Larry Rohter, New York Times; Don Henley Urges Artists to Know Their Rights:
"Q.[Larry Rohter] You and Sheryl Crow went to Washington back in 1999 and 2000 and convinced Congress to undo language classifying sound recordings as “works for hire,” which had just been inserted stealthily into another, unrelated bill. Back then, were you already looking ahead to today, when artists would have the right to reclaim ownership of their recordings, at the expense of record labels?
A. [Don Henley] The termination issue was certainly part of it. We were concerned with a lot of issues in recording contracts that we considered to be unfair, and this was one of the most glaring. We knew that 2013 was going to be a deadline, and that recordings from 1978 would be the first battle. But let’s go back and talk about the history of work for hire for a minute. “Work for hire” was never intended to apply to sound recordings. That came about because of movies and books. Sound recordings somehow got added to the list, then taken off again."
Issues and developments related to IP, AI, and OM, examined in the IP and tech ethics graduate courses I teach at the University of Pittsburgh School of Computing and Information. My Bloomsbury book "Ethics, Information, and Technology", coming in Summer 2025, includes major chapters on IP, AI, OM, and other emerging technologies (IoT, drones, robots, autonomous vehicles, VR/AR). Kip Currier, PhD, JD
Showing posts with label unsuccessful effort to classify sound recordings as works made for hire. Show all posts
Showing posts with label unsuccessful effort to classify sound recordings as works made for hire. Show all posts
Tuesday, August 16, 2011
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