SDNY Order Renews Possibility of Digital Millenium Copyright Act as Legal Recourse for News Organizations in the Age of AI; The National Law Review, December 23, 2024

Dan Jasnow of ArentFox Schiff LLP  -  AI Law Blog, The National Law Review; SDNY Order Renews Possibility of Digital Millenium Copyright Act as Legal Recourse for News Organizations in the Age of AI 

"Key Takeaway: The Intercept’s Case Against OpenAI Will Clarify the Future of DMCA Protection Against AI Developers

Until now, other DMCA claims against AI developers have largely failed — most of these cases have not proceeded past the motion-to-dismiss stage — but the order allowing The Intercept’s claim to proceed renews the possibility that the DMCA may be a viable claim against AI developers. For rights holders, 1202(b) provides distinct causes of action against AI developers with different evidentiary requirements than traditional copyright infringement claims. For developers, 1202(b) is another legal risk to be managed, particularly in the wake of the order in The Intercept case."

Character.AI Confirms Mass Deletion of Fandom Characters, Says They're Not Coming Back; Futurism, November 27, 2024

 MAGGIE HARRISON DUPRÉ , Futurism; Character.AI Confirms Mass Deletion of Fandom Characters, Says They're Not Coming Back

"The embattled AI companion company Character.AI confirmed to Futurism that it removed a large number of characters from its platform, citing its adherence to the Digital Millennium Copyright Act (DCMA) and copyright law, but failing to say whether the deletions were proactive or in response to requests from the holders of the characters' intellectual property rights...

That's not surprising: Character.AI is currently facing a lawsuit brought by the family of a 14-year-old teenager in Florida who died by suicide after forming an intense relationship with a Daenerys Targaryen chatbot on its platform...

It's been a bad few months for Character.AI. In October, shortly before the recent lawsuit was filed, it was revealed that someone had created a chatbot based on a murdered teenager without consent from the slain teen's family. (The character was removed and Character.AI apologized, as AdWeek first reported.) And in recent weeks, we've reported on disturbing hordes of suicide, pedophilia, and eating disorder-themed chatbots hosted by the platform, all of which were freely accessible to Character.AI users of all ages."

What’s Happening with AI and Copyright Law; JD Supra, November 4, 2024

AEON Law, JD Supra; What’s Happening with AI and Copyright Law

"Not surprisingly, a lot is happening at the intersection of artificial intelligence (AI) and intellectual property (IP) law.

Here’s a roundup of some recent developments in the area of copyright law and AI.

Copyright Office Denies AI Security Research Exemption under DMCA...

Former OpenAI Employee Says It Violates Copyright Law...

Blade Runner Production Company Sues Tesla for AI-Aided Copyright Infringement"

Public Knowledge, iFixit Free the McFlurry, Win Copyright Office DMCA Exemption for Ice Cream Machines; Public Knowledge, October 25, 2024

 Shiva Stella , Public Knowledge; Public Knowledge, iFixit Free the McFlurry, Win Copyright Office DMCA Exemption for Ice Cream Machines

"Today, the U.S. Copyright Office partially granted an exemption requested by Public Knowledge and iFixit to allow people to circumvent digital locks in order to repair commercial and industrial equipment. The Office did not grant the full scope of the requested exemption, but did grant an exemption specifically allowing for repair of retail-level food preparation equipment – including soft serve ice cream machines similar to those available at McDonald’s. The Copyright Office reviewed the request as part of its 1201 review process, which encourages advocates and public interest groups to present arguments for exemption to the Digital Millennium Copyright Act.

Section 1201 of the DMCA makes it illegal to bypass a digital lock that protects a copyrighted work, such as a device’s software, even when there is no copyright infringement. Every three years, the Copyright Office reviews exemption requests and issues recommendations to the Librarian of Congress on granting certain exceptions to Section 1201. The recommendations go into effect once approved by the Librarian of Congress."

