[Webinar] Who Pays the Freight? Open Access: The Future of Funding, 5/25/16

[Webinar] Who Pays the Freight? Open Access: The Future of Funding:

Date: Wednesday, May 25, 2016

Time: 11:00 AM Eastern Daylight Time

Duration: 1 hour

"Who Pays the Freight? Open Access: The Future of Funding

Now in full flight, the Open Access movement promises to revolutionize the discipline of peer-reviewed research. Billed as a treasure trove for citizen scientists and major institutions alike, the benefits of Open Access still need to be paid for - but by who?

The attention on funding models has been increasing for years, as has discussion around journal transition and conversion. Best practices presume these models are continually refined through historical experience, policy and competition. But the iterative nature of OA can come with a cost in terms of implementation, integration, and aggregation performance. Questions remain about sustainability and integrity.

So, who pays the freight? In this webcast, our experts will highlight how librarians are tackling this important issue, and how the library can shape the future of funding Open Access.

Speakers

Ann Oakerson, Senior Adviser, The Center for Research Libraries

Rebecca Jozwiak, Analyst, The Bloor Group"

[Book Review of ‘Culture Crash,’ by Scott Timberg], New York Times, 3/17/15

[Book Review of ‘Culture Crash,’ by Scott Timberg] Ben Yagoda, New York Times:

CULTURE CRASH

The Killing of the Creative Class

By Scott Timberg 310 pp. Yale University Press. $26

"In 1999, recordings generated $14.6 billion in revenue to the music business; by 2012, the figure was down to $5.35 billion. Of course, owing to the change in the dominant distribution model from physical CDs to (first) downloading MP3 files and (now) streaming on services like Pandora and Spotify, performing artists get a thinner slice of the smaller pie. Timberg puts a human face on the statistics with portraits, scattered throughout the book, of poets, artists, moviemakers and reporters who had been doing good work and making not great but decent livings, when all of a sudden the rug was pulled out from under them..."

As Timberg himself acknowledges elsewhere, artistic expression is essential to human existence. Its forms are rapidly changing. Its economics are, too, and at this moment artists are finding it harder and harder to make a living from their work. But it will persevere. Who knows? Maybe the commenters were right, and an old-fashioned symphony orchestra isn’t sustainable any­more. Music will survive — including, for the time being, in Louisville, where, after the bankruptcy filing, the orchestra cut back on its schedule and staffing, and suffered a musicians’ strike as a consequence, but posted a $20,000 surplus last August."