Sunday, March 8, 2015

What Happens When Mein Kampf's Copyright Expires?; New Republic, 3/6/15

Gavriel D. Rosenfeld, New Republic; What Happens When Mein Kampf's Copyright Expires? :
"Later this year, the official copyright for Mein Kampf expires—70 years after the demise of its author. Since 1945, the Bavarian State (which owns the copyright) has refused to allow anyone to publish the volume. But in expectation of the copyright’s expiration (and in the hope of getting a jump on neo-Nazis who may try to publish their own slanted versions of the text) the esteemed Munich and Berlin-based Institute for Contemporary History decided some years ago to publish its own, critically annotated version. The move has generated some opposition, with some arguing against the release of any new version; “Can you annotate the Devil?” one critic asks."

Thursday, March 5, 2015

Pharrell Williams Acknowledges Similarity to Gaye Song in ‘Blurred Lines’ Case; New York Times, 3/4/15

Ben Sisario and Noah Smith, New York Times; Pharrell Williams Acknowledges Similarity to Gaye Song in ‘Blurred Lines’ Case:
"How closely does Robin Thicke’s hit “Blurred Lines” resemble a classic by Marvin Gaye?
That question is central to a closely watched copyright case here, and on Wednesday, Pharrell Williams, the producer behind “Blurred Lines,” acknowledged a similarity to Gaye’s 1977 song “Got to Give It Up” but denied that there had been any intention to copy it.
“I must have been channeling that feeling, that late-’70s feeling,” Mr. Williams testified in the case, which pits him and Mr. Thicke against the family of Gaye, who died in 1984...
Mr. Busch then asked Mr. Williams whether “Blurred Lines” had a similar “feel” to “Got to Give It Up” and others from its era.
“Feel,” Mr. Williams said, “not infringement.”"

Monday, March 2, 2015

Industry Issues Intrude in ‘Blurred Lines’ Case; New York Times, 3/1/15

Ben Sisario, New York Times; Industry Issues Intrude in ‘Blurred Lines’ Case:
"Copyright cases can be esoteric affairs. But the “Blurred Lines” trial, which began Tuesday before Judge John A. Kronstadt in United States District Court for the Central District of California, has provided a rare window into an unseemly and embarrassing side of the music industry. Testimony and a flurry of pretrial documents have revealed lurid details of drugs, unearned songwriting credits, and intentional deception of the news media employed as a standard promotional practice...
If Mr. Thicke’s side loses, the potential damages could be large. “Blurred Lines” has sold 7.3 million copies in the United States, and Richard S. Busch, the Gaye family’s lawyer, claimed in his opening statement that the song had earned at least $30 million in profit — a figure Mr. Thicke’s lawyers disputed. If Mr. Thicke’s side is found liable of infringement, then the jury would decide what percentage of the song’s profits should be shared with the Gayes as damages."

Wednesday, February 18, 2015

How Copyright Terms Restrict Scholarship; Pacific Standard, 2/17/15

Noah Bertlatsky, Pacific Standard; How Copyright Terms Restrict Scholarship:
"Copyright in the United States is supposed "To promote the Progress of Science and useful Arts, by securing for limited Times to Authors and Inventors the exclusive Right to their respective Writings and Discoveries," according to the Constitution. Yet, in the case of the early Marston and Peter comics, copyright appears to have failed. DC is not keeping the comics in print: So, in order to read the complete run of Wonder Woman in her two comics (Wonder Woman and Sensation Comics) for my research, I had to find unlicensed digital editions. Without piracy, my book would have been impossible to complete."

A Cheat Sheet for Copyright Reforms: Radio Royalties, Simplified Licensing and More; Billboard, 2/17/15

Ed Christman and Glenn Peoples, Billboard; A Cheat Sheet for Copyright Reforms: Radio Royalties, Simplified Licensing and More:
"The complex issue of copyright reform took center stage during the Grammy Awards telecast on Feb. 8 when Recording Academy chief Neil Portnow urged Congress to ensure that "new technology [pays] artists fairly." His comments echoed some of the contents of a 250-page music-licensing report issued just three days earlier by the U.S. Copyright Office. Congress may or may not enact some of those recommendations into law -- but if it does, the ramifications are enormous."

A New Copyright Complaint Against Richard Prince; New York Times, 2/16/15

Jennifer Schuessler, New York Times; A New Copyright Complaint Against Richard Prince:
"A lawyer for the photographer Donald Graham has sent cease-and-desist letters to the artist Richard Prince and the Gagosian Gallery, requesting that they stop displaying or disseminating any artworks or other materials that include Mr. Graham’s images.
The complaint, which was first reported by the website Hyperallergic, stems from a work shown last fall at Gagosian in the exhibit “New Portraits,” which featured ink jet prints of images Mr. Prince had taken from Instagram. The work shows Mr. Graham’s photograph “Rastafarian Smoking a Joint, Jamaica” as it appeared on the Instagram feed of a third party, with the comment “Canal Zinian da lam jam” added by Mr. Prince."

Indonesia Fails to Solve Olympic Ring Row Amid IOC Ban Talks; Reuters via New York Times, 2/18/15

Reuters via New York Times; Indonesia Fails to Solve Olympic Ring Row Amid IOC Ban Talks:
"The Indonesian Olympic Committee (KOI) and the Indonesian National Sports Committee (KONI) failed this week to resolve a copyright row involving the Olympic rings logo which has put the country's hosting of the 2018 Asian Games in jeopardy.
The International Olympic Committee (IOC) told the Indonesian government last month they faced a ban unless KONI stopped using the Olympic rings in its logo, saying only their member, KOI, was allowed to do so."