Showing posts with label fair use. Show all posts
Showing posts with label fair use. Show all posts

Wednesday, March 27, 2024

Amicus Briefs Filed in Internet Archive Copyright Case; Publishers Weekly, March 25, 2024

Andrew Albanese , Publishers Weekly; Amicus Briefs Filed in Internet Archive Copyright Case

"Internet Archive lawyers filed their principal appeal brief on December 15, and 11 amicus briefs were filed in support of the Internet Archive a week later, in December, representing librarians and library associations, authors, public advocacy groups, law professors, and IP scholars, although some of the IA amicus briefs are presented as neutral.

The briefs are the latest development in the long-running copyright infringement case and come a year after a ruling by judge John G. Koeltl on March 24, 2023 that emphatically rejected the IA’s fair use defense, finding the scanning and lending of print library books under a protocol known as “controlled digital lending” to be copyright infringement.

The Internet Archive’s reply brief is now due on April 19, and oral arguments are expected to be set for this fall."

Sunday, February 18, 2024

No Fair Use for Photo Used Without Required Attribution; The National Law Review, February 15, 2024

Timothy M. Dunker of McDermott Will & Emery, The National Law Review; No Fair Use for Photo Used Without Required Attribution

"The US Court of Appeals for the Fourth Circuit concluded that the copyright on a photograph of an entertainment icon was the subject of a valid copyright registration and that use of the photograph in an article missing the author’s required attribution language was not otherwise “fair use.” Philpot v. Independent Journal Review, Case No. 21-2021 (4th Cir. Feb. 6, 2024) (King, Wynn, Rushing, JJ.)

Larry Philpot, a professional concert photographer, photographed Ted Nugent at a concert in July 2013. In August 2013, Philpot registered the photograph with the US Copyright Office and published the photograph on Wiki Commons under a Creative Commons License specifying that anyone could use the photograph for free as long as they provided the following attribution: “Photo Credit: Larry Philpot of www.soundstagephotography.com.”"

The Death of the Litmus Test; Chicago-Kent Intellectual Property Journal, December 20, 2023

Dale Cendali, Abbey Quigley , Chicago-Kent Intellectual Property Journal; The Death of the Litmus Test

Saturday, February 17, 2024

The New York Times’ AI copyright lawsuit shows that forgiveness might not be better than permission; The Conversation, February 13, 2024

Senior Lecturer, Nottingham Law School, Nottingham Trent University, The Conversation; ; The New York Times’ AI copyright lawsuit shows that forgiveness might not be better than permission

"The lawsuit also presents a novel argument – not advanced by other, similar cases – that’s related to something called “hallucinations”, where AI systems generate false or misleading information but present it as fact. This argument could in fact be one of the most potent in the case.

The NYT case in particular raises three interesting takes on the usual approach. First, that due to their reputation for trustworthy news and information, NYT content has enhanced value and desirability as training data for use in AI. 

Second, that due to its paywall, the reproduction of articles on request is commercially damaging. Third, that ChatGPT “hallucinations” are causing reputational damage to the New York Times through, effectively, false attribution. 

This is not just another generative AI copyright dispute. The first argument presented by the NYT is that the training data used by OpenAI is protected by copyright, and so they claim the training phase of ChatGPT infringed copyright. We have seen this type of argument run before in other disputes."

Friday, February 16, 2024

How AI copyright lawsuits could make the whole industry go extinct; The Verge, February 15, 2024

Nilay Patel, The Verge ; How AI copyright lawsuits could make the whole industry go extinct

"Our new Thursday episodes of Decoder are all about deep dives into big topics in the news, and for the next few weeks, we’re going to stay focused on one of the biggest topics of all: generative AI. 

There’s a lot going on in the world of generative AI, but maybe the biggest is the increasing number of copyright lawsuits being filed against AI companies like OpenAI and Stability AI. So for this episode, we brought on Verge features editor Sarah Jeong, who’s a former lawyer just like me, and we’re going to talk about those cases and the main defense the AI companies are relying on in those copyright cases: an idea called fair use."


Thursday, February 1, 2024

‘Please let me get what I want’: can artists stop politicians from using their songs?; The Guardian, January 30, 2024

 , The Guardian; ‘Please let me get what I want’: can artists stop politicians from using their songs?

