Meta pirated and seeded porn for years to train AI, lawsuit says; Ars Technica, July 28, 2025

 ASHLEY BELANGER  , Ars Technica; Meta pirated and seeded porn for years to train AI, lawsuit says

"Porn sites may have blown up Meta's key defense in a copyright fight with book authors who earlier this year said that Meta torrented "at least 81.7 terabytes of data across multiple shadow libraries" to train its AI models.

Meta has defeated most of the authors' claims and claimed there is no proof that Meta ever uploaded pirated data through seeding or leeching on the BitTorrent network used to download training data. But authors still have a chance to prove that Meta may have profited off its massive piracy, and a new lawsuit filed by adult sites last week appears to contain evidence that could help authors win their fight, TorrentFreak reported.

The new lawsuit was filed last Friday in a US district court in California by Strike 3 Holdings—which says it attracts "over 25 million monthly visitors" to sites that serve as "ethical sources" for adult videos that "are famous for redefining adult content with Hollywood style and quality."

After authors revealed Meta's torrenting, Strike 3 Holdings checked its proprietary BitTorrent-tracking tools designed to detect infringement of its videos and alleged that the company found evidence that Meta has been torrenting and seeding its copyrighted content for years—since at least 2018. Some of the IP addresses were clearly registered to Meta, while others appeared to be "hidden," and at least one was linked to a Meta employee, the filing said."

Judge Rules Class Action Suit Against Anthropic Can Proceed; Publishers Weekly, July 18, 2025

Jim Milliot , Publishers Weekly; Judge Rules Class Action Suit Against Anthropic Can Proceed

"In a major victory for authors, U.S. District Judge William Alsup ruled July 17 that three writers suing Anthropic for copyright infringement can represent all other authors whose books the AI company allegedly pirated to train its AI model as part of a class action lawsuit.

In late June, Alsup of the Northern District of California, ruled in Bartz v. Anthropic that the AI company's training of its Claude LLMs on authors' works was "exceedingly transformative," and therefore protected by fair use. However, Alsup also determined that the company's practice of downloading pirated books from sites including Books3, Library Genesis, and Pirate Library Mirror (PiLiMi) to build a permanent digital library was not covered by fair use.

Alsup’s most recent ruling follows an amended complaint from the authors looking to certify classes of copyright owners in a “Pirated Books Class” and in a “Scanned Books Class.” In his decision, Alsup certified only a LibGen and PiLiMi Pirated Books Class, writing that “this class is limited to actual or beneficial owners of timely registered copyrights in ISBN/ASIN-bearing books downloaded by Anthropic from these two pirate libraries.”

Alsup stressed that “the class is not limited to authors or author-like entities,” explaining that “a key point is to cover everyone who owns the specific copyright interest in play, the right to make copies, either as the actual or as the beneficial owner.” Later in his decision, Alsup makes it clear who is covered by the ruling: “A beneficial owner...is someone like an author who receives royalties from any publisher’s revenues or recoveries from the right to make copies. Yes, the legal owner might be the publisher but the author has a definite stake in the royalties, so the author has standing to sue. And, each stands to benefit from the copyright enforcement at the core of our case however they then divide the benefit.”"

US authors suing Anthropic can band together in copyright class action, judge rules; Reuters, July 17, 2025

Blake Brittain , Reuters; US authors suing Anthropic can band together in copyright class action, judge rules

"A California federal judge ruled on Thursday that three authors suing artificial intelligence startup Anthropic for copyright infringement can represent writers nationwide whose books Anthropic allegedly pirated to train its AI system.

U.S. District Judge William Alsup said the authors can bring a class action on behalf of all U.S. writers whose works Anthropic allegedly downloaded from "pirate libraries" LibGen and PiLiMi to create a repository of millions of books in 2021 and 2022."

Libraries Pay More for E-Books. Some States Want to Change That.; The New York Times, July 16, 2025

Erik Ofgang, The New York Times; Libraries Pay More for E-Books. Some States Want to Change That.

Proposed legislation would pressure publishers to adjust borrowing limits and find other ways to widen access. 

"Librarians complain that publishers charge so much to license e-books that it’s busting library budgets and frustrating efforts to provide equitable access to reading materials. Big publishers and many authors say that e-book library access undermines their already struggling business models. Smaller presses are split."

