What Was Grammarly Thinking?; The Atlantic, March 12, 2026

 Kaitlyn Tiffany, The Atlantic ; What Was Grammarly Thinking?

A short-lived AI tool promised to help users write like the greats—and a bunch of other random people, including me.

"But in the age of generative AI, there are many new kinds of copying. For instance, Wired reported last week on a tool offered by Grammarly, which briefly offered users the opportunity to put their writing through something called “Expert Review.” This produced AI-generated advice purportedly from the perspective of a bunch of famous authors, a bunch of less-famous working journalists (including myself, per The Verge’s reporting), and a bunch of academics (including some who had recently died).

I say “briefly” because the company deactivated the feature today. A lot of people got really mad about it because none of the experts had agreed for their work to be used in such a way, or to serve as uncompensated marketing for an app that people use to help them write more legible emails. “We hear the feedback and recognize we fell short on this,” the company’s CEO, Shishir Mehrotra, wrote on his LinkedIn page yesterday. Not long after, Wired reported that one of the journalists whose name had been used in the feature, Julia Angwin, was filing a class-action lawsuit against Grammarly’s owner, Superhuman Platform. In a statement forwarded by a spokesperson, Mehrotra repeated apologies made in his LinkedIn post and added, "We have reviewed the lawsuit, and we believe the legal claims are without merit and will strongly defend against them.”...

Now that I’ve looked more closely at this not-very-useful feature, and now that it’s shut down, the whole situation seems a little absurd. This was just a weird and inappropriate thing that a company tried to do to make money without putting in very much effort. The primary reason it became a news story at all was that it touched on widespread anxiety about whose work is worth what, whose skills will continue to be marketable in the age of AI, and whether any of us are really as complex, singular, and impossible-to-imitate as we might hope we are."

Former NFL players decry White House video mixing big hits, airstrikes; The Washington Post, March 12, 2026

Robert Klemko, The Washington Post; Former NFL players decry White House video mixing big hits, airstrikes

"The football montage, which was still online as of Thursday morning and by that time had collected over 10 million views on X, was met with criticism from members of the college and pro football community, not simply for the comparison of war and sport, but for the NFL’s and other rightsholders’ failure to object to the use of the images."

Everybody’s Talking About AI: Takeaways from the February 20, 2026 Fordham Law Symposium; Lexology, February 26, 2026

Seyfarth Shaw LLP - Owen Wolfe, Lexology; Everybody’s Talking About AI: Takeaways from the February 20, 2026 Fordham Law Symposium

"On February 20, 2026, Gadgets, Gigabytes and Goodwill Blog co-editor Owen Wolfe spoke at the Fordham School of Law as part of the Fordham Intellectual Property, Media & Entertainment Law Journal Symposium, The Meaning of Ownership: Rethinking Intellectual Property, Creativity, and Control in the Age of Innovation. Owen discussed how courts have so far applied the “fair use” doctrine to cases involving generative AI, distinguishing between use of copyrighted materials in gen AI training and gen AI outputs that are alleged to be substantially similar to the original works. He noted that the decisions to date have been mixed, with some courts finding that certain uses of copyrighted works for AI training are fair use, and other courts expressing skepticism about whether that is the correct result. Owen also surveyed arguments both for and against a finding of fair use, giving the audience food for thought about what courts might decide in the future and whether we might see an amendment to the Copyright Act down the road.

Owen’s talk followed one by Dr. Douglas Lind, a professor at Virginia Tech, who surveyed the history of copyright law in the United States. He focused on the law’s treatment of phonograph records and sound recordings when those new technologies first emerged. Dr. Lind noted that copyright law evolved, and the Copyright Act was eventually amended, to address those new technologies. Dr. Lind raised the question of whether the Copyright Act should be amended again to address gen AI."

The battle over Scott Adams' AI afterlife; Business Insider, February 20, 2026

 Katherine Tangalakis-Lippert, Business Insider; The battle over Scott Adams' AI afterlife

 "In a 2021 podcast clip, the cartoonist said he granted "explicit permission" for anyone to make a posthumous AI based on him, arguing that his public thoughts and words are "so pervasive on the internet" that he'd be "a good candidate to turn into AI." He added that he was OK with an AI version of him saying new things after he died, as long as they seemed compatible with what he might say while alive.

