Mike Masnick, TechDirt; ABA Journal Highlights How The Music Industry Is Thriving And How Copyright Might Not Be That Important:
"Michael Scott points us to one of the best summaries I've seen of the state of the music business today -- published in the ABA Journal. It's an incredibly balanced piece, that really does carefully present both sides of the story on a variety of issues, and presents actual evidence, which suggests the RIAA is blowing smoke on a lot of its claims. The piece kicks off by highlighting that the music industry appears to be thriving, and then noting that it's not the same as the recording industry, which has been struggling.
Much of the piece does present the RIAA's viewpoint on things, such as the idea that the legal strategy the labels have taken has been a "success." However, it follows it up by questioning what kind of success it has been when more people are file sharing and more services are available for those who want to file share. From there it segues into a discussion on "three strikes" and ACTA, which includes the jaw-dropping claim from an RIAA general counsel that "three strikes" was "never even put on the table."
I've heard from numerous ISP folks who say that's not true at all. However, the article does a good job (gently) ripping apart the RIAA's claims, with evidence to the contrary, and does a beautiful job digging deep into ACTA to show how the text might not explicitly require three strikes, but is worded in such a way as to make it hard to qualify for safe harbors without implementing three strikes.
The latter part of the article then focuses on how the music industry really is booming, and how more people are making music, and there are lots of opportunities for musicians to do well these days, even without relying on copyright law. The arguments made (and the people and studies quoted) won't be new to regular Techdirt readers, but it really is a very strong piece, targeted at lawyers (many of whom may not have realized some of these details). For example:
If the ultimate goal is to promote the creation of new works, then perhaps it isn't really necessary to take stronger legal actions against illegal file-sharing because the evidence does not suggest that it is hindering the creation of new works by musicians I certainly don't agree with everything in the article, and there are a few statements from the RIAA folks that could have been challenged more directly. But, on the whole, it's definitely one of the better articles I've seen looking at the music industry from the perspective of the legal profession that doesn't automatically drop into the "but we must protect copyrights!" argument from the outset."
http://www.techdirt.com/articles/20100527/0347199599.shtml
Showing posts with label three strikes approaches. Show all posts
Showing posts with label three strikes approaches. Show all posts
Saturday, May 29, 2010
Thursday, April 1, 2010
European ACTA Negotiators Reject "Three Strikes" Moniker; EFFector List, Electronic Frontier Foundation, 4/1/10
EFFector List, Electronic Frontier Foundation; European ACTA Negotiators Reject "Three Strikes" Moniker:
"Seething Danes were seen stomping out of the ACTA negotiation chambers in Wellington, New Zealand, citing frustration with the United States negotiators' continued pushing of "three strikes" proposals.
"ACTA is an international agreement," fumed negotiator Olaf Atdis. "It's absurd for the United States to continue demanding a baseball analogy when a football analogy would be much more representative of the diversity of the negotiating countries."
"Three strikes" laws and policies require Internet serviceproviders to automatically disconnect their Internetusers on repeat allegations of copyright infringementby entertainment company complaints, but EU negotiatorsreportedly prefer a "carding" system. ISPs that receive complaints would issue "yellow cards" and "red cards,"tracking the official penalty system of the Fédération Internationale de Football Association (FIFA).
EFF spoke out against both naming conventions. "These sports analogies are antithetical to the spirit of the open Internet," argued EFF International Director Gwen Hinze. "The Internet is much more like the Force, which as Obi-Wan taught us all, 'surrounds us and penetrates us. It binds the galaxy together.' Evil Sith-Imperial complaints should not result in an individual being severed from the Force. That's clearly preposterous.""
For more about yellow cards, red cards, the Force,and ACTA:http://eff.org/r.2hu
"Seething Danes were seen stomping out of the ACTA negotiation chambers in Wellington, New Zealand, citing frustration with the United States negotiators' continued pushing of "three strikes" proposals.
"ACTA is an international agreement," fumed negotiator Olaf Atdis. "It's absurd for the United States to continue demanding a baseball analogy when a football analogy would be much more representative of the diversity of the negotiating countries."