What Book Authors’ AI Copyright Court Losses Mean for the Music Business; Billboard, 7/14/25

RACHEL SCHARF, Billboard ; What Book Authors’ AI Copyright Court Losses Mean for the Music Business

While the first copyright rulings have come out on the side of AI platforms, this is hardly a death knell for the music giants' lawsuits against Suno, Udio and Anthropic, legal experts say. 

Why the new rulings on AI copyright might actually be good news for publishers; Fast Company, July 9, 2025

PETE PACHAL, Fast Company; Why the new rulings on AI copyright might actually be good news for publishers

"The outcomes of both cases were more mixed than the headlines suggest, and they are also deeply instructive. Far from closing the door on copyright holders, they point to places where litigants might find a key...

Taken together, the three cases point to a clearer path forward for publishers building copyright cases against Big AI:

Focus on outputs instead of inputs: It’s not enough that someone hoovered up your work. To build a solid case, you need to show that what the AI company did with it reproduced it in some form. So far, no court has definitively decided whether AI outputs are meaningfully different enough to count as “transformative” in the eyes of copyright law, but it should be noted that courts have ruled in the past that copyright violation can occur even when small parts of the work are copied—ifthose parts represent the “heart” of the original.

Show market harm: This looks increasingly like the main battle. Now that we have a lot of data on how AI search engines and chatbots—which, to be clear, are outputs—are affecting the online behavior of news consumers, the case that an AI service harms the media market is easier to make than it was a year ago. In addition, the emergence of licensing deals between publishers and AI companies is evidence that there’s market harm by creating outputs without offering such a deal.

Question source legitimacy: Was the content legally acquired or pirated? The Anthropic case opens this up as a possible attack vector for publishers. If they can prove scraping occurred through paywalls—without subscribing first—that could be a violation even absent any outputs."

U.S. Copyright Office Announces Webinar on Copyright Essentials for Writers; U.S. Copyright Office, Webinar: August 6, 2025 1 PM EDT

 U.S. Copyright Office; U.S. Copyright Office Announces Webinar on Copyright Essentials for Writers

"The U.S. Copyright Office invites you to register to attend the third session in our Copyright Essentials webinar series. The Plot Thickens: Copyright Essentials for Writers will take place on August 6 at 1:00 p.m. eastern time. 

In this session, the Copyright Office will discuss what writers should know about copyright. We will cover information for writers of various literary works—from novels and blogs to poetry, cookbooks, textbooks, and more. The session will also review suitable application options and how our Public Information Office can help you along the way. 

Attendees will also learn copyright basics, answers to commonly asked questions, and where to find Copyright Office educational resources.

Speakers:

• Jessica Chinnadurai, Attorney-Advisor, Office of Public Information and Education
• Laura Kaiser, Attorney-Advisor, Office of Public Information and Education

Prior Copyright Essentials webinars can be viewed on our website:

• Copyright Essentials: Myths Explained
• Copyright Essentials: Myths Explained September 2024 Update
• Creativity in Focus: Copyright Essentials for Visual Artists and Photographers
• Find Your Voice: Copyright Essentials for Musicians

The Copyright Office strategic goal of Copyright for All means making the copyright system as understandable and accessible to as many members of the public as possible, through initiatives including education and outreach. Sign up to stay updated about future webinars in this series."

The Court Battles That Will Decide if Silicon Valley Can Plunder Your Work; Slate, June 30, 2025

 BY NITISH PAHWA , Slate; The Court Battles That Will Decide if Silicon Valley Can Plunder Your Work

"Last week, two different federal judges in the Northern District of California made legal rulings that attempt to resolve one of the knottiest debates in the artificial intelligence world: whether it’s a copyright violation for Big Tech firms to use published books for training generative bots like ChatGPT. Unfortunately for the many authors who’ve brought lawsuits with this argument, neither decision favors their case—at least, not for now. And that means creators in all fields may not be able to stop A.I. companies from using their work however they please...