"How much power do artists actually have in this scenario? It depends on the circumstances, says Ben Depoorter, a professor at University of California Law San Francisco. In the US, licensing companies including Ascap and BMI manage copyright issues on behalf of artists. Generally, venues like convention centers have their own licenses with these companies, meaning that, broadly speaking, the venues can play whatever they want.

However, the rules are a little different when a third party is involved. When a candidate “walks on and they play music, that is actually not covered by the standard license of the venue”, Depoorter says. Political campaigns often don’t realize that they need their own music licenses, under which musicians can opt out of having their music played. “When these authors are saying, ‘Hey, I don’t want him to play my music any more,’ it’s actually a legal right they have,” Depoorter explains."

Wednesday, January 31, 2024

California copyright-case leaves tattoo artists in limbo; Fox26 Houston, January 29, 2024

, Fox26 Houston ; California copyright-case leaves tattoo artists in limbo

"Patent and Copyright expert Joh Rizvi, known at The Patent Professor, says the California case never got to the issue of whether images reproduced in tattoos are fair to use as art and expression. 

"What I find is the more interesting question is, 'Is a tattoo different? Is this free speech?'" he wonders.

Fair Use has been the subject of countless lawsuits, and Rizvi says this one leaves artists in a legal gray area, with no precedent."

Saturday, January 27, 2024

Training Generative AI Models on Copyrighted Works Is Fair Use; ARL Views, January 23, 2024

Katherine Klosek, Director of Information Policy and Federal Relations, Association of Research Libraries (ARL), and Marjory S. Blumenthal, Senior Policy Fellow, American Library Association (ALA) Office of Public Policy and Advocacy |, ARL Views; Training Generative AI Models on Copyrighted Works Is Fair Use

"In a blog post about the case, OpenAI cites the Library Copyright Alliance (LCA) position that “based on well-established precedent, the ingestion of copyrighted works to create large language models or other AI training databases generally is a fair use.” LCA explained this position in our submission to the US Copyright Office notice of inquiry on copyright and AI, and in the LCA Principles for Copyright and AI.

LCA is not involved in any of the AI lawsuits. But as champions of fair use, free speech, and freedom of information, libraries have a stake in maintaining the balance of copyright law so that it is not used to block or restrict access to information. We drafted the principles on AI and copyright in response to efforts to amend copyright law to require licensing schemes for generative AI that could stunt the development of this technology, and undermine its utility to researchers, students, creators, and the public. The LCA principles hold that copyright law as applied and interpreted by the Copyright Office and the courts is flexible and robust enough to address issues of copyright and AI without amendment. The LCA principles also make the careful and critical distinction between input to train an LLM, and output—which could potentially be infringing if it is substantially similar to an original expressive work.

On the question of whether ingesting copyrighted works to train LLMs is fair use, LCA points to the history of courts applying the US Copyright Act to AI."

Richard Prince to Pay Photographers Who Sued Over Copyright; The New York Times, January 26, 2024

 Matt Stevens, The New York Times; Richard Prince to Pay Photographers Who Sued Over Copyright

"The artist Richard Prince agreed to pay at least $650,000 to two photographers whose images he had incorporated in his own work, ending a long-running copyright dispute that had been closely monitored by the art world...

Brian Sexton, a lawyer for Prince, said the artist wanted to protect free expression and have copyright law catch up to changing technology...

Marriott said the judgments showed that copyright law still provided meaningful protection to creators and that the internet was not a copying free-for-all.

“There is not a fair use exception to copyright law that applies to the famous and another that applies to everyone else,” he said."

Kat Von D Wins Copyright Case, Fair Use of Miles Davis Photo; Bloomberg Law, January 26, 2024

Maia Spoto, Bloomberg Law; Kat Von D Wins Copyright Case, Fair Use of Miles Davis Photo

"A tattoo by celebrity artist Kat Von D of jazz legend Miles Davis is not substantially similar to the photo it was based on, a Los Angeles jury found Friday afternoon in a victory for the tattoo industry.