OpenAI Faces Early Appeal in First AI Copyright Suit From Coders; Bloomberg Law, September 30, 2024

 Isaiah Poritz , Bloomberg Law; OpenAI Faces Early Appeal in First AI Copyright Suit From Coders

"OpenAI Inc. and Microsoft Corp.‘s GitHub will head to the country’s largest federal appeals court to resolve their first copyright lawsuit from open-source programmers who claim the companies’ AI coding tool Copilot violates a decades-old digital copyright law.

Judge Jon S. Tigar granted the programmers’ request for a mid-case turn to the US Court of Appeals for the Ninth Circuit, which must determine whether OpenAI’s copying of open-source code to train its AI model without proper attribution to the programmers could be a violation of the Digital Millennium Copyright Act...

The programmers argued that Copilot fails to include authorship and licensing terms when it outputs code. Unlike other lawsuits against AI companies, the programmers didn’t allege that OpenAI and GitHub engaged in copyright infringement, which is different from a DMCA violation."

OpenAI Faces Early Appeal in First AI Copyright Suit From Coders; Bloomberg Law, September 30, 2024

Isaiah Poritz , Bloomberg Law; OpenAI Faces Early Appeal in First AI Copyright Suit From Coders

"The programmers argued that Copilot fails to include authorship and licensing terms when it outputs code. Unlike other lawsuits against AI companies, the programmers didn’t allege that OpenAI and GitHub engaged in copyright infringement, which is different from a DMCA violation."

OpenAI’s GPT Store Is Triggering Copyright Complaints; Wired, April 4, 2024

Kate Knibbs, Wired ; OpenAI’s GPT Store Is Triggering Copyright Complaints

"It is easy to find bots in the GPT Store whose descriptions suggest they might be tapping copyrighted content in some way, as Techcrunch noted in a recent article claiming OpenAI’s store was overrun with “spam.” Using copyrighted material without permission is permissable in some contexts but in others rightsholders can take legal action."

How John Deere Hijacked Copyright Law To Keep You From Tinkering With Your Tractor; Reason, January 8, 2024

LUKE HOGG , Reason; How John Deere Hijacked Copyright Law To Keep You From Tinkering With Your Tractor

"For nearly 25 years, Section 1201 has been hanging over the developers and distributors of tools that give users more control over the products they own. The ways in which John Deere and other corporations have used the copyright system is a glaring example of regulatory capture in action, highlighting the absurdity of a system where owning a product doesn't necessarily convey the right to fully control it. There are certainly circumstances where the manufacturers are justified in protecting their products from tampering, but such cases should be handled through warranty nullification and contract law, not through exorbitant fines and lengthy prison sentences."

Study: 87% of Classic Video Games Are Endangered, Mostly Due to Copyright Laws, ExtremeTech, July 12, 2023

 Josh Norem , ExtremeTech; Study: 87% of Classic Video Games Are Endangered, Mostly Due to Copyright Laws

"In a perfect world, you'd be able to find these pieces of history at your local library, just like you do for books and movies. According to the study's authors, outdated copyright laws prevent that from happening."

How fake copyright complaints are muzzling journalists; BBC News, March 1, 2023

BBC News; How fake copyright complaints are muzzling journalists

"Journalists have been forced to temporarily take down articles critical of powerful oil lobbyists due to the exploitation of US copyright law, according to a new report.

At least five such articles have been subject to fake copyright claims, including one by the respected South African newspaper Mail & Guardian, according to the Organized Crime and Corruption Reporting Project (OCCRP).

The claims - which falsely assert ownership of the stories - have been made by mystery individuals under the US Digital Millennium Copyright Act (DMCA), a law meant to protect copyright holders."

DeviantArt, Midjourney Face Lawsuit for Using 'Billions of Copyrighted' Images in AI Art; CBR, January 15, 2023

BRIAN CRONIN, CBR ; DeviantArt, Midjourney Face Lawsuit for Using 'Billions of Copyrighted' Images in AI Art

"A lawsuit on behalf of a group of plaintiff artists has been filed in the United States District Court for the Northern District of California against three companies: Stability AI, DeviantArt, and Midjourney, over the alleged infringement of the copyright of the artists in the creation of so-called "artificial intelligence" art."