Shortly after the 68-year-old's January death from complications of metastatic prostate cancer, an AI-generated "Scott Adams" account began posting videos of a digital version of the cartoonist speaking directly to viewers about current events and philosophy, mirroring the cadence and topics the actual human Adams discussed for years.

His family says it's a violation, not a tribute."

Dinner Is Being Recorded, Whether You Know It or Not; The New York Times, February 16, 2026

  Luke Fortney , The New York Times; Dinner Is Being Recorded, Whether You Know It or Not

"To be in public is to risk being filmed. And these days, there’s a good chance it’s happening surreptitiously with smart glasses. Their wearers are filming in restaurants, cafes and bars, capturing warped, eye-level video of drive-through pranks, Michelin-starred meals and work shifts at Texas Roadhouse. Servers, owners and customers can end up as captive participants...

Filming in public spaces is broadly protected by the First Amendment. Some states, including California and Pennsylvania, have two-party consent laws that prohibit recording without express permission, but enforcing them hinges on whether someone has a “reasonable expectation of privacy” in a given setting, said Aaron Krowne, a New York City lawyer specializing in privacy and civil liberties. Restaurants fall in a legal gray area: They are privately owned, but open to anyone who walks in...

The responsibility of using these devices ethically falls largely on the wearer."

ByteDance says it will add safeguards to Seedance 2.0 following Hollywood backlash; CNBC, February 16, 2026

Dylan Butts, CNBC; ByteDance says it will add safeguards to Seedance 2.0 following Hollywood backlash

"Chinese tech giant ByteDance has said it will strengthen safeguards on a new artificial intelligence video-making tool, following complaints of copyright theft from entertainment giants. 

The tool, Seedance 2.0, enables users to create realistic videos based on text prompts. However, viral videos shared online appear to show copyrighted characters and celebrity likenesses, raising intellectual property concerns in the U.S. 

“ByteDance respects intellectual property rights and we have heard the concerns regarding Seedance 2.0,” a company spokesperson said in a statement shared with CNBC."

Legal Battle Continues for Amyl & the Sniffers and L.A. Photographer, Both Citing Copyright Infringement; Vice, February 4, 2026

Lauren Boisvert, Vice; Legal Battle Continues for Amyl & the Sniffers and L.A. Photographer, Both Citing Copyright Infringement

"Legal issues have escalated for Australian punks Amyl & The Sniffers, and right after they announced upcoming tour dates. L.A. courts scheduled a hearing for February 13, 2026, regarding a copyright lawsuit and a restraining order filed last year. The issue allegedly began in June 2024, involving L.A.-based photographer Jamie Nelson.

In December 2025, Nelson filed a civil harassment restraining order petition against Amy Taylor, vocalist of Amyl & The Sniffers. Courts in L.A. did not grant the temporary restraining order. But they did schedule the hearing at this time.

Nelson is cited as the creator and copyright holder of a series of photographs taken of Taylor. The series, titled “Champagne Problems”, appeared in the July 2025 issue of Vogue Portugal.The problem arises for both parties in the subsequent use of these photos beyond their initial purpose.

Essentially, Nelson is accusing Taylor of violating copyright on her photos. Allegedly, a third party related to Taylor distributed them without permission. Prior to this, Taylor accused Nelson of exploiting her image for profit and self-advertisement. Allegedly, she sold fine art prints of the photos. Both parties have taken legal action."

Matthew McConaughey Trademarks ‘Alright, Alright, Alright!’ and Other IP as Legal Protections Against ‘AI Misuse’; Variety, January 14, 2026

Todd Spangler, Variety ; Matthew McConaughey Trademarks ‘Alright, Alright, Alright!’ and Other IP as Legal Protections Against ‘AI Misuse’

"Matthew McConaughey’s lawyers want you to know that using AI to replicate the actor’s famous catchphrase is not “alright, alright, alright.”