The tattoo, which Von D inked for free on her friend’s arm using photographer Jeffrey Sedlik’s portrait as a reference, is fair use, the jury ruled. The jurors deliberated for less than three hours, and about half of them talked to and hugged Von D in the courtroom after the trial concluded in the Central District of California."

Friday, January 26, 2024

A Stranger Bought a Set of Highly Personal Letters. Can I Call Him Out?; The Ethicist, The New York Times Magazine, January 25, 2024

 Kwame Anthony Appiah, The Ethicist,The New York Times Magazine ; A Stranger Bought a Set of Highly Personal Letters. Can I Call Him Out?

"From the Ethicist:

It was thoughtless, I agree, to sell off a cache of letters that included some that were intimate and came from living people. The thought of strangers’ digging through letters written in the spirit of love and friendship can be upsetting. That the person who has acquired these letters has failed to grasp this suggests a certain lack of empathy. But it doesn’t establish that he lacks a moral sense, because you don’t really have any idea what he plans to do with this material. 

And there are constraints on this. When you acquire letters, you don’t thereby acquire the copyright in those letters, and copyright protection typically lasts until 70 years after the author’s death. So he has to deal with the murky issue of what counts as the “fair use” of such intellectual property. There are also a few privacy torts that individuals can try to pursue in the courts (e.g., intrusion upon seclusion; public disclosure of private facts). Even though he isn’t a party to a covenant of confidentiality, as someone in A.A. is, it remains true that, as you imply, exposing details of the intimate lives of private people is generally wrong."

Thursday, January 25, 2024

We Asked A.I. to Create the Joker. It Generated a Copyrighted Image.; The New York Times, January 25, 2024

Stuart A. Thompson, The New York Times ; We Asked A.I. to Create the Joker. It Generated a Copyrighted Image.

"“Nobody knows how this is going to come out, and anyone who tells you ‘It’s definitely fair use’ is wrong,” said Keith Kupferschmid, the president and chief executive of the Copyright Alliance, an industry group that represents copyright holders. “This is a new frontier.”

A.I. companies could violate copyright in two ways, Mr. Kupferschmid said: They could train on copyrighted material that they have not licensed, or they could reproduce copyrighted material when users enter a prompt."

Wednesday, January 24, 2024

Kat Von D Claims Miles Davis Tattoo Is ‘Fair Use’ at Unusual Copyright Trial; Rolling Stone, January 23, 2024

 NANCY DILLON, Rolling Stone; Kat Von D Claims Miles Davis Tattoo Is ‘Fair Use’ at Unusual Copyright Trial

"Jurors now hearing the case will have to decide whether Von D’s reproduction falls under the “fair use” doctrine that allows limited use of copyrighted material without permission. Artistic representations of copyrighted work can be protected by fair use if they “transform” the subject work into something new, such as a parody, critique, or news report."

Saturday, January 6, 2024

AI’s future could hinge on one thorny legal question; The Washington Post, January 4, 2024

 , The Washington Post; AI’s future could hinge on one thorny legal question

"Because the AI cases represent new terrain in copyright law, it is not clear how judges and juries will ultimately rule, several legal experts agreed...

“Anyone who’s predicting the outcome is taking a big risk here,” Gervais said...

Cornell’s Grimmelmann said AI copyright cases might ultimately hinge on the stories each side tells about how to weigh the technology’s harms and benefits.

“Look at all the lawsuits, and they’re trying to tell stories about how these are just plagiarism machines ripping off artists,” he said. “Look at the [AI firms’ responses], and they’re trying to tell stories about all the really interesting things these AIs can do that are genuinely new and exciting.”"

Sunday, December 31, 2023

Boom in A.I. Prompts a Test of Copyright Law; The New York Times, December 30, 2023

J. Edward Moreno , The New York Times; Boom in A.I. Prompts a Test of Copyright Law

"The boom in artificial intelligence tools that draw on troves of content from across the internet has begun to test the bounds of copyright law...

Data is crucial to developing generative A.I. technologies — which can generate text, images and other media on their own — and to the business models of companies doing that work.

“Copyright will be one of the key points that shapes the generative A.I. industry,” said Fred Havemeyer, an analyst at the financial research firm Macquarie.

A central consideration is the “fair use” doctrine in intellectual property law, which allows creators to build upon copyrighted work...

