Google, Viacom settle outmoded YouTube copyright suit; CNet, 3/18/14

Joan E. Solsman, CNet; Google, Viacom settle outmoded YouTube copyright suit:

"Google and Viacom have settled their seven-year copyright lawsuit, a nearly forgotten fight in which the central conflict has largely become an anachronism.

Viacom, the parent company of such television networks as MTV, Comedy Central, and Nickelodeon, sued Google shortly after the search giant's acquisition of YouTube. It claimed the sharing platform for user-generated videos hosted thousands of unauthorized clips.

Google and Viacom putting the conflict to rest reflects how much the attitude toward online video has changed for traditional content companies, from one of protective wariness to one of essential opportunity. It also reflects how YouTube, over the course of many years, has improved its control over its platform, enabling it to work more beneficially with those traditional content creators.

In a brief joint statement Tuesday, Google and Viacom said they resolved the suit, without disclosing any terms of the settlement."

After suits, Phoenix backs fair use and copyright law changes; Los Angeles Times, 2/28/14

August Brown, Los Angeles Times; After suits, Phoenix backs fair use and copyright law changes:

"Back in 2010, Harvard law professor Lawrence Lessig gave a lecture on copyright law. Speaking at a conference for the organization Creative Commons, he used YouTube clips of fans dancing to Phoenix's song "Lisztomania" as an example of proper "fair use" principles. He later uploaded the full lecture, which included the clips, to YouTube.

Liberation Music, the firm that licenses the Phoenix song in Australia and New Zealand, disagreed with Lessig's take. The firm issued a YouTube takedown order, asking that the lecture video be removed, and later threatened their own lawsuit against Lessig.

As perhaps was to be expected when one sues a law professor, Lessig and the Electronic Frontier Foundation countersued for "misusing copyright law."

The flurry of suits finally came to an end this week, according to Billboard, after Liberation admitted being in the wrong and would pay compensation associated with the cases."

Copyright meets “Innocence of Muslims”: Ninth Circuit orders removal of movie from YouTube, on copyright grounds; Washington Post, 2/26/14

Eugene Volokh, Washington Post; Copyright meets “Innocence of Muslims”: Ninth Circuit orders removal of movie from YouTube, on copyright grounds:

"Garcia’s theory is that (1) she owns the copyright to her own performance, (2) Youssef never properly acquired the rights to that performance — for instance, because there was no express assignment of rights — and therefore (3) a court should order Google to take down the video that infringes Garcia’s copyright. The Ninth Circuit held for Garcia, by a 2-1 vote. Chief Judge Alex Kozinski wrote the majority opinion, and was joined by Judge Ronald Gould. Judge N.R. “Randy” Smith dissented."

Unlocking the Benefits of Open Data; HuffingtonPost.com, 2/25/14

Ariel Smilowitz, HuffingtonPost.com; Unlocking the Benefits of Open Data:

"This past weekend marked the third annual Open Data Day, an international event that gathers people around the globe each year in an effort to support and encourage the adoption of open data policies by the world's governments and institutions. Open data is defined as "data that can be freely used, shared, and built-on by anyone, anywhere, for any purpose". With this in mind, over the weekend, designers, coders, statisticians, and those interested in open data participated in workshops and open data hackathons. Ultimately, each event provided participants with the chance to "write applications, liberate data, create visualizations, and publish analyses using public open data." In other words, participants were given a space to come together and collaborate on new ways to visualize, analyze, and spread information throughout the world.

All in all, Open Data Day connected over 100 cities on five continents."

Judge Likely to Dismiss Script Case; New York Times, 2/24/14

Michael Cieply, New York Times; Judge Likely to Dismiss Script Case:

"A federal judge here said she expected to grant summary judgment against a producer who accused Warner Bros. and others of basing the Clint Eastwood baseball film, “Trouble With the Curve,” on a script that belonged to him.

At a hearing on Monday, Judge Dale S. Fischer of the United States District Court for the Central District of California in Los Angeles said she was unconvinced by expert testimony about similarities between the Eastwood film, which was directed by Robert Lorenz, and a script that had been written for the producer Ryan Brooks, who brought the suit.

“They’re not substantially similar,” said Judge Fischer, who said she had watched the film and read the scripts."

TV Networks Ask Supreme Court to Shut Down Aereo; New York Times, 2/24/14

Leslie Kaufman, New York Times; TV Networks Ask Supreme Court to Shut Down Aereo:

"Aereo, the start-up that uses tiny antennas to stream the free signals of TV stations to its customers’ Internet-connected devices for a fee, is stealing from the broadcast networks on a giant scale, the broadcasters asserted in a filing with the Supreme Court on Monday.

“The Copyright Act does not tolerate business models premised on the unauthorized exploitation of the copyrighted works of others,” said the brief, which was filed by broadcasters including ABC, CBS, NBC and Fox.

On April 22, the Supreme Court is scheduled to hear American Broadcasting Companies v. Aereo, a case that has significant implications for a television industry undergoing profound changes, as well as challenges from upstart competitors like Netflix and Amazon."

New Legislation Seeks to Modernize Copyright Act to Benefit Songwriters; Billboard, 2/25/14

Ed Christman, Billboard; New Legislation Seeks to Modernize Copyright Act to Benefit Songwriters:

"A member of Congress has introduced legislation this morning aimed at ensuring that the Copyright Royalty Board also consider fair market value when setting songwriter mechanical royalty rates for digital services.

The legislation was introduced by Rep. Doug Collins (R-GA), a member of the House Committee on the Judiciary, carrying the name the Songwriter Equity Act. Its purpose is to update provisions in the Copyright Act to level the playing field for songwriter, composers and publishers to receive fair compensation for the use of their intellectual property."