"Three strikes" laws and policies require Internet serviceproviders to automatically disconnect their Internetusers on repeat allegations of copyright infringementby entertainment company complaints, but EU negotiatorsreportedly prefer a "carding" system. ISPs that receive complaints would issue "yellow cards" and "red cards,"tracking the official penalty system of the Fédération Internationale de Football Association (FIFA).
EFF spoke out against both naming conventions. "These sports analogies are antithetical to the spirit of the open Internet," argued EFF International Director Gwen Hinze. "The Internet is much more like the Force, which as Obi-Wan taught us all, 'surrounds us and penetrates us. It binds the galaxy together.' Evil Sith-Imperial complaints should not result in an individual being severed from the Force. That's clearly preposterous.""
For more about yellow cards, red cards, the Force,and ACTA:http://eff.org/r.2hu
Monday, March 15, 2010
British Put Teeth in Anti-Piracy Proposal; New York Times, 3/15/10
Eric Pfanner, New York Times; British Put Teeth in Anti-Piracy Proposal:
"When asked how governments ought to deal with freeloaders who illegally copy music and movies on the Internet, James Murdoch, head of News Corp.’s European and Asian operations, does not mince his words: “Punish them.”
“There is no difference with going into a store and stealing Pringles or a handbag and taking this stuff,” he said last week at a media conference in Abu Dhabi. “We need enforcement mechanisms and we need governments to play ball.”
In Britain, where Mr. Murdoch is based, lawmakers have taken up the challenge — to the consternation of Internet companies and civil liberties groups, which are ratcheting up their own arguments against a tough anti-piracy bill that is nearing the make-or-break stage in Parliament.
The measure, championed by the business secretary, Peter Mandelson, would give the British authorities new tools to clamp down on piracy, including the right to cut off the Internet connections of persistent copyright cheats. Such a system has been approved, though not yet implemented, in France.
The British proposal, set to be taken up by the House of Commons on Monday, goes further. Under an amendment to the bill in the House of Lords this month, courts would be empowered to order Internet service providers to block access to Web sites that provide pirated movies, music and other media content.
Supporters of the amendment say it would finally give copyright holders the tools to tackle the piracy problem at the supply and demand levels, after more than a decade of largely futile efforts. But critics of the bill say it raises the specter of censorship on the Internet, and could undermine the development of Britain’s digital economy, currently among the most advanced in the world.
“Put simply, blocking access as envisaged by this clause would both widely disrupt the Internet in the U.K. and elsewhere, threatening freedom of speech and the open Internet, without reducing copyright infringement as intended,” opponents of the proposal wrote in a letter to The Financial Times. It was signed by Internet service providers, Internet companies like Google, Yahoo, eBay and Facebook, and other groups.
Britain is not the only country considering tougher measures to fight piracy. Along with France, South Korea also recently approved a system under which Internet pirates who ignore two warnings to stop illegal downloads face the loss of their Internet connections. Lawmakers in Spain have proposed a measure that, like the British proposal, could require Internet service providers to block access to certain sites.
The British government says a tougher approach on piracy could provide hundreds of millions of dollars for the “creative industries,” which already account for more than 6 percent of British economic output.
But critics say the proposals would be expensive to enforce and would generate very little new revenue.
Jim Killock, executive director of the Open Rights Group, which campaigns against restrictions on the Internet, said the bill contained unusually broad scope for abuse. Individuals or companies, he said, might try to use it to suppress any Web content they found objectionable, under the pretext of protecting their copyrights.
British libel laws, which put the burden of proof on the defendant, are already employed in this way by wealthy plaintiffs, critics say; rather than mount expensive defenses, bloggers and others accused of libel often back down and withdraw whatever statements drew offense."
http://www.nytimes.com/2010/03/15/technology/15iht-piracy15.html?scp=2&sq=piracy&st=cse
"When asked how governments ought to deal with freeloaders who illegally copy music and movies on the Internet, James Murdoch, head of News Corp.’s European and Asian operations, does not mince his words: “Punish them.”
“There is no difference with going into a store and stealing Pringles or a handbag and taking this stuff,” he said last week at a media conference in Abu Dhabi. “We need enforcement mechanisms and we need governments to play ball.”
