Edward Wyatt, New York Times; From ‘Cabaret’ to Kanye, Songs of ‘Glee’ Are a Hit:
"Ryan Murphy, the creator of the series, said in an interview in May that the search for music has been an integral part of the script development. “Each episode has a theme at its core,” he said. “After I write the script, I will choose songs that help to move the story along.”
Clearing the rights to the music for the series has not been a problem, he added. “I can’t think of one artist we’ve gone after or a song I wanted that has been denied.”"
http://www.nytimes.com/2009/10/12/business/media/12glee.html?_r=1&scp=1&sq=glee&st=cse
Showing posts with label copyrighted music. Show all posts
Showing posts with label copyrighted music. Show all posts
Monday, October 12, 2009
Monday, March 23, 2009
As Rights Clash on YouTube, Some Music Vanishes, The New York Times, 3/23/09
The New York Times: As Rights Clash on YouTube, Some Music Vanishes:
"In early December, Juliet Weybret, a high school sophomore and aspiring rock star from Lodi, Calif., recorded a video of herself playing the piano and singing “Winter Wonderland,” and she posted it on YouTube.
Weeks later, she received an e-mail message from YouTube: her video was being removed “as a result of a third-party notification by the Warner Music Group,” which owns the copyright to the Christmas carol.
The law provides a four-point test for the fair use of copyrighted works, taking into account things like the purpose, the size of an excerpt and the effect the use might have on the commercial value of the actual work...
The body of law is ever-evolving, and each era and technology seems to force new interpretations. In the 1960s, for example, the Zapruder film, the home movie that captured the Kennedy assassination, was bought and copyrighted by Time magazine. But a judge denied that it could be a copyrighted work because of its value to the public interest.
Many of the offending videos of the user-generated variety like Ms. Weybret’s — as opposed to copies of music videos produced by Warner and its artists — would fall under fair use, according to Mr. von Lohmann, because they are noncommercial and include original material produced by the user.
Others, including Warner Music’s lawyers, might argue that the videos, while themselves created for noncommercial purposes, are nevertheless being shown on YouTube, which is a moneymaking enterprise."
http://www.nytimes.com/2009/03/23/business/media/23warner.html?_r=1&scp=2&sq=youtube&st=cse
"In early December, Juliet Weybret, a high school sophomore and aspiring rock star from Lodi, Calif., recorded a video of herself playing the piano and singing “Winter Wonderland,” and she posted it on YouTube.
Weeks later, she received an e-mail message from YouTube: her video was being removed “as a result of a third-party notification by the Warner Music Group,” which owns the copyright to the Christmas carol.
The law provides a four-point test for the fair use of copyrighted works, taking into account things like the purpose, the size of an excerpt and the effect the use might have on the commercial value of the actual work...
The body of law is ever-evolving, and each era and technology seems to force new interpretations. In the 1960s, for example, the Zapruder film, the home movie that captured the Kennedy assassination, was bought and copyrighted by Time magazine. But a judge denied that it could be a copyrighted work because of its value to the public interest.
Many of the offending videos of the user-generated variety like Ms. Weybret’s — as opposed to copies of music videos produced by Warner and its artists — would fall under fair use, according to Mr. von Lohmann, because they are noncommercial and include original material produced by the user.
Others, including Warner Music’s lawyers, might argue that the videos, while themselves created for noncommercial purposes, are nevertheless being shown on YouTube, which is a moneymaking enterprise."
http://www.nytimes.com/2009/03/23/business/media/23warner.html?_r=1&scp=2&sq=youtube&st=cse
Monday, January 5, 2009
Changing Tack, RIAA Ditches MediaSentry, Wall Street Journal, 1/5/09
Via Wall Street Journal: Changing Tack, RIAA Ditches MediaSentry:
"In another sign of the music industry's recently announced retreat from a five-year-old antipiracy strategy, the Recording Industry Association of America has dumped the company it used to help it gather evidence for mass lawsuits it filed against people it claimed were illegally uploading copyrighted music...
Ray Beckerman, a New York lawyer who maintains the Recording Industry vs. the People blog and who has represented more than a dozen clients fighting the RIAA, said he considered the decision to drop MediaSentry a "victory" for his clients...
Mr. Beckerman cites MediaSentry's practice of looking for available songs in people's file-sharing folders, downloading them, and using those downloads in court as evidence of copyright violations. He says MediaSentry couldn't prove defendants had shared their files with anyone other than MediaSentry investigators."
http://online.wsj.com/article/SB123109364085551895.html
"In another sign of the music industry's recently announced retreat from a five-year-old antipiracy strategy, the Recording Industry Association of America has dumped the company it used to help it gather evidence for mass lawsuits it filed against people it claimed were illegally uploading copyrighted music...
Ray Beckerman, a New York lawyer who maintains the Recording Industry vs. the People blog and who has represented more than a dozen clients fighting the RIAA, said he considered the decision to drop MediaSentry a "victory" for his clients...
Mr. Beckerman cites MediaSentry's practice of looking for available songs in people's file-sharing folders, downloading them, and using those downloads in court as evidence of copyright violations. He says MediaSentry couldn't prove defendants had shared their files with anyone other than MediaSentry investigators."
http://online.wsj.com/article/SB123109364085551895.html
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