Attorneys for entertainment law firm Yorn Levine representing McConaughey have secured eight trademarks from the U.S. Patent and Trademark Office over the last several months for their client, which they said is aimed at protecting his voice and likeness from unauthorized AI misuse."

OpenAI Blocks Videos of Martin Luther King Jr. After Racist Depictions; The New York Times, October 17, 2025

Claire Moses, The New York Times ; OpenAI Blocks Videos of Martin Luther King Jr. After Racist Depictions

[Kip Currier: This latest tech company debacle is another example of breakdowns in technology design thinking and ethical leadership. No one in all of OpenAI could foresee that Sora 2.0 might be used in these ways? Or they did but didn't care? Either way, this is morally reckless and/or negligent conduct.

The leaders and design folks at OpenAI (and other tech companies) would be well-advised to look at Tool 6 in An Ethical Toolkit for Engineering/Design Practice, created by Santa Clara University Markkula Center for Applied Ethics:

Tool 6: Think About the Terrible People: Positive thinking about our work, as Tool 5 reminds us, is an important part of ethical design. But we must not envision our work being used only by the wisest and best people, in the wisest and best ways. In reality, technology is power, and there will always be those who wish to abuse that power. This tool helps design teams to manage the risks associated with technology abuse.

https://www.scu.edu/ethics-in-technology-practice/ethical-toolkit/

The "Move Fast and Break Things" ethos is alive and well in Big Tech.]

[Excerpt]

"OpenAI said Thursday that it was blocking people from creating videos using the image of the Rev. Dr. Martin Luther King Jr. with its Sora app after users created vulgar and racist depictions of him.

The company said it had made the decision at the request of the King Center as well as Dr. Bernice King, the civil rights leader’s daughter, who had objected to the videos.

The announcement was another effort by OpenAI to respond to criticism of its tools, which critics say operate with few safeguards.

“Some users generated disrespectful depictions of Dr. King’s image,” OpenAI said in a statement. “OpenAI has paused generations depicting Dr. King as it strengthens guardrails for historical figures.”"

AI videos of dead celebrities are horrifying many of their families; The Washington Post, October 11, 2025

 

Tatum Hunter

 and 

Drew Harwell

, The Washington Post; AI videos of dead celebrities are horrifying many of their families

[Kip Currier: OpenAI CEO Sam Altman's reckless actions in releasing Sora 2.0 without guardrails and accountability mechanisms exemplify Big Tech's ongoing Zuckerberg-ian "Move Fast and Break Things" modus operandi in the AI Age. 

Altman also had to recently walk back his ill-conceived directive that copyright holders would need to opt-out of having their copyrighted works used as AI training data (yet again!), rather than the burden being on OpenAI to secure their opt-ins through licensing.

To learn more about potential further copyright-related questionable conduct by OpenAI, read this 10/10/25 Bloomberg Law article:  OpenAI Risks Billions as Court Weighs Privilege in Copyright Row]

[Excerpt]

"OpenAI said the text-to-video tool would depict real people only with their consent. But it exempted “historical figures” from these limits during its launch last week, allowing anyone to make fake videos resurrecting public figures, including activists, celebrities and political leaders — and leaving some of their relatives horrified.

“It is deeply disrespectful and hurtful to see my father’s image used in such a cavalier and insensitive manner when he dedicated his life to truth,” Shabazz, whose father was assassinated in front of her in 1965 when she was 2, told The Washington Post. She questioned why the developers were not acting “with the same morality, conscience, and care … that they’d want for their own families.”

Sora’s videos have sparked agitation and disgust from many of the depicted celebrities’ loved ones, including actor Robin Williams’s daughter, Zelda Williams, who pleaded in an Instagram post recently for people to “stop sending me AI videos of dad.”"

DHS references Mexican IndyCar driver to promote ‘Speedway Slammer’ detention center; The Guardian, August 7, 2025

 Agencies , The Guardian; DHS references Mexican IndyCar driver to promote ‘Speedway Slammer’ detention center

[Kip Currier: Not only is this statement by a DHS spokesperson factually inaccurate, as there's a cogent argument these actions by DHS may negatively impact trademark rights (and rights of publicity) -- “An AI generated image of a car with ‘ICE’ on the side does not violate anyone’s intellectual property rights" -- it's also morally offensive to either recklessly or intentionally appropriate without permission the racing number of one of the top Mexican drivers for use in a DHS promotion that demeans human beings.]

