Showing posts with label transformative. Show all posts
Showing posts with label transformative. Show all posts

Thursday, November 14, 2013

Google prevails over authors in book-scanning U.S. lawsuit; Reuters, 11/14/13

Reuters; Google prevails over authors in book-scanning U.S. lawsuit: "Google Inc on Thursday won dismissal of a lawsuit by authors who accused the Web search and media group of digitally copying millions of books for an online library without permission. U.S. Circuit Judge Denny Chin in Manhattan accepted Google's argument that its scanning of more than 20 million books, and making "snippets" of text available for online searches, constituted "fair use" under U.S. copyright law."

Wednesday, April 1, 2009

Experts advise citizen journalists on copyright law, Digital Journal, 3/22/09

Via Digital Journal, By David Silverberg: Experts advise citizen journalists on copyright law:

"Media law can be confusing. Even for traditional print reporters, decoding the difference between libel and slander requires patience and education. And when it comes to online citizen reporting, the blurry distinction between what is legal to upload becomes even more paramount.

To help Digital Journalists define fair use and give tips on what to "borrow" from the Web, Digital Journal spoke to David Ardia, co-founder of the Citizen Media Law Project at Harvard University's Berkman Centre. We also spoke to Canadian lawyer and professor Michael Geist to help Canadians understand the legal implications of their citizen media journalism, and why websites aren't responsible for what their users post."

http://www.digitaljournal.com/article/269368

Tuesday, March 31, 2009

Educational fair use: a provocation, Collectanea Blog with Peter Jaszi, 3/30/09

Via Collectanea Blog with Peter Jaszi: Educational fair use: a provocation:

"Let me make two modest suggestions:

1. First, it's important that educators refrain from claiming too much under the heading of fair use--and, in particular, that they avoid the simple (and erroneous) proposition that merely because a use is educational, it is definitionally fair...

2. Second, it is crucial to develop the arguments for treating various kinds of educational use as "transformative." Like it or not, this is the current mantra of fair use jurisprudence, and educators need to recognize this jurisprudential fact and respond accordingly. They need to generate more and better explanations (the fair use code for media literary, referenced above, being one example), of how educational uses don't just repeat quoted material for its original purposes, but both repurpose that material and add value to it."

http://chaucer.umuc.edu/blogcip/collectanea/

Sunday, March 29, 2009

Remixing Is Creating And Original -- It's Not Just Derivative Copying, TechDirt.com , 3/27/09

Via TechDirt.com: Remixing Is Creating And Original -- It's Not Just Derivative Copying:

"At the beginning of the month we were one of the first to write about the amazing Thru-You "album" created by a DJ named Kutiman, who took individual sounds off of YouTube and mixed them into a full album. I've always been a believer in the concept that remixing something is a creative endeavor in its own right, but I'd never seen the point driven home quite as clearly as in this album...

The idea that what he's done is almost certainly illegal and copyright infringement (he seems incredulous at the idea) should be a clear indication that something is wrong with the current copyright regime."

http://www.techdirt.com/articles/20090327/1611474282.shtml

Saturday, January 3, 2009

Life after death: The London Times, 1/3/09

Via The London Times: Life after death, As a new dramatisation of Anne Frank’s diary is about to be shown, Garry Jenkins looks at the ways in which this remarkable Dutch girl’s legacy has extended far beyond her words, to charities and good causes around the world:

"Copyright in the diary [of Anne Frank] expires at the end of the year 2015. From then on, with publishers free to produce and edit the diary without paying for the rights, the foundation’s main income stream could run dry. “I’m afraid that our income may well be less when the rights run out. But we hope that publishers will give us some money so that we can continue our charitable work,” Elias says.

Elias’s greatest fear is that Anne’s legacy might suffer the fate it has already undergone in Spain, where a musical of her life has been playing in Madrid. “I absolutely hate it,” says Elias, who was powerless to stop it because the work didn’t draw on any of the writings in the diary. “I don’t think the story of Anne Frank and the Holocaust is something about which you can make a funny evening with laughter and dance. But as soon as the rights run out, I’m afraid more musicals will be written and composed.”"

http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/tv_and_radio/article5388500.ece