You Will Never Unsee This Wondrously Strange Fake Japanese Advertisement for Donald Trump; Slate, 6/16/16

Katy Waldman, Slate; You Will Never Unsee This Wondrously Strange Fake Japanese Advertisement for Donald Trump:

"Mike Diva is, per his Facebook page, a “MAKER OF VIDEOS/MUSIC/MEMES/DREAMS” and he has bequeathed the pre-apocalyptic world its eighth wonder, a dizzying, sorbet-hued phantasmagoria that gestures toward the coming end times. It is called “Japanese Donald Trump Commercial”...

We could not resist getting Diva, whose real name is Mike Dahlquist, on the phone...

How long did it take you to make the video?

Dahlquist: All told, about a month and a half. I’m really lucky my friends are talented and willing to work for free, because of course we had zero budget. The actress was a friend of mine, perfect for the part—her hair was already like that and everything."

Gene Kelly's Widow Claims Copyright In Interviews Done By Gene Kelly, Sues Over Academic Book; TechDirt, 5/12/16

Mike Masnick, TechDirt; Gene Kelly's Widow Claims Copyright In Interviews Done By Gene Kelly, Sues Over Academic Book:

"Another day, another story of copyright being used for censorship, rather than as an incentive to create. Here's the headline: Gene Kelly's widow is suing to stop an academic book exploring various interviews that were done over the decades with the famed actor/dancer. And here's the lawsuit, in which Kelly's widow, Patricia Ward Kelly, who was married to Gene Kelly for the last seven years of his life, claims that she holds the copyright on every interview that Kelly ever did...

Now, the legal issues here are at least somewhat nuanced. The question of who actually holds the copyright in an interview is actually a hotly debated topic in some copyright circles, and the answer is not as clear or as simple as you might think (or as it probably ought to be). Remember, of course, that the law is pretty explicit that copyright is given to whoever fixes the interview into a tangible medium. So, in most cases, it would seem that whoever is recording/transcribing/publishing the interview likely holds the copyright in it."