In Britain, where Mr. Murdoch is based, lawmakers have taken up the challenge — to the consternation of Internet companies and civil liberties groups, which are ratcheting up their own arguments against a tough anti-piracy bill that is nearing the make-or-break stage in Parliament.
The measure, championed by the business secretary, Peter Mandelson, would give the British authorities new tools to clamp down on piracy, including the right to cut off the Internet connections of persistent copyright cheats. Such a system has been approved, though not yet implemented, in France.
The British proposal, set to be taken up by the House of Commons on Monday, goes further. Under an amendment to the bill in the House of Lords this month, courts would be empowered to order Internet service providers to block access to Web sites that provide pirated movies, music and other media content.
Supporters of the amendment say it would finally give copyright holders the tools to tackle the piracy problem at the supply and demand levels, after more than a decade of largely futile efforts. But critics of the bill say it raises the specter of censorship on the Internet, and could undermine the development of Britain’s digital economy, currently among the most advanced in the world.
“Put simply, blocking access as envisaged by this clause would both widely disrupt the Internet in the U.K. and elsewhere, threatening freedom of speech and the open Internet, without reducing copyright infringement as intended,” opponents of the proposal wrote in a letter to The Financial Times. It was signed by Internet service providers, Internet companies like Google, Yahoo, eBay and Facebook, and other groups.
Britain is not the only country considering tougher measures to fight piracy. Along with France, South Korea also recently approved a system under which Internet pirates who ignore two warnings to stop illegal downloads face the loss of their Internet connections. Lawmakers in Spain have proposed a measure that, like the British proposal, could require Internet service providers to block access to certain sites.
The British government says a tougher approach on piracy could provide hundreds of millions of dollars for the “creative industries,” which already account for more than 6 percent of British economic output.
But critics say the proposals would be expensive to enforce and would generate very little new revenue.
Jim Killock, executive director of the Open Rights Group, which campaigns against restrictions on the Internet, said the bill contained unusually broad scope for abuse. Individuals or companies, he said, might try to use it to suppress any Web content they found objectionable, under the pretext of protecting their copyrights.
British libel laws, which put the burden of proof on the defendant, are already employed in this way by wealthy plaintiffs, critics say; rather than mount expensive defenses, bloggers and others accused of libel often back down and withdraw whatever statements drew offense."
http://www.nytimes.com/2010/03/15/technology/15iht-piracy15.html?scp=2&sq=piracy&st=cse
Tuesday, December 15, 2009
A Push in Law Schools to Reform Copyright; New York Times, 12/1/09
Nazanin Lankarani, New York Times; A Push in Law Schools to Reform Copyright:
"Since 2007, U.S. university students have been a prime target of a litigation campaign by the Recording Industry Association of America, or R.I.A.A., the music industry trade group that has found university campuses to be hives of file-sharing activity.
“The music industry is acting like a digital police force,” Charles Nesson, a Harvard law professor who defended Mr. Tenenbaum at trial with the assistance of law students, said in a phone interview from Boston. “Academia must get involved, to bring fairness to the process.”...
A report in June by the analysis firm Forrester Research said that 27 percent of peer-to-peer, or P2P, network music sharers in the United States last year were in the 18 to 24 age group and 43 percent in the 25 to 34 age group. File sharing, a largely clandestine activity, is hard to measure, but Forrester said that, based on admitted cases, it estimated the number of file-sharers, as a percentage of all Internet users, to be two to three times greater in Europe than in the United States.
“Downloading is so easy, and there is so much free content on the Internet, it is hard to distinguish between illegal downloading, streaming free content and copying from a friend’s laptop,” said Rana Nader, a recent law graduate of Université Panthéon-Assas, in Paris, who also has a law master’s degree in multimedia and information technology from Kings College in London.
“When the product is digital, it does not feel like stealing,” said Ms. Nader.
In the past decade, peer-to-peer technology companies have mutated endlessly and rapidly in cyberspace, becoming increasingly difficult to police.