U.S. Copyright Office Consultation Triggers Massive “Upload Filter” Opposition; TorrentFreak, February 16, 2022

Ernesto Van der Sar, TorrentFreak; U.S. Copyright Office Consultation Triggers Massive “Upload Filter” Opposition

"Late 2020, Senator Thom Tillis released a discussion draft of the “Digital Copyright Act” (DCA), which aims to be a successor to the current DMCA.

The DCA hints at far-reaching changes to the way online intermediaries approach the piracy problem. Among other things, these services would have to ensure that pirated content stays offline after it’s taken down once.

This “takedown and staydown’ approach relies on technical protection tools, which include upload filters. This is a sensitive subject that previously generated quite a bit of pushback when the EU drafted its Copyright Directive.

To gauge the various options and viewpoints, the Copyright Office launched a series of consultations on the various technical tools that can help to detect and remove pirated content from online platforms.

This effort includes a public consultation where various stakeholders and members of the public were invited to share their thoughts, which they did en masse."

CBS’ overzealous copyright bots hit Star Trek virtual Comic-Con panel; Ars Technica, July 23, 2020

Kate Cox. Ars Technica; CBS’ overzealous copyright bots hit Star Trek virtual Comic-Con panel

"Media companies that usually have a large presence at events like SDCC worked hard to create streaming alternative content—but it seems they forgot to tell their copyright bots.

ViacomCBS kicked things off today with an hour-long panel showing off its slew of current and upcoming Star Trek projects: Discovery, Picard, Lower Decks, and Strange New Worlds...

Even if the presentation didn't look like a real episode of Discovery to the home viewer, it apparently sounded close enough: after the Star Trek Universe virtual panel began viewers began to lose access to the stream. In place of the video, YouTube displayed a content ID warning reading: "Video unavailable: This video contains content from CBS CID, who has blocked it on copyright grounds."

After being blacked out for about 20 minutes, the panel was restored, and the recording of the virtual panel has no gaps in playback."

U.S. Copyright Office: DMCA Is “Tilted Askew,” Recommends Remedies for Rightsholders; JDSupra, August 7, 2020

Aylin Kuzucan, Fenwick & West LLP, JDSupra; U.S. Copyright Office: DMCA Is “Tilted Askew,” Recommends Remedies for Rightsholders

"On May 21, 2020, the U.S. Copyright Office released its first full report—based on 92,000 written comments, five roundtables and decades of case law—on the Digital Millennium Copyright Act (17 U.S.C. § 512). The analysis was intended to determine whether the DMCA’s safe harbor provisions effectively balanced the needs of online service providers and rightsholders. The Copyright Office concluded that the balance is “tilted askew,” with largely ineffective copyright infringement protections for rightsholders...

Going forward, the Copyright Office plans to post a new website—copyright.gov/DMCA—with several educational and practical elements, including model takedown notices and counter-notices. In addition, the U.S. Senate Judiciary Committee’s Subcommittee on Intellectual Property plans to draft changes to the DMCA by the end of 2020. Any changes made will be critical for the copyright community to monitor closely."

[Video] Is the DMCA's Notice-and-Takedown System Working in the 21st Century?; June 2, 2020, Subcommittee Hearing, Committee on the Judiciary

[Video] Subcommittee Hearing, Committee on the Judiciary; Is the DMCA's Notice-and-Takedown System Working in the 21st Century?

Facebook and Twitter took down a Trump campaign video over copyright concerns; Vox, June 5, 2020

Theodore Schleifer, Vox; Facebook and Twitter took down a Trump campaign video over copyright concerns

"This is not the first time Twitter has removed content posted by Trump due to copyright reasons. But notably, this takedown comes shortly after a series of much more controversial decisions by Twitter to limit the reach of Trump’s posts because they either did not pass a fact-check or, in Twitter’s opinion, glorified violence.

Facebook has made different decisions, citing its commitment to free speech, and has been willing to leave Trump’s posts up.

