OpenAI Blocks Videos of Martin Luther King Jr. After Racist Depictions; The New York Times, October 17, 2025

Claire Moses, The New York Times ; OpenAI Blocks Videos of Martin Luther King Jr. After Racist Depictions

[Kip Currier: This latest tech company debacle is another example of breakdowns in technology design thinking and ethical leadership. No one in all of OpenAI could foresee that Sora 2.0 might be used in these ways? Or they did but didn't care? Either way, this is morally reckless and/or negligent conduct.

The leaders and design folks at OpenAI (and other tech companies) would be well-advised to look at Tool 6 in An Ethical Toolkit for Engineering/Design Practice, created by Santa Clara University Markkula Center for Applied Ethics:

Tool 6: Think About the Terrible People: Positive thinking about our work, as Tool 5 reminds us, is an important part of ethical design. But we must not envision our work being used only by the wisest and best people, in the wisest and best ways. In reality, technology is power, and there will always be those who wish to abuse that power. This tool helps design teams to manage the risks associated with technology abuse.

https://www.scu.edu/ethics-in-technology-practice/ethical-toolkit/

The "Move Fast and Break Things" ethos is alive and well in Big Tech.]

[Excerpt]

"OpenAI said Thursday that it was blocking people from creating videos using the image of the Rev. Dr. Martin Luther King Jr. with its Sora app after users created vulgar and racist depictions of him.

The company said it had made the decision at the request of the King Center as well as Dr. Bernice King, the civil rights leader’s daughter, who had objected to the videos.

The announcement was another effort by OpenAI to respond to criticism of its tools, which critics say operate with few safeguards.

“Some users generated disrespectful depictions of Dr. King’s image,” OpenAI said in a statement. “OpenAI has paused generations depicting Dr. King as it strengthens guardrails for historical figures.”"

Stan Lee’s Radical Fight Against Racists: ‘The Only Way to Destroy Them Is to Expose Them’; The Daily Beast, November 13, 2018

Stereo Williams, The Daily Beast; Stan Lee’s Radical Fight Against Racists: ‘The Only Way to Destroy Them Is to Expose Them’

[Kip Currier: Inspiring and powerful example of the ways every person can make a choice to stand against hatred of the "other" and bigotry, in all its forms.]

"Regardless of ongoing controversy surrounding the contributions of Kirby and others, Lee should be remembered for being an agent of change in his medium. A 1968 post from Lee’s mail column has been making the rounds in the wake of his death. In it, Lee makes plain his stance on racism.

“Let’s lay it right on the line. Bigotry and racism are among the deadliest social ills plaguing the world today. But, unlike a team of costumed super-villains, they can’t be halted with a punch in the snoot, or a zap from a ray gun. The only way to destroy them is to expose them—to reveal them for the insidious evils they really are. The bigot is an unreasoning hater—one who hates blindly, fanatically, indiscriminately. If his hang-up is black men, he hates ALL black men. If a redhead once offended him, he hates ALL redheads. If some foreigner beat him to a job, he’s down on ALL foreigners. He hates people he’s never seen—people he’s never known—with equal intensity—with equal venom.

“Now, we’re not trying to say it’s unreasonable for one human being to bug another. But, although anyone has the right to dislike another individual, it’s totally irrational, patently insane to condemn an entire race—to despise an entire nation—to vilify an entire religion. Sooner or later, we must learn to judge each other on our own merits. Sooner or later, if man is ever to be worthy of his destiny, we must fill our hearts with tolerance. For then, and only then, will we be truly worthy of the concept that man was created in the image of God—a God who calls us ALL—His children.”

Stan Lee’s creative voice helped reshape the role of comics in American society and helped affect how American society saw comics. In doing so, Lee helped challenge his readers and his peers. His characters live now as part of the fabric of our culture—in blockbuster movies, acclaimed TV shows, video games and a host of other media. Generations of comic-book lovers saw themselves in those characters, and that was what he’d wanted all along. As some quarters of America tell themselves that politics have no place in pop art, the proof in Stan Lee’s history reminds us that the message has always been a part of the medium. Those who believe otherwise maybe have to consider that they aren’t the “good guy” in the story. After all—you can’t be a hero if you don’t stand for anything."