In the 10 years since Napster first offered its P2P service, the ability to create, access and swap music in user-friendly MP3 format has revolutionized the music industry for a generation of musicians, producers and consumers.
But along with ease of access has come legal uncertainty and risk.
“Internet has helped develop new forms of amateur entertainment,” said Mr. Nesson. “You no longer need a ‘label’ to put out a good song. Soon, we will not be able to tell what is copyrighted and what isn’t. That is why defining the limits of copyright and public right is fundamental to the development of cyberspace.”
Law school teachers are active participants, in classrooms, in the courts and before legislative assemblies, in the debate on how to reform laws often dating from the age of vinyl.
“File sharing is the way music is accessed today,” said Daniel Gervais, professor of international intellectual property law at Vanderbilt University in Nashville, Tennessee. “Our students ask, ‘Why can’t we continue to do it, but pay for it?”’
Last August, Mr. Gervais, who is also affiliated with the University of Ottawa in Canada, received funding from the Ontario Province government to propose changes to Canadian copyright law to meet the needs of users of copyrighted material. Fifteen students are helping him to complete the project.
“We are making ourselves heard by the legislature and the courts,” Mr. Gervais said.
For law students, digital copyright has become a hot topic. “Since 2008, our annual seminar on music and digital copyright has been more than full,” Mr. Gervais said. “Students all file-share; they are all on Facebook and Twitter. Copyright is connected to their own reality.”
One idea under study is to assess a global license fee, to be collected and paid by the Internet service provider, permitting unlimited media usage. This approach “has wide support here,” he said.
The fee would be levied by the service providers as a voluntary flat tax, payable by customers who accessed music online via file-sharing networks, and would be earmarked for artists or other rights holders, replacing royalties. Effectively, that would turn the service providers into the online equivalent of royalty-collection societies like Broadcast Music Inc., a U.S. music performing rights organization, or its British, Dutch, French and German counterparts, which for years have collected fees for artists from radio stations, bars, clubs and other performance venues.
“If you add all the monthly fees collected in all major music markets, you could get a total above $20 billion a year, which added to other revenues from ticket, merchandise and other sales would match or surpass the music industry’s best years,” Mr. Gervais said.
Yet, if some academics and lawmakers are looking at ways to legalize the sharing of copyrighted digital material for noncommercial use, others prefer the opposite tack of more draconian punishment for “music piracy.”
French lawmakers have opted in particular to criminalize music file-sharing.
“To impose a global fee is problematic,” Frédéric Pollaud-Dulian, a professor at University Paris I Panthéon-Sorbonne and a specialist in media law, said in a telephone interview. “Not all Internet users download copyrighted material. Also, to allow open access to copyrighted material deprives the copyright holders of control over their own work.”
The prevailing view in France, Professor Pollaud-Dulian said, remains that existing law should not be overhauled simply because new customs and practices, however widespread, do not fit. So, copyright laws should not be adjusted simply because people are using new technology to access music.
“We teach our students that illegally downloading music is a threat to creativity,” Professor Pollaud-Dulian said. “The work of an artist has monetary value. Being a musician is not a hobby.”
In October, the French Constitutional Council cleared the way for a controversial bill, known as Hadopi II, that empowers French courts to temporarily cut off the Internet access of copyright infringers or of individuals who fail to protect their broadband access line against illegal downloading.
“When you violate driving laws, your car is taken away,” said Mr. Pollaud-Dulian. “If you do not abide by hunting rules, your rifle is taken away. To say that depriving a user of Internet access infringes on a fundamental right is pure fantasy.”
Others view the loss of Internet access rights as an excessively punitive measure that violates a basic right, and a trademark of repressive regimes.
“In a democratic society, you need Internet access to participate in the sociopolitical process,” said Mr. Gervais. “Without it, you have less active and less informed citizens.”
According to Andrew Murray, a reader in law who specializes in cyberregulation and information technology law at the London School of Economics law department, the British government is consulting with law professors on a different version of the “three-strikes law.”
“We are looking at a measure where Internet access would be filtered or the user’s bandwidth cluttered to prevent downloading of copyrighted material,” said Mr. Murray, who also acts as an advisor to Creative Commons, a licensing organization created by Lawrence Lessig, a Stanford Law School professor, that allows copyright holders to extend licenses to users.