[Excerpt]

"IndyCar driver Pato O’Ward and series officials were shocked by a social media post from the Department of Homeland Security that touts plans for an immigration detention center in Indiana dubbed “Speedway Slammer.” It includes a car with the same number as that of O’Ward, the only Mexican driver in the series.

“It caught a lot of people off guard. Definitely caught me off guard,” O’Ward said Wednesday. “I was just a little bit shocked at the coincidences of that and, you know, of what it means ... I don’t think it made a lot of people proud, to say the least.”

The post on Tuesday included an AI-generated image of a IndyCar-style vehicle with O’Ward’s No 5 that has “ICE” stamped on it. In the image, the car is in front of a jail...

“We were unaware of plans to incorporate our imagery as part of yesterday’s announcement,” IndyCar said in a statement Wednesday. “Consistent with our approach to public policy and political issues, we are communicating our preference that our IP not be utilized moving forward in relation to this matter.”

A DHS spokesperson said it would not change the social media post. “An AI generated image of a car with ‘ICE’ on the side does not violate anyone’s intellectual property rights. Any suggestion to the contrary is absurd,” the spokesperson said in statement. “DHS will continue promoting the ‘Speedway Slammer’ as a comprehensive and collaborative approach to combatting illegal immigration.”

Denmark to tackle deepfakes by giving people copyright to their own features; The Guardian, June 27, 2025

Miranda Bryant  , The Guardian; Denmark to tackle deepfakes by giving people copyright to their own features

"The Danish government is to clamp down on the creation and dissemination of AI-generated deepfakes by changing copyright law to ensure that everybody has the right to their own body, facial features and voice.

The Danish government said on Thursday it would strengthen protection against digital imitations of people’s identities with what it believes to be the first law of its kind in Europe."

AI of dead Arizona road rage victim addresses killer in court; The Guardian, May 6, 2025

 Cy Neff, The Guardian; AI of dead Arizona road rage victim addresses killer in court

"Pelkey’s appearance from beyond the grave was made possible by artificial intelligence in what could be the first use of AI to deliver a victim impact statement. Stacey Wales, Pelkey’s sister, told local outlet ABC-15 that she had a recurring thought when gathering more than 40 impact statements from Chris’s family and friends.

“All I kept coming back to was, what would Chris say?” Wales said.

As AI spreads across society and enters the courtroom, the US judicial conference advisory committee has announced that it will begin seeking public comment as part of determining how to regulate the use of AI-generated evidence at trial."

Meta in Talks to Use Voices of Judi Dench, Awkwafina and Others for A.I.; The New York Times, August 2, 2024

Mike Isaac and Nicole Sperling , The New York Times; Meta in Talks to Use Voices of Judi Dench, Awkwafina and Others for A.I.

"Meta is in discussions with Awkwafina, Judi Dench and other actors and influencers for the right to incorporate their voices into a digital assistant product called MetaAI, according to three people with knowledge of the talks, as the company pushes to build more products that feature artificial intelligence.

Apart from Ms. Dench and Awkwafina, Meta is in talks with the comedian Keegan-Michael Key and other celebrities, said the people, who spoke on the condition of anonymity because the discussions are private. They added that all of Hollywood’s top talent agencies were involved in negotiations with the tech giant." 

AI hustlers stole women’s faces to put in ads. The law can’t help them.; The Washington Post, March 28, 2024

 

Nitasha Tiku

 and 

Pranshu Verma

, The Washington Post; AI hustlers stole women’s faces to put in ads. The law can’t help them.

"Efforts to prevent this new kind of identity theft have been slow. Cash-strapped police departments are ill equipped to pay for pricey cybercrime investigations or train dedicated officers, experts said. No federal deepfake law exists, and while more than three dozen state legislatures are pushing ahead on AI bills, proposals governing deepfakes are largely limited to political ads and nonconsensual porn."