Newport Buzz; The Real Cost Of Doing Business: Newport Gallery Owner Kristen Coates Sued For Copyright Infringement
"Newport, RI born artist Mia Tarducci is suing Bellevue Avenue art gallery owner Kristen Coates
in federal court for copyright infringement revolving around a series
of works that Coates produced that look eerily similar to works produced
by Tarducci."
My Bloomsbury book "Ethics, Information, and Technology" was published on Nov. 13, 2025. Purchases can be made via Amazon and this Bloomsbury webpage: https://www.bloomsbury.com/us/ethics-information-and-technology-9781440856662/
Friday, February 21, 2020
What Happens to Trade Secrets in a World Where Professor X & Mind Reading Are Real?; Escapist Magazine, February 2, 2020
Adam Adler, Escapist Magazine; What Happens to Trade Secrets in a World Where Professor X & Mind Reading Are Real?
"When it comes to trade secrets, though, the law is straightforward — at least in theory: Secrecy is good. The more mechanisms one uses to protect their trade secret, the harder it will be for one’s adversary to challenge the legitimacy of the trade secret protections."
"When it comes to trade secrets, though, the law is straightforward — at least in theory: Secrecy is good. The more mechanisms one uses to protect their trade secret, the harder it will be for one’s adversary to challenge the legitimacy of the trade secret protections."
Labels:
mind reading,
science fiction,
secrecy,
telepathy,
trade secrets
Thursday, February 20, 2020
The Lifecycle of Copyright: 1924 Works Enter the Public Domain; Library of Congress, February 20, 2020
Nicole Lamberson, Library of Congress; The Lifecycle of Copyright: 1924 Works Enter the Public Domain
"Last year, for the first time in twenty years, published creative works entered into the public domain in the United States. Works from 1923 saw their copyright terms end, meaning they were no longer subject to copyright protection. With the new year, works published in 1924 joined them.
The public domain is an important part of the lifecycle of copyright. The U.S. Constitution set the stage for Congress to pass copyright law protection for creative works, granting creators exclusive rights, subject to certain exceptions and limitations, for the use of their works. But, that control is not infinite. Just as significant is the Constitution’s assertion that those exclusive rights should only exist for “limited times.”
Once in the public domain, anyone can use a work without permission from the author. This often means that works in the public domain inspire the creation of new works, adaptations, derivatives, and more—which further enriches the cultural landscape of the country.
On January 1, 2020, thousands of historical and cultural works from 1924 entered the public domain in the United States. These are just a few of the notable highlights."
"Last year, for the first time in twenty years, published creative works entered into the public domain in the United States. Works from 1923 saw their copyright terms end, meaning they were no longer subject to copyright protection. With the new year, works published in 1924 joined them.
The public domain is an important part of the lifecycle of copyright. The U.S. Constitution set the stage for Congress to pass copyright law protection for creative works, granting creators exclusive rights, subject to certain exceptions and limitations, for the use of their works. But, that control is not infinite. Just as significant is the Constitution’s assertion that those exclusive rights should only exist for “limited times.”
Once in the public domain, anyone can use a work without permission from the author. This often means that works in the public domain inspire the creation of new works, adaptations, derivatives, and more—which further enriches the cultural landscape of the country.
On January 1, 2020, thousands of historical and cultural works from 1924 entered the public domain in the United States. These are just a few of the notable highlights."
Empowering Young Entrepreneurs with Intellectual Property Education; The Michelson Institute for Intellectual Property via PR Newswire, February 20, 2020
The Michelson Institute for Intellectual Property via PR Newswire; Empowering Young Entrepreneurs with Intellectual Property Education
"The Michelson Institute for Intellectual Property (Michelson IP) is pleased to announce partnerships with two high school innovation programs, the Network For Teaching Entrepreneurship (NFTE) Los Angeles and TiE Oregon to support intellectual property (IP) education within their exceptional youth entrepreneurship programs. The collaborations, which mark Michelson IP's first foray into IP education for K-12 students, aim to empower young people to solve challenges with an entrepreneurial mindset and understand how to leverage IP to protect their budding new ventures. We're especially thrilled to work together in this effort as both TiE and NFTE serve and support students from under-resourced communities."