Meanwhile, Mr. Nesson and his team of law students are preparing to appeal the judgment against Mr. Tenenbaum. — up to the Supreme Court if need be.
“If you are selling water in the desert and it starts to rain, what do you do? Go to the government and get them to ban rain, or do you sell something else?” Mr. Nesson said."
http://www.nytimes.com/2009/12/02/business/global/02iht-riedmedia.html?scp=1&sq=copyright%20reform&st=cse
"Since 2007, U.S. university students have been a prime target of a litigation campaign by the Recording Industry Association of America, or R.I.A.A., the music industry trade group that has found university campuses to be hives of file-sharing activity.
“The music industry is acting like a digital police force,” Charles Nesson, a Harvard law professor who defended Mr. Tenenbaum at trial with the assistance of law students, said in a phone interview from Boston. “Academia must get involved, to bring fairness to the process.”...
A report in June by the analysis firm Forrester Research said that 27 percent of peer-to-peer, or P2P, network music sharers in the United States last year were in the 18 to 24 age group and 43 percent in the 25 to 34 age group. File sharing, a largely clandestine activity, is hard to measure, but Forrester said that, based on admitted cases, it estimated the number of file-sharers, as a percentage of all Internet users, to be two to three times greater in Europe than in the United States.
“Downloading is so easy, and there is so much free content on the Internet, it is hard to distinguish between illegal downloading, streaming free content and copying from a friend’s laptop,” said Rana Nader, a recent law graduate of Université Panthéon-Assas, in Paris, who also has a law master’s degree in multimedia and information technology from Kings College in London.
“When the product is digital, it does not feel like stealing,” said Ms. Nader.
In the past decade, peer-to-peer technology companies have mutated endlessly and rapidly in cyberspace, becoming increasingly difficult to police.
In the 10 years since Napster first offered its P2P service, the ability to create, access and swap music in user-friendly MP3 format has revolutionized the music industry for a generation of musicians, producers and consumers.
But along with ease of access has come legal uncertainty and risk.
“Internet has helped develop new forms of amateur entertainment,” said Mr. Nesson. “You no longer need a ‘label’ to put out a good song. Soon, we will not be able to tell what is copyrighted and what isn’t. That is why defining the limits of copyright and public right is fundamental to the development of cyberspace.”
Law school teachers are active participants, in classrooms, in the courts and before legislative assemblies, in the debate on how to reform laws often dating from the age of vinyl.
“File sharing is the way music is accessed today,” said Daniel Gervais, professor of international intellectual property law at Vanderbilt University in Nashville, Tennessee. “Our students ask, ‘Why can’t we continue to do it, but pay for it?”’
Last August, Mr. Gervais, who is also affiliated with the University of Ottawa in Canada, received funding from the Ontario Province government to propose changes to Canadian copyright law to meet the needs of users of copyrighted material. Fifteen students are helping him to complete the project.
“We are making ourselves heard by the legislature and the courts,” Mr. Gervais said.
For law students, digital copyright has become a hot topic. “Since 2008, our annual seminar on music and digital copyright has been more than full,” Mr. Gervais said. “Students all file-share; they are all on Facebook and Twitter. Copyright is connected to their own reality.”
One idea under study is to assess a global license fee, to be collected and paid by the Internet service provider, permitting unlimited media usage. This approach “has wide support here,” he said.
The fee would be levied by the service providers as a voluntary flat tax, payable by customers who accessed music online via file-sharing networks, and would be earmarked for artists or other rights holders, replacing royalties. Effectively, that would turn the service providers into the online equivalent of royalty-collection societies like Broadcast Music Inc., a U.S. music performing rights organization, or its British, Dutch, French and German counterparts, which for years have collected fees for artists from radio stations, bars, clubs and other performance venues.
“If you add all the monthly fees collected in all major music markets, you could get a total above $20 billion a year, which added to other revenues from ticket, merchandise and other sales would match or surpass the music industry’s best years,” Mr. Gervais said.
