"The singer/songwriter/multi-instrumentalist/genius had a famously fraught relationship with distributive technology: He embraced it in disseminating his music, as long as he maintained control over his own work. But he battled for decades with his record company, subverted traditional channels of distribution, and even last year removed his catalog from nearly every streaming service. And he was fervent in defending his copyright against exploitation, to a degree that seemed, at times, excessive, including issuing takedown notices to Vine users, threatening fan-site operators for running his photo, and filing a DMCA complaint against a mom who posted a video of her kids dancing to “Let’s Go Crazy.” (That case made it to the 9th U.S. Circuit Court of Appeals in September.) The practical result of all this is that, through Prince’s own efforts and expressed wishes, the standard methods of mourning a great artist are a little bit cockeyed this afternoon. Sure, everyone is digging up whatever remarkable videos they can—we’re on it—but nearly all his fantastic live performances, his surprising covers, his leaked material are nowhere to be found on my Twitter feed and Facebook news feed. And while I’d love nothing more than to stream Prince on Spotify right now, he’s not there."
Issues and developments related to IP, AI, and OM, examined in the IP and tech ethics graduate courses I teach at the University of Pittsburgh School of Computing and Information. My Bloomsbury book "Ethics, Information, and Technology", coming in Summer 2025, includes major chapters on IP, AI, OM, and other emerging technologies (IoT, drones, robots, autonomous vehicles, VR/AR). Kip Currier, PhD, JD
Showing posts with label maintaining control over works. Show all posts
Showing posts with label maintaining control over works. Show all posts
Friday, April 22, 2016
Why U Can’t Find Prince’s Music Online; Slate, 4/21/16
Dan Kois, Slate; Why U Can’t Find Prince’s Music Online:
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