Eric Pfanner, New York Times; Europe Moves to Aid Digital Music Industry:
"The European Commission plans to introduce legislation on Wednesday to bolster the digital music market in Europe by streamlining the methods of agencies that collect royalties on behalf of copyright holders.
Michel Barnier, the internal market commissioner, is expected to propose a bill aimed at resolving problems at the 250 collecting societies that operate in the European Union, some of which are holding back growth in digital music."
Issues and developments related to IP, AI, and OM, examined in the IP and tech ethics graduate courses I teach at the University of Pittsburgh School of Computing and Information. My Bloomsbury book "Ethics, Information, and Technology", coming in Summer 2025, includes major chapters on IP, AI, OM, and other emerging technologies (IoT, drones, robots, autonomous vehicles, VR/AR). Kip Currier, PhD, JD
Showing posts with label collecting royalties for digital music. Show all posts
Showing posts with label collecting royalties for digital music. Show all posts
Thursday, July 12, 2012
Tuesday, November 8, 2011
Sirius’s Move to Bypass a Royalty Payment Clearinghouse Causes an Uproar; New York Times, 11/6/11
Ben Sisario, New York Times; Sirius’s Move to Bypass a Royalty Payment Clearinghouse Causes an Uproar:
"SoundExchange, a nonprofit group, was founded in 2000 and is authorized by the United States Copyright Office to collect one kind of royalty for digital music. The royalty, the performance right for sound recordings, pays performers and record companies when their songs are played on digital streams like satellite radio and Pandora. (In a rule that has annoyed record companies and musicians for decades, terrestrial radio pays only songwriters and publishers.)"
"SoundExchange, a nonprofit group, was founded in 2000 and is authorized by the United States Copyright Office to collect one kind of royalty for digital music. The royalty, the performance right for sound recordings, pays performers and record companies when their songs are played on digital streams like satellite radio and Pandora. (In a rule that has annoyed record companies and musicians for decades, terrestrial radio pays only songwriters and publishers.)"
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