Yet, if some academics and lawmakers are looking at ways to legalize the sharing of copyrighted digital material for noncommercial use, others prefer the opposite tack of more draconian punishment for “music piracy.”
French lawmakers have opted in particular to criminalize music file-sharing.
“To impose a global fee is problematic,” Frédéric Pollaud-Dulian, a professor at University Paris I Panthéon-Sorbonne and a specialist in media law, said in a telephone interview. “Not all Internet users download copyrighted material. Also, to allow open access to copyrighted material deprives the copyright holders of control over their own work.”
The prevailing view in France, Professor Pollaud-Dulian said, remains that existing law should not be overhauled simply because new customs and practices, however widespread, do not fit. So, copyright laws should not be adjusted simply because people are using new technology to access music.
“We teach our students that illegally downloading music is a threat to creativity,” Professor Pollaud-Dulian said. “The work of an artist has monetary value. Being a musician is not a hobby.”
In October, the French Constitutional Council cleared the way for a controversial bill, known as Hadopi II, that empowers French courts to temporarily cut off the Internet access of copyright infringers or of individuals who fail to protect their broadband access line against illegal downloading.
“When you violate driving laws, your car is taken away,” said Mr. Pollaud-Dulian. “If you do not abide by hunting rules, your rifle is taken away. To say that depriving a user of Internet access infringes on a fundamental right is pure fantasy.”
Others view the loss of Internet access rights as an excessively punitive measure that violates a basic right, and a trademark of repressive regimes.
“In a democratic society, you need Internet access to participate in the sociopolitical process,” said Mr. Gervais. “Without it, you have less active and less informed citizens.”
According to Andrew Murray, a reader in law who specializes in cyberregulation and information technology law at the London School of Economics law department, the British government is consulting with law professors on a different version of the “three-strikes law.”
“We are looking at a measure where Internet access would be filtered or the user’s bandwidth cluttered to prevent downloading of copyrighted material,” said Mr. Murray, who also acts as an advisor to Creative Commons, a licensing organization created by Lawrence Lessig, a Stanford Law School professor, that allows copyright holders to extend licenses to users.
Meanwhile, Mr. Nesson and his team of law students are preparing to appeal the judgment against Mr. Tenenbaum. — up to the Supreme Court if need be.
“If you are selling water in the desert and it starts to rain, what do you do? Go to the government and get them to ban rain, or do you sell something else?” Mr. Nesson said."
http://www.nytimes.com/2009/12/02/business/global/02iht-riedmedia.html?scp=1&sq=copyright%20reform&st=cse
Sunday, November 1, 2009
Illegal downloaders 'spend the most on music', says poll; Independent, 11/1/09
Rachel Shields, Independent; Illegal downloaders 'spend the most on music', says poll:
Crackdown on music piracy could further harm ailing industry
"People who illegally download music from the internet also spend more money on music than anyone else, according to a new study. The survey, published today, found that those who admit illegally downloading music spent an average of £77 a year on music – £33 more than those who claim that they never download music dishonestly.
The findings suggest that plans by the Secretary of State for Business, Peter Mandelson, to crack down on illegal downloaders by threatening to cut their internet connections with a "three strikes and you're out" rule could harm the music industry by punishing its core customers.
An estimated seven million UK users download files illegally every year. The record industry's trade association, the British Phonographic Industry (BPI), believes this copyright infringement will cost the industry £200m this year.
The poll, which surveyed 1,000 16- to 50-year-olds with internet access, found that one in 10 people admit to downloading music illegally.
"The latest approach from the Government will not help prop up an ailing music industry. Politicians and music companies need to recognise that the nature of music consumption has changed, and consumers are demanding lower prices and easier access," said Peter Bradwell, from the think-tank Demos, which commissioned the new poll conducted by Ipsos Mori.
However, music industry figures insist the figures offer a skewed picture. The poll suggested the Government's plan to disconnect illegal downloaders if they ignore official warning letters could deter people from internet piracy, with 61 per cent of illegal downloaders surveyed admitting they would be put off downloading music illegally by the threat of having their internet service cut off for a month.