What if these copyright battles are also lost? Then there will be little in the way of stopping A.I. startups from utilizing all creative works for their own purposes, with no consideration as to the artists and writers who actually put in the work. And we will have a world blessed less with human creativity than one overrun by second-rate slop that crushes the careers of the people whose imaginations made that A.I. so potent to begin with."

An AI firm won a lawsuit for copyright infringement — but may face a huge bill for piracy; Los Angeles Times, June 27, 2025

 Michael Hiltzik , Los Angeles Times; An AI firm won a lawsuit for copyright infringement — but may face a huge bill for piracy

[Kip Currier: Excellent informative overview of some of the principal issues, players, stakes, and recent decisions in the ongoing AI copyright legal battles. Definitely worth 5-10 minutes of your time to read and reflect on.

A key take-away, derived from Judge Vince Chhabria's decision in last week's Meta win, is that:

Artists and authors can win their copyright infringement cases if they produce evidence showing the bots are affecting their market. Chhabria all but pleaded for the plaintiffs to bring some such evidence before him: 

“It’s hard to imagine that it can be fair use to use copyrighted books...to make billions or trillions of dollars while enabling the creation of a potentially endless stream of competing works that could significantly harm the market for those books.” 

But “the plaintiffs never so much as mentioned it,” he lamented.

https://www.latimes.com/business/story/2025-06-27/an-ai-firm-won-a-lawsuit-over-copyright-infringement-but-may-face-a-huge-bill-for-piracy]

[Excerpt]

"Anthropic had to acknowledge a troubling qualification in Alsup’s order, however. Although he found for the company on the copyright issue, he also noted that it had downloaded copies of more than 7 million books from online “shadow libraries,” which included countless copyrighted works, without permission. 

That action was “inherently, irredeemably infringing,” Alsup concluded. “We will have a trial on the pirated copies...and the resulting damages,” he advised Anthropic ominously: Piracy on that scale could expose the company to judgments worth untold millions of dollars...

“Neither case is going to be the last word” in the battle between copyright holders and AI developers, says Aaron Moss, a Los Angeles attorney specializing in copyright law. With more than 40 lawsuits on court dockets around the country, he told me, “it’s too early to declare that either side is going to win the ultimate battle.”...

With billions of dollars, even trillions, at stake for AI developers and the artistic community at stake, no one expects the law to be resolved until the issue reaches the Supreme Court, presumably years from now...

But Anthropic also downloaded copies of more than 7 million books from online “shadow libraries,” which include untold copyrighted works without permission. 

Alsup wrote that Anthropic “could have purchased books, but it preferred to steal them to avoid ‘legal/practice/business slog,’” Alsup wrote. (He was quoting Anthropic co-founder and CEO Dario Amodei.)...

Artists and authors can win their copyright infringement cases if they produce evidence showing the bots are affecting their market."...

The truth is that the AI camp is just trying to get out of paying for something instead of getting it for free. Never mind the trillions of dollars in revenue they say they expect over the next decade — they claim that licensing will be so expensive it will stop the march of this supposedly historic technology dead in its tracks.

Chhabria aptly called this argument “nonsense.” If using books for training is as valuable as the AI firms say they are, he noted, then surely a market for book licensing will emerge. That is, it will — if the courts don’t give the firms the right to use stolen works without compensation."

Judge dismisses authors’ copyright lawsuit against Meta over AI training; AP, June 25, 2025

 MATT O’BRIEN AND BARBARA ORTUTAY, AP; Judge dismisses authors’ copyright lawsuit against Meta over AI training

"Although Meta prevailed in its request to dismiss the case, it could turn out to be a pyrrhic victory. In his 40-page ruling, Chhabria repeatedly indicated reasons to believe that Meta and other AI companies have turned into serial copyright infringers as they train their technology on books and other works created by humans, and seemed to be inviting other authors to bring cases to his court presented in a manner that would allow them to proceed to trial.

The judge scoffed at arguments that requiring AI companies to adhere to decades-old copyright laws would slow down advances in a crucial technology at a pivotal time. “These products are expected to generate billions, even trillions of dollars for the companies that are developing them. If using copyrighted works to train the models is as necessary as the companies say, they will figure out a way to compensate copyright holders for it.”

