Universities in hot water over students' peer-to-peer sharing; ZDNet, 10/25/09

Zack Whittaker, ZDNet; Universities in hot water over students' peer-to-peer sharing:

"The battle against online piracy is heating up: a new artist led initiative is taking on the diplomatic and negotiation approach whereas governments and legislators are hitting down punitive policies on their citizens.

Jon Newton of p2pnet, alongside Billy Bragg, musician and director of the Featured Artists Coalition, have begun work on a2f2a.com, a campaign started to discuss how artists can cut out the middleman - such as the suicide inducing RIAA - and ensure artists are fairly remunerated.

Along with their mission statement, the efforts seem to be focused towards not only admitting there is no technological solution to the problems artists already face, but that users would be “willing to pay for music if they can be sure that the money is going to the artists whose work they enjoy.”"

http://blogs.zdnet.com/igeneration/?p=3168

Play it again: Tenenbaum team tries to toss MediaSentry evidence; Ars Technica, 6/29/09

Nate Anderson via Ars Technica; Play it again: Tenenbaum team tries to toss MediaSentry evidence:

"The year's second major P2P trial kicks off in one month, and Harvard Law professor Charles Nesson wants to mount some of the same attacks that failed in the first case. Nesson argues that all of the RIAA's MediaSentry investigative evidence must be banned from trial, as the company violated wiretap law and private detective licensing law."

http://arstechnica.com/tech-policy/news/2009/06/second-times-the-charm-tenenbaum-team-try-to-toss-mediasentry-evidence.ars

Music cos. vow to show Minn. woman shared 24 songs; Associated Press, 6/15/09

Steve Karnowski via Associated Press; Music cos. vow to show Minn. woman shared 24 songs:

"This case remains the only one out of more than 30,000 similar lawsuits the industry has filed that has made it to trial. The vast majority of the other defendants settled for an average of about $3,500 rather than risk huge judgments and legal bills. [Jammie] Thomas-Rasset's first lawyer put in nearly $130,000 worth of time for which she couldn't pay. Her new lawyers, [Kiwi] Camara and Joe Sibley, of Houston, took the case for free.

Thomas-Rasset lost her first trial in 2007 when jurors awarded the companies $222,000. But U.S. District Judge Michael Davis later concluded he made a mistake in his jury instructions and ordered the retrial.

This time, Davis is expected to instruct the jurors the record companies need to prove that someone actually downloaded the music Thomas-Rasset allegedly made available over the Internet on the Kazaa file sharing service. Last time, he told the jury the plaintiffs didn't have to prove anyone downloaded the copyright-protected songs.

The companies suing are subsidiaries of all four major recording companies, Warner Music Group Corp., Vivendi SA's Universal Music Group, EMI Group PLC and Sony Corp.'s Sony Music Entertainment.

Thomas, a mother of four and employee of the Mille Lacs Band of Ojibwe tribal government, allegedly used Kazaa, a "peer-to-peer" file sharing service in which users make files on their own computers available for downloading by other users. Although the industry contends she made more than 1,700 songs available, for simplicity's sake it's trying to prove copyright violations on just a representative sample of only 24, including songs by Gloria Estefan, Sheryl Crow, Green Day and Journey."

http://www.google.com/hostednews/ap/article/ALeqM5h5cPHcxNbw61wli6CVCczuXJYgyQD98RETQG0

Taking Sides in the Digital Revolution, Where Copyright Is the First Casualty; New York Times, 5/19/09

Michiko Kakutani via New York Times; Taking Sides in the Digital Revolution, Where Copyright Is the First Casualty:

"Such questions are being increasingly asked, as old and new media clash in cyberspace, and issues of copyright have become the subject of hotly contested debates. Two new books offer very different partisan takes on these arguments. In “Ripped” Greg Kot — a music critic at The Chicago Tribune since 1990 — contends that peer-to-peer file sharing and CD burning has empowered music consumers, while providing musicians with more “opportunities to be heard”: “In this world, the fringe players could more easily find and build a dedicated audience, and a musical ecosystem encompassing thousands of microcultures began to emerge.” In “Digital Barbarism” the novelist and sometimes political writer Mark Helprin argues that “copyright is important because it is one of the guarantors of the rights of authorship, and the rights of authorship are important because without them the individual voice would be subsumed in an indistinguishable and instantly malleable mass.”

The problem with both books is that the authors fail to come to terms with arguments that run counter to their own opinions."

http://www.nytimes.com/2009/05/19/books/19kaku.html?_r=1&scp=1&sq=copyright&st=cse