"The people who file-share are the ones who are interested in music," said Mark Mulligan of Forrester Research. "They use file-sharing as a discovery mechanism. We have a generation of young people who don't have any concept of music as a paid-for commodity," he continued. "You need to have it at a price point you won't notice."
The Digital Economy Bill, which will become law next April, sets out new measures to crack down on internet piracy. But these have generated criticism from internet service providers, who say they will be difficult to enforce.
Artists are also divided over the issue, with Lily Allen and James Blunt recently supporting the Government's stance, while the Latin pop star Shakira argues that illegal file sharing brings her closer to her fans.
This year Virgin Media and Universal Music plan to launch the first music subscription service allowing customers to download and keep unlimited tracks from Universal's catalogue for a fee of around £15."
http://www.independent.co.uk/news/uk/crime/illegal-downloaders-spend-the-most-on-music-says-poll-1812776.html
Crackdown on music piracy could further harm ailing industry
"People who illegally download music from the internet also spend more money on music than anyone else, according to a new study. The survey, published today, found that those who admit illegally downloading music spent an average of £77 a year on music – £33 more than those who claim that they never download music dishonestly.
The findings suggest that plans by the Secretary of State for Business, Peter Mandelson, to crack down on illegal downloaders by threatening to cut their internet connections with a "three strikes and you're out" rule could harm the music industry by punishing its core customers.
An estimated seven million UK users download files illegally every year. The record industry's trade association, the British Phonographic Industry (BPI), believes this copyright infringement will cost the industry £200m this year.
The poll, which surveyed 1,000 16- to 50-year-olds with internet access, found that one in 10 people admit to downloading music illegally.
"The latest approach from the Government will not help prop up an ailing music industry. Politicians and music companies need to recognise that the nature of music consumption has changed, and consumers are demanding lower prices and easier access," said Peter Bradwell, from the think-tank Demos, which commissioned the new poll conducted by Ipsos Mori.
However, music industry figures insist the figures offer a skewed picture. The poll suggested the Government's plan to disconnect illegal downloaders if they ignore official warning letters could deter people from internet piracy, with 61 per cent of illegal downloaders surveyed admitting they would be put off downloading music illegally by the threat of having their internet service cut off for a month.
"The people who file-share are the ones who are interested in music," said Mark Mulligan of Forrester Research. "They use file-sharing as a discovery mechanism. We have a generation of young people who don't have any concept of music as a paid-for commodity," he continued. "You need to have it at a price point you won't notice."
The Digital Economy Bill, which will become law next April, sets out new measures to crack down on internet piracy. But these have generated criticism from internet service providers, who say they will be difficult to enforce.
Artists are also divided over the issue, with Lily Allen and James Blunt recently supporting the Government's stance, while the Latin pop star Shakira argues that illegal file sharing brings her closer to her fans.
This year Virgin Media and Universal Music plan to launch the first music subscription service allowing customers to download and keep unlimited tracks from Universal's catalogue for a fee of around £15."
http://www.independent.co.uk/news/uk/crime/illegal-downloaders-spend-the-most-on-music-says-poll-1812776.html
Saturday, October 31, 2009
Will Three Strikes Ever Really Get Implemented In The UK?; TechDirt, 10/30/09
Mike Masnick, TechDirt; Will Three Strikes Ever Really Get Implemented In The UK?:
"With Peter Mandelson announcing this week (as everyone expected) that he's going to introduce a proposal to kick file sharers off the internet under a "three strikes" plan, it's been amusing watching defenders of this idea try and fail to answer the question "how will this make people buy more stuff." ...
But, perhaps an even bigger question is whether or not it will ever actually get implemented in the UK."
http://www.techdirt.com/articles/20091030/0328096729.shtml
"With Peter Mandelson announcing this week (as everyone expected) that he's going to introduce a proposal to kick file sharers off the internet under a "three strikes" plan, it's been amusing watching defenders of this idea try and fail to answer the question "how will this make people buy more stuff." ...
But, perhaps an even bigger question is whether or not it will ever actually get implemented in the UK."
http://www.techdirt.com/articles/20091030/0328096729.shtml
Subscribe to:
Posts (Atom)