“Ultimately, whether or not this lawsuit ends up shaping copyright law will be determined by whether the suit is really about the future of fair use and copyright, or whether it’s a salvo in a negotiation,” Jane Ginsburg, a professor at Columbia Law School, said of the lawsuit by The Times...

Competition in the A.I. field may boil down to data haves and have-nots...

“Generative A.I. begins and ends with data,” Mr. Havemeyer said."

Friday, December 29, 2023

Testing Ethical Boundaries. The New York Times Sues Microsoft And OpenAI On Copyright Concerns; Forbes, December 29, 2023

 Cindy Gordon, Forbes; Testing Ethical Boundaries. The New York Times Sues Microsoft And OpenAI On Copyright Concerns

"We have at least seen Apple announce an ethical approach to discussing upfront with the US Media giants their interest in partnering on AI generative AI training needs and finding new revenue sharing models.

Smart Move by Apple...

The court’s rulings here will be critical to advance ethical AI practices and guard rails on what is “fair” versus predatory.

We have too many leadership behaviors that encroach on others Intellectual Property (IP) and try to mask or muddy the authenticity of communication and sources of origination of ideas and content.

I for one will be following these cases closely and this also sends a wake -up call to all technology titans, and technology industry leaders that respect, integrity and transparency on operating practices need an ethical overhauling.

One of the important leadership behaviors is risk management and looking at all stakeholder views and appreciating the risks that can be incurred. I am keen to see how Apple approaches these dynamics to build a stronger ethical brand profile."

Thursday, December 28, 2023

Complaint: New York Times v. Microsoft & OpenAI, December 2023

 Complaint:

THE NEW YORK TIMES COMPANY Plaintiff,

v.

MICROSOFT CORPORATION, OPENAI, INC., OPENAI LP, OPENAI GP, LLC, OPENAI, LLC, OPENAI OPCO LLC, OPENAI GLOBAL LLC, OAI CORPORATION, LLC, and OPENAI HOLDINGS, LLC,

Defendants

Wednesday, December 27, 2023

Classical Musicians Victimized by Erroneous Copyright Claims; Violinist.com, December 19, 2023

Laurie Niles, Violinist.com; Classical Musicians Victimized by Erroneous Copyright Claims

""One or more actions were applied to your video because of a copyright match."

This was just one of two copyright claims that Amy Beth Horman received from Facebook Thursday, disputing ownership of videos of her daughter's violin performances. First, she received a copyright claim for a video of Ava's live performance of the Mendelssohn Violin Concerto this week. Then, she got another for video she had posted in 2020 of then-10-year-old Ava performing "Meditation from Thais." These are both classical works that are in the public domain - not subject to copyright.

Nonetheless, classical musicians receive these kinds of dreaded messages on a regular basis if they post videos of their performances on social media outlets such as Facebook, Instagram or YouTube.

Has the musician violated anyone's copyright? Almost never. These are automated copyright claims created by bots on behalf of big companies like Sony Music Entertainment, Warner Music Group or Universal Music. If the bot finds that your performance has approximately the same notes and timing as one in their catalogue, they then claim that they own rights to your recording. But musicians have every right to perform and post a public domain work. Even so, musicians often find their recordings muted, earnings from ads on their performances given instead to the company filing the erroneous claim, and threats of having their accounts suspended or banned."

Monday, December 18, 2023

Copyright claim against Tolkien estate backfires on Lord of the Rings fanfiction author; The Guardian, December 18, 2023

 , The Guardian; Copyright claim against Tolkien estate backfires on Lord of the Rings fanfiction author

"A Lord of the Rings fanfiction writer has lost a copyright lawsuit over the publication of his own sequel to the much-loved series after opening up a counterproductive legal battle against JRR Tolkien’s estate."

Wednesday, November 22, 2023

Copyright Forum 11/22/23; Vox Pop, WAMC Northeast Public Radio, November 22, 2023

Vox Pop, WAMC Northeast Public Radio; Copyright Forum 11/22/23

"Our panel of experts is back to help you protect your intellectual property. Bill WestwoodPolly Law and David Newhoff join us to take your calls. 800-348-2551. Ray Graf hosts."