardian, September 28, 2025

 Tim Berners-Lee, The Guardian ; Why I gave the world wide web away for free

"Sharing your information in a smart way can also liberate it. Why is your smartwatch writing your biological data to one silo in one format? Why is your credit card writing your financial data to a second silo in a different format? Why are your YouTube comments, Reddit posts, Facebook updates and tweets all stored in different places? Why is the default expectation that you aren’t supposed to be able to look at any of this stuff? You generate all this data – your actions, your choices, your body, your preferences, your decisions. You should own it. You should be empowered by it.

Somewhere between my original vision for web 1.0 and the rise of social media as part of web 2.0, we took the wrong path. We’re now at a new crossroads, one where we must decide if AI will be used for the betterment or to the detriment of society. How can we learn from the mistakes of the past? First of all, we must ensure policymakers do not end up playing the same decade-long game of catchup they have done over social media. The time to decide the governance model for AI was yesterday, so we must act with urgency.

In 2017, I wrote a thought experiment about an AI that works for you. I called it Charlie. Charlie works for you like your doctor or your lawyer, bound by law, regulation and codes of conduct. Why can’t the same frameworks be adopted for AI? We have learned from social media that power rests with the monopolies who control and harvest personal data. We can’t let the same thing happen with AI.

So how do we move forward? Part of the frustration with democracy in the 21st century is that governments have been too slow to meet the demands of digital citizens. The AI industry landscape is fiercely competitive, and development and governance are dictated by companies. The lesson from social media is that this will not create value for the individual.

I coded the world wide web on a single computer in a small room. But that small room didn’t belong to me, it was at Cern. Cern was created in the aftermath of the second world war by the UN and European governments who identified a historic, scientific turning point that required international collaboration. It is hard to imagine a big tech company agreeing to share the world wide web for no commercial reward like Cern allowed me to. That’s why we need a Cern-like not-for-profit body driving forward international AI research.

I gave the world wide web away for free because I thought that it would only work if it worked for everyone. Today, I believe that to be truer than ever. Regulation and global governance are technically feasible, but reliant on political willpower. If we are able to muster it, we have the chance to restore the web as a tool for collaboration, creativity and compassion across cultural borders. We can re-empower individuals, and take the web back. It’s not too late."

Content Creators Want Congress To Revamp Decades-Old Copyright Law; Inc., September 25, 2025

BEN BUTLER , Inc., Content Creators Want Congress To Revamp Decades-Old Copyright Law

"“There’s a growing practice of using the [Digital Millennium Copyright Act] takedown tools built into platforms to restrict and shut down competition [which] are considered traditionally unfair trade practices,” Kayla Morán, a lawyer specializing in trademark and contract law, said last week during a hearing examining content creators and entrepreneurship before the House Committee on Small Business...

As content creation becomes more lucrative, creators can protect their IP by filing as LLCs, Morán said, shifting the liability from the person to the business. LLCs protect business assets from the owner of the business, creating a distinction between the two. Social media accounts can be protected as business assets, thus giving creators more legal protections if a podcast name gets stolen, for example, or in cases of impersonation.

But filing as an LLC as opposed to being a sole proprietorship requires registration fees and higher costs, which vary by state. And filing as an LLC doesn’t prevent the IP from being stolen, it would protect it from being pursued as an asset in a personal lawsuit against the creator. 

Morán and Christina Brennan, who runs a social media management company, said entrepreneurs they work with don’t have the knowledge of contract law and how taxes on social media earnings work.

One way to help bridge the disconnect, Morán suggests, would be for the Small Business Administration to provide guidance, plus access to lawyers that can advise on common challenges that bubble up for content creators, like with protecting IP."