Think you actually own all those movies you’ve been buying digitally? Think again; The Guardian, August 27, 2025

 J Oliver Conroy, The Guardian; Think you actually own all those movies you’ve been buying digitally? Think again

[Kip Currier: This article underscores why the First Sale Doctrine (Section 109a) of the U.S. Copyright Statute is such a boon for consumers and public libraries: when you (or a library) buy a physical book, you actually do own that physical book (though the copyright to that book remains with the copyright holder, which is an important distinction to remember).

The First Sale Doctrine is what enables a library to purchase physical books and then lend them to as many borrowers as it wants. Not so for digital books, which are generally licensed by publishers to users and libraries who pay for licenses to those digital books.

The bottom line: You as a digital content licensee only retain access to the digital items you license, so long as the holder of that license -- the licensor -- says you may have access to its licensed content.

This distinction between physical and digital content has put great pressure on library budgets to provide users with access to electronic resources, while libraries face ever-increasing fees from licensors. This fiscally-fraught environment has been exacerbated by Trump 2.0's dismantling of IMLS (Institute of Museum and Library Services) grants that supported the licensing of ebooks and audiobooks by libraries. Some states have said "enough" and are attempting to rebalance what some see as an unequal power dynamic between publishers and libraries/users. See "Libraries Pay More for E-Books. Some States Want to Change That. Proposed legislation would pressure publishers to adjust borrowing limits and find other ways to widen access." New York Times (July 16, 2025)]

[Excerpt]

"Regardless of whether the lawsuit is ultimately successful, it speaks to a real problem in an age when people access films, television series, music and video games through fickle online platforms: impermanence. The advent of streaming promised a world of digital riches in which we could access libraries of our favorite content whenever we wanted. It hasn’t exactly worked out that way...

The problem is that you aren’t downloading the movie, to own and watch forever; you’re just getting access to it on Amazon’s servers – a right that only lasts as long as Amazon also has access to the film, which depends on capricious licensing agreements that vary from title to title. A month or five years from now, that license may expire – and the movie will disappear from your Amazon library. Yet the $14.99 you paid does not reappear in your pocket."

Giant Publisher Macmillan Goes To War Against Libraries; TechDirt, November 15, 2019

Mike Masnick, TechDirt; Giant Publisher Macmillan Goes To War Against Libraries

"In September, librarians around the US launched a campaign -- ebooksforall.org urging Macmillan to rethink this awful plan:

This embargo limits libraries’ ability to provide access to information for all. It particularly harms library patrons with disabilities or learning issues. One of the great things about eBooks is that they can become large-print books with only a few clicks, and most eBook readers offer fonts and line spacing that make reading easier for people who have dyslexia or other visual challenges. Because portable devices are light and easy to hold, eBooks are easier to use for some people who have physical disabilities.
Macmillan is the only major publisher restricting public libraries’ ability to purchase and lend digital content to their communities. Before the embargo took effect, we collected 160,000 signatures from readers who urged Macmillan not to go through with their plan. And we delivered these signatures in person to CEO John Sargent. Sadly, he did not listen."

When Pixels Find New Life on Real Paper; The New York Times, 4/20/09

Via The New York Times; When Pixels Find New Life on Real Paper:

"One trick in transferring the material from online to print has been how to recreate the “title text” that comments on the strip when your cursor hovers over it...

The title text will appear where the tiny copyright notice would appear on a traditional strip.

Does that mean that the book won’t carry a traditional copyright and instead take its lead from the online comic strip itself, which Mr. Munroe licenses under Creative Commons, allowing noncommercial re-use as long as credit is given?

“To anyone who wants to photocopy, bind, and give a copy of the book to their loved one — more power to them,” he said. “He/She will likely be disappointed that you’re so cheap, though.”

http://www.nytimes.com/2009/04/20/business/media/20link.html

Some Fear Google’s Power in Digital Books, The New York Times, 2/1/09

Via The New York Times: Some Fear Google’s Power in Digital Books:

"To Thomas Augst, an English professor at New York University who has studied the history of libraries, including those in the past that were run as businesses, what is significant is that the digitization of books is ending the distinction between circulating libraries, meant for public readers, and research libraries, meant for scholars. It’s not as if anyone from the public can walk into the Harvard library.

“A positive way to look at what Google is doing,” he said, “is that it is advancing the circulating of books and leveling these distinctions.”

In a final twist, however, the digital-rights class-action agreement has the potential to make physical libraries newly relevant. Each public library will have one computer with complete access to Google Book Search, a service that normally would come as part of a paid subscription.

One of Mr. Darnton’s concerns is that a single computer may not be enough to meet public demand. But Mr. Augst already can see a great benefit.

Google is “creating a new reason to go to public libraries, which I think is fantastic,” he said."

http://www.nytimes.com/2009/02/02/technology/internet/02link.html?_r=1&scp=1&sq=google%20book%20search&st=cse

OCLC Debuts Copyright Evidence Registry - OCLC Press Release, 8/25/08

OCLC pilots WorldCat Copyright Evidence Registry: "OCLC is piloting a new service for libraries that encourages librarians and other interested parties to discover and share information about the copyright status of books.

The WorldCat Copyright Evidence Registry is a community working together to build a union catalog of copyright evidence based on WorldCat, which contains more than 100 million bibliographic records describing items held in thousands of libraries worldwide...

The goal of the Copyright Evidence Registry is to encourage a cooperative environment to discover, create and share copyright evidence through a collaboratively created and maintained database, using the WorldCat cooperative model to eliminate duplicate efforts...

Users can search the Copyright Evidence Registry to find information about a book, learn what others have said about its copyright status, and share what they know...

The WorldCat Copyright Evidence Registry Beta can be accessed at http://www.worldcat.org/copyrightevidence."