Hungarian singer sues Kanye West for $2.5m over New Slaves sample; Reuters via Guardian, 5/23/16

Reuters via Guardian; Hungarian singer sues Kanye West for $2.5m over New Slaves sample:

"Presser described his song, which roughly translates in English as “Pearls in Her Hair”, as “one of the most beloved pop songs ever in Hungary and across eastern Europe”. He is seeking at least $2.5m in damages for copyright infringement.

Lawyers for West and co-defendant Sony/ATV Music Publishing LLC, a joint venture between Sony Corp and the estate of pop star Michael Jackson, did not immediately respond on Monday to requests for comment.

Presser said he had no inkling his song was being used until West’s lawyer emailed him soon after marketing began, indicating that West “would like to work out a deal with you as soon as possible” and giving him 24 hours to respond.

West’s lawyers later sent Presser a $10,000 check and insisted that he grant a license. But Presser never cashed the check, the complaint said."

Paramount to Drop Lawsuit Against ‘Star Trek’ Fan Film; Comic Book Resources, 5/21/16

Kevin Melrose, Comic Book Resources; Paramount to Drop Lawsuit Against ‘Star Trek’ Fan Film:

"Paramount Pictures plans to withdraw its controversial lawsuit against a crowdfunded “Star Trek” fan film, a move that will undoubtedly earn the studio goodwill as it prepares to release “Star Trek Beyond” amid the franchise’s 50th-anniversary celebration.

The announcement was made Friday by J.J. Abrams during a fan event on the Paramount lot, where the filmmaker said the litigation is “going away” within the next few weeks."

Oracle-Google Dispute Goes to Heart of Open-Source Software; New York Times, 5/19/16

Quentin Hardy, New York Times; Oracle-Google Dispute Goes to Heart of Open-Source Software:

"With jury deliberations expected to start next week, whether it makes sense to nontechies that Google, as Mr. Page contends, engaged in “established industry practice” and not old-fashioned copyright infringement could have a significant impact on how the technology industry creates new products.

The copyrights that are crucial to the trial are related to open-source software, which is created and shared for general use. Open-source technology is at the heart of many current innovations, from Google’s Android to the hardware going into giant cloud-computing data centers.

“The open-source community will heave a huge sigh of relief if Google wins, and will be very worried if Oracle wins,” said Pamela Samuelson, professor of law at the University of California, Berkeley. “It will have a chilling effect.”"

Avengers and X-Men wage war in action-packed fan trailer; Comic Book Resources, 5/20/16

Kevin Melrose, Comic Book Resources; Avengers and X-Men wage war in action-packed fan trailer:

"Fans at last saw Spider-Man introduced into the Marvel Cinematic Universe with Captain America: Civil War, but it will be a long, long time before they witness the X-Men do the same. Until then, they can watch this epic fan trailer, which pits Marvel’s mutants against Earth’s Mightiest Heroes, over and over and over again."

Do You Love Music? Silicon Valley Doesn’t; New York Times, 5/20/16

Jonathan Taplin, New York Times; Do You Love Music? Silicon Valley Doesn’t:

"Unfortunately, there is a sad history of undervaluing musicians in the United States. Terrestrial radio, a $17 billion industry, pays publishing rights (payments to songwriters) but has never paid artists or record companies for music. In addition, the satellite radio company, SiriusXM, pays below-market royalties, thanks to a giveaway it first wrested from Congress 20 years ago. Conglomerates like iHeartMedia (formerly Clear Channel Communications) and other online services like Pandora, which are required to pay artists for digital streams, have exploited federal copyright law to deny payments for work recorded before 1972 (songwriters are paid; performers are not). This means artists like Aretha Franklin, Ella Fitzgerald, Chuck Berry and John Coltrane never received a dime from AM/FM radio and or from many digital services for some of their greatest music.

The last meaningful legislation in this area was the Digital Millennium Copyright Act in 1998, which was based on the idea that creators should monitor the Internet for illegal copies of their works and give “notice” to websites and services to take pirated material down. Under the act’s “safe harbor” provisions, any service or site that makes a minimal effort to address these notices is immune from liability for piracy or theft."