Anthropic wins key US ruling on AI training in authors' copyright lawsuit; Reuters, June 24, 2025

Blake Brittain, Reuters; Anthropic wins key US ruling on AI training in authors' copyright lawsuit

 "A federal judge in San Francisco ruled late on Monday that Anthropic's use of books without permission to train its artificial intelligence system was legal under U.S. copyright law.

Siding with tech companies on a pivotal question for the AI industry, U.S. District Judge William Alsup said Anthropic made "fair use" of books by writers Andrea Bartz, Charles Graeber and Kirk Wallace Johnson to train its Claude large language model.

Alsup also said, however, that Anthropic's copying and storage of more than 7 million pirated books in a "central library" infringed the authors' copyrights and was not fair use. The judge has ordered a trial in December to determine how much Anthropic owes for the infringement."

Bill Clinton says he wondered if Trump administration might try to ban his latest book; The Hill, June 18, 2025

  JUDY KURTZ , The Hill; Bill Clinton says he wondered if Trump administration might try to ban his latest book

"“Maya Angelou, who read the inaugural poem at my first inauguration — wrote it, and read it and was a great human being — the first thing the White House did was to ban her book, ‘I Know Why the Caged Bird Sings,'” Clinton recalled.

Angelou’s 1969 autobiography was reportedly one of nearly 400 books that was pulled from the U.S. Naval Academy library in April as part of an effort to remove titles containing diversity, equity and inclusion content. 

Calling it a “magnificent book,” Clinton reflected on Angelou’s personal story about a child who “loses the ability to speak for a couple of years because she was abused, and then she blooms.”

“I couldn’t figure out why that was a problem,” Clinton said.

“I don’t like book banning,” the 42nd president added.

“I wasn’t ever for banning books that were full of things they said about me that weren’t true,” Clinton said.

“It never occurred to me that I should stop you from reading them.”"

Trump administration could change the way we read, from book bans to author talks; USA TODAY, June 18, 2025

 Clare Mulroy , USA TODAY; Trump administration could change the way we read, from book bans to author talks

"Hazelwood's tour snag sparked a discussion on book communities about how President Donald Trump's recent policies would trickle down to publishing. Amid book banning, border policies, new anti-DEI sentiments and federal library grant cuts, these are the ways the new administration may impact readers. 

Trump administration's policies shake author tour plans...

Authors worry about impact of Trump, DEI backslide...

Grant cuts threaten libraries, public spaces for readers...

Book banning continues in libraries, classrooms"

We're All Copyright Owners. Why You Need to Care About AI and Copyright; CNET, May 19, 2025

 Katelyn Chedraoui , CNET; We're All Copyright Owners. Why You Need to Care About AI and Copyright

"Most of us don't think about copyright very often in our daily lives. But in the age of generative AI, it has quickly become one of the most important issues in the development and outputs of chatbots and image and video generators. It's something that affects all of us because we're all copyright owners and authors...

What does all of this mean for the future?

Copyright owners are in a bit of a holding pattern for now. But beyond the legal and ethical implications, copyright in the age of AI raises important questions about the value of creative work, the cost of innovation and the ways in which we need or ought to have government intervention and protections. 

There are two distinct ways to view the US's intellectual property laws, Mammen said. The first is that these laws were enacted to encourage and reward human flourishing. The other is more economically focused; the things that we're creating have value, and we want our economy to be able to recognize that value accordingly."

Meta lawsuit poses first big test of AI copyright battle; Financial Times, May 1, 2025

Cristina Criddle and Hannah Murphy, Financial Times; Meta lawsuit poses first big test of AI copyright battle

 "The case, which has been brought by about a dozen authors including Ta-Nehisi Coates and Richard Kadrey, is centred on the $1.4tn social media giant’s use of LibGen, a so-called shadow library of millions of books, academic articles and comics, to train its Llama AI models. The ruling will have wide-reaching implications in the fierce copyright battle between artists and AI groups and is one of several lawsuits around the world that allege technology groups are using content without permission."

Meta Faces Copyright Reckoning in Authors’ Generative AI Case; Bloomberg Law, April 30, 2025

 Isaiah Poritz, Annelise Levy, Bloomberg Law; Meta Faces Copyright Reckoning in Authors’ Generative AI Case

"The way courts will view the fair use argument for training generative artificial intelligence models with copyrighted materials will be tested Thursday in a San Francisco courtroom, when the first of dozens of such lawsuits reaches summary judgment.