"The Michelson Institute for Intellectual Property (Michelson IP) is pleased to announce partnerships with two high school innovation programs, the Network For Teaching Entrepreneurship (NFTE) Los Angeles and TiE Oregon to support intellectual property (IP) education within their exceptional youth entrepreneurship programs. The collaborations, which mark Michelson IP's first foray into IP education for K-12 students, aim to empower young people to solve challenges with an entrepreneurial mindset and understand how to leverage IP to protect their budding new ventures. We're especially thrilled to work together in this effort as both TiE and NFTE serve and support students from under-resourced communities."
WIPO and U.S. Copyright Office Team Up to Talk Copyright in the Age of AI; IP Watchdog, February 17, 2020
Michelle Sara King, IP Watchdog; WIPO and U.S. Copyright Office Team Up to Talk Copyright in the Age of AI
"Earlier this month, the U.S. Copyright Office and the World Intellectual Property Organization (WIPO) held a joint event titled, “Copyright in the Age of Artificial Intelligence” (AI) at the Library of Congress in Washington, DC. The event explored how global copyright law and intellectual property law, as well as broader policy, may currently address AI technology, and included dialogue about changes that may be needed. Panelists also shared how AI is being utilized now and what future technology deployment and innovation may look like.
The event was part of a series of conversations organized by the U.S, Copyright Office and WIPO both in the United States and Europe, with the next conversation scheduled for May 11 and 12 in Geneva, Switzerland. The summit illustrated that AI presents unique opportunities for innovation, assuming intellectual property rights are respected, but questions remain in several areas, including whether machine learning is producing “original” work and whether the product of such software is inherently reproductive, derivative or the result of a system or process devoid of human action."
"Earlier this month, the U.S. Copyright Office and the World Intellectual Property Organization (WIPO) held a joint event titled, “Copyright in the Age of Artificial Intelligence” (AI) at the Library of Congress in Washington, DC. The event explored how global copyright law and intellectual property law, as well as broader policy, may currently address AI technology, and included dialogue about changes that may be needed. Panelists also shared how AI is being utilized now and what future technology deployment and innovation may look like.
The event was part of a series of conversations organized by the U.S, Copyright Office and WIPO both in the United States and Europe, with the next conversation scheduled for May 11 and 12 in Geneva, Switzerland. The summit illustrated that AI presents unique opportunities for innovation, assuming intellectual property rights are respected, but questions remain in several areas, including whether machine learning is producing “original” work and whether the product of such software is inherently reproductive, derivative or the result of a system or process devoid of human action."
Labels:
AI,
copyright law,
policy,
US Copyright Office,
WIPO
Wednesday, February 19, 2020
Protecting Your Most Valuable Assets: How to Identify and Maintain Your Institution’s Trade Secrets; The National Law Review, January 23, 2020
Frank Amini, Ph.D., Robert Shaddox, The National Law Review; Protecting Your Most Valuable Assets: How to Identify and Maintain Your Institution’s Trade Secrets
"An institution’s trade secrets can be its most valuable and prolonged assets. However, institutions must take numerous steps in order to maintain the enforceability of their trade secrets. Such steps include: (1) identifying the trade secrets; and (2) taking “reasonable measures” to maintain the secrecy of the trade secrets."
"An institution’s trade secrets can be its most valuable and prolonged assets. However, institutions must take numerous steps in order to maintain the enforceability of their trade secrets. Such steps include: (1) identifying the trade secrets; and (2) taking “reasonable measures” to maintain the secrecy of the trade secrets."
Why AI systems should be recognized as inventors; TNW, February 17, 2020
Thomas Macaulay, TNW; Why AI systems should be recognized as inventors
"Existing intellectual property laws don’t allow AI systems to be recognized as inventors, which threatens the integrity of the patent system and the potential to develop life-changing innovations.
Current legislation only allows humans to be recognized as inventors, which could make AI-generated innovations unpatentable. This would deprive the owners of the AI of the legal protections they need for the inventions that their systems create.
The Artificial Inventor Project team has been testing the limitations of these rules by filing patent applications that designate a machine as the inventor— the first time that an AI’s role as an inventor had ever been disclosed in a patent application."
Subscribe to:
Comments (Atom)