Complaints about copyright violations are not uncommon in the world of social media."

Copyright could be the next way for Congress to take on Big Tech; The Verge, February 13, 2020

Adi Robertson, The Verge; Copyright could be the next way for Congress to take on Big Tech

"By the end of the year, Tillis — who chairs the Senate’s intellectual property subcommittee — plans to draft changes to the DMCA. He and co-chair Sen. Chris Coons (D-DE) kicked off the process this week with an introductory hearing, speaking to eight legal experts and former congressional staffers. The hearing helped set the stage to re-fight some long-running battles over the balance between protecting copyrighted content and keeping the internet open — but at a time where internet companies are already facing a large-scale backlash.

The 1998 DMCA attempted to outline how copyright should work on the then-nascent internet, where you could almost freely and infinitely copy a piece of media. But it’s been widely criticized by people with very different stances on intellectual property."

Infamous 'Dancing Baby' copyright battle settled just before YouTube tot becomes a teen; The Register, June 27, 2018

Kieren McCarthy, The Register; Infamous 'Dancing Baby' copyright battle settled just before YouTube tot becomes a teen

"In the Ninth Circuit ruling – which is the one that will now hold until another appeals court takes on the topic and/or the Supreme Court decides to revisit the issue in future – the court said that a copyright holder is obliged to consider whether the content they are planning to send a DMCA notice to is legal under the fair use doctrine.

 Which is great. Except the court also decided that the rightsholder is entitled to reach the decision of whether that is true or not entirely by themselves.

Which on one level provides a sort of equilibrium but on the other means that it is inevitable that there will be lots of future court cases as people argue all over again about what is fair use.

 In other words, this 11-year court battle has not really resolved anything and we can expect to see another one on the exact same topic soon."

Current copyright regime makes entertainment industry boring; The Daily Texan, June 18, 2017

Usmaan Hasan, The Daily Texan; Current copyright regime makes entertainment industry boring

"The current system of copyright and intellectual property protections quells artistic expression gives consumers the short end of the stick.

Mickey Mouse, as a property of Disney, enjoys bipartisan support in Congress. He was created in 1928, and under the existing copyright regime of the time, Disney’s right to Mickey should have ended in 1956 at the soonest, 1984 at the latest. Yet with some Disney magic, without fail, Congress expands copyright protections every time the Mickey is about to lapse into the public domain.

The hypocrisy coming from Disney is staggering. It has gained its immense wealth by monetizing properties in the public domain – like Cinderella, a centuries old fairy tale owned by no one – lobbying for copyright protections for those properties, and then reworking properties while constantly expanding the lifetime of their protections. It is a company that has managed to exercise artistic reinterpretation of cultural touchstones while making it nearly impossible for others to do the same. In fact, Disney has made its wealth by making movies on at least 50 works in the public domain."

The tech industry is eroding copyright law. Here's how to stop it; Los Angeles Times, May 10, 2017

Jonathan Taplin, Los Angeles Times; The tech industry is eroding copyright law. Here's how to stop it

"The only way to get Internet companies to honor the widely accepted understanding of fair use is to make it law. Although the current legal definition makes one thing crystal clear — you cannot use a work in its entirety and still claim fair use — it leaves many aspects of the doctrine open to interpretation. The Registrar of Copyrights should codify a 30-second time limit for audio and video clips and require that content be used in a transformative or interpretive way.

With concrete guidelines in place, regulation would have to be built in. For instance, when a user asserts fair use for a work that YouTube identifies as being blocked by the copyright holder, the clip would have to be sent to a human screener for evaluation. If it is longer than 30 seconds or does not appear in a transformative work, the clip would remain blocked. YouTube already has this process in place for screening pornography, ISIS videos and the like.

The ambiguous definition of fair use allows for its continued abuse, and this abuse has become a gateway for the further eroding of copyright law. By now it is well understood that the rise of tech monopolies such as YouTube and Google has hastened the decline of publishing industries. If we don’t move to safeguard copyright law now, there will be no new content to remix."