Meta Platforms Inc. and a group of authors including comedian Sarah Silverman will square off before Judge Vince Chhabria, who will decide whether Meta’s use of pirated books to train its AI model Llama qualifies as fair use, or if the issue should be left to a jury."

This Is How Meta AI Staffers Deemed More Than 7 Million Books to Have No “Economic Value”; Vanity Fair, April 15, 2025

KEZIAH WEIR, Vanity Fair; This Is How Meta AI Staffers Deemed More Than 7 Million Books to Have No “Economic Value”

"Last month, I prompted Meta AI with a question: “Is it okay to use pirated books to train AI?” The machine’s response was unequivocal. “Using pirated books to train AI is not okay,” it admonished. “In fact, it’s a serious violation of copyright laws and can have significant consequences for authors and publishers. Recently, it’s been reported that Meta used millions of pirated books to develop its AI programs, which has sparked widespread outrage and condemnation from the writing community.”"

Law professors side with authors battling Meta in AI copyright case; TechCrunch, April 11, 2025

Kyle Wiggers , TechCrunch; Law professors side with authors battling Meta in AI copyright case

"A group of professors specializing in copyright law has filed an amicus brief in support of authors suing Meta for allegedly training its Llama AI models on e-books without permission.

The brief, filed on Friday in the U.S. District Court for the Northern District of California, San Francisco Division, calls Meta’s fair use defense “a breathtaking request for greater legal privileges than courts have ever granted human authors.”"

L.J. Smith, Author of ‘Vampire Diaries’ Book Series, Dies at 66; The New York Times, March 26, 2025

 Jeré Longman, The New York Times; L.J. Smith, Author of ‘Vampire Diaries’ Book Series, Dies at 66

"L.J. Smith, an author of young adult novels best known for “The Vampire Diaries” series, which became a hit television drama, and for repossessing her characters by writing fan fiction after she was fired and replaced by a ghostwriter, died on March 8 in Walnut Creek, Calif. She was 66...

Alloy Entertainment sought a young adult version of supernatural romance and signed Ms. Smith to write “The Vampire Diaries,” a series centered on a love triangle involving a popular high school girl named Elena Gilbert and a pair of vampire brothers, Stefan and Damon Salvatore.

The first three books, written for HarperCollins, were published in 1991, and a fourth was released in 1992. But Ms. Smith — whose first agent was her typist, who had never represented a client — told The Wall Street Journal that she had written the trilogy for an advance of only a few thousand dollars without realizing that it was work for hire, meaning she did not own the copyright or the characters...

By 2007, sales of “The Vampire Diaries” had increased, and Ms. Smith was contracted to continue the series by writing a new trilogy for Alloy Entertainment, for which she was entitled to half the royalties.

In 2009, “The Vampire Diaries” were adapted into a dramatic television series that lasted for eight seasons on the CW Network. Popular among younger audiences, the show used various musical genres to explore topics like romance and morality and helped popularize a grunge and leather-jacket fashion look."

Richard Osman urges writers to ‘have a good go’ at Meta over breaches of copyright; The Guardian, March 25, 2025

Ella Creamer , The Guardian; Richard Osman urges writers to ‘have a good go’ at Meta over breaches of copyright

"Richard Osman has said that writers will “have a good go” at taking on Meta after it emerged that the company used a notorious database believed to contain pirated books to train artificial intelligence.

“Copyright law is not complicated at all,” the author of The Thursday Murder Club series wrote in a statement on X on Sunday evening. “If you want to use an author’s work you need to ask for permission. If you use it without permission you’re breaking the law. It’s so simple.”

In January, it emerged that Mark Zuckerberg approved his company’s use of The Library Genesis dataset, a “shadow library” that originated in Russia and contains more than 7.5m books. In 2024 a New York federal court ordered LibGen’s anonymous operators to pay a group of publishers $30m (£24m) in damages for copyright infringement. Last week, the Atlantic republished a searchable database of the titles contained in LibGen. In response, authors and writers’ organisations have rallied against Meta’s use of copyrighted works."