Wednesday, April 1, 2015

IT troubles plague Federal Copyright Office; NetworkWorld.com, 3/31/15

Michael Cooney, NetworkWorld.com; IT troubles plague Federal Copyright Office:
"A report out this week from the watchdogs at the Government Accountability Office points out a number of different technical and management woes that see to start at the top – with the CIO (a position that has a number of problems in its own right) and flows down to the technology, or lack-thereof.
As the nation’s copyright center it is imperative that it operate efficiently to effectively protect all manner of written and recorded material but according to the GAO it doesn’t.
And it is a big job. For example, according to the Copyright Office, which falls organizationally under the Library of Congress, in fiscal year 2014 it registered about 476,000 creative works for copyright, including about 219,000 literary works and 65,000 sound recordings and recorded 7,600 copyright records. In addition in fiscal year 2014 the office collected approximately $315 million in royalties and made disbursements in accordance with the decisions of the Copyright Royalty Board."

Citing ‘Greatest American Hero’ Case, Judge Rules ‘Three’s Company’ Parody Doesn’t Violate Copyright: Media; Deadline.com, 3/31/15

Jeremy Gerard, Deadline.com; Citing ‘Greatest American Hero’ Case, Judge Rules ‘Three’s Company’ Parody Doesn’t Violate Copyright: Media:
"In a significant free-speech victory, Loretta A. Preska, Chief United States District Court Judge for the Southern District of New York, ruled Tuesday that 3C, a play that parodies the 1970s sitcom Three’s Company, does not infringe on that copyrighted program. The ruling ends nearly three years of court tennis during which playwright David Adjmi was prohibited from publishing the script of his black comedy and pursuing new productions. And in her ruling, Judge Preska cites the famous Superman v. Greatest American Hero case still discussed today."

Tuesday, March 31, 2015

Roger L. Mayer, Pioneer of Film Preservation, Dies at 88; New York Times, 3/29/15

Sam Roberts, New York Times; Roger L. Mayer, Pioneer of Film Preservation, Dies at 88:
"Roger L. Mayer, a film executive who was instrumental in preserving and restoring countless classic movies and who also courted controversy by coloring some black-and-white ones, died on Tuesday in Los Angeles. He was 88...
At the 2005 Oscar ceremonies in Hollywood, the director Martin Scorsese, a leading advocate of saving films, presented Mr. Mayer with the Academy of Motion Picture Arts and Sciences’ Jean Hersholt Humanitarian Award in recognition of his chairmanship of the National Film Preservation Foundation, which has rescued more than 2,100 “orphaned” movies that were abandoned by their copyright holders. He also served on the Library of Congress’s National Film Preservation Board, which each year chooses 25 of what it calls “culturally, historically or aesthetically significant films” worth safeguarding."

Access denied: Reporters say federal officials, data increasingly off limits; Washington Post, 3/30/15

Paul Farhi, Washington Post; Access denied: Reporters say federal officials, data increasingly off limits:
"Tensions between reporters and public information officers — “hacks and flacks” in the vernacular — aren’t new, of course. Reporters have always wanted more information than government officials have been willing or able to give.
But journalists say the lid has grown tighter under the Obama administration, whose chief executive promised in 2009 to bring “an unprecedented level of openness” to the federal government.
The frustrations boiled over last summer in a letter to President Obama signed by 38 organizations representing journalists and press-freedom advocates. The letter decried “politically driven suppression of news and information about federal agencies” by spokesmen. “We consider these restrictions a form of censorship — an attempt to control what the public is allowed to see and hear,” the groups wrote.
They asked for “a clear directive” from Obama “telling federal employees they’re not only free to answer questions from reporters and the public, but actually encouraged to do so.”
Obama hasn’t acted on the suggestion. But his press secretary, Josh Earnest, defended the president’s record, noting in a letter to the groups that, among other things, the administration has processed a record number of Freedom of Information Act (FOIA) requests, established more protection for whistleblowers and posted White House visitor logs for the first time."

The White House’s first chief data scientist is no stranger to Washington; Washington Post, 3/29/15

Amrita Jayakumar, Washington Post; The White House’s first chief data scientist is no stranger to Washington:
"DJ Patil, who was named the nation’s first chief data scientist last month, shares credit for coining the term “data science.” He is the latest Silicon Valley transplant to join the Obama administration, working under former Google executive Megan Smith, the White House’s chief technology officer...
Q. What does the first chief data scientist do?
A. To me, the government says, “Okay, we have data, but how do we use that responsibly to create efficiencies, to create transparency, to unlock economic potential? How do we get that data to preserve American competitiveness and advance innovation?”
The mission of this role is an amplification of things that have been happening.
How will you achieve those goals?
There are three areas where we have the biggest chance to succeed in our mission...
The next one is open data. We’ve got data.gov [a Web site that features machine-readable government data], which has really changed the game. Think about the billions of dollars that rest on open data infrastructure. People do research on that data, that research turns into insight, that insight turns into wisdom and that wisdom is put back into models and scientific results. The foundation of all this is open data. How do we enhance that across-the-board?"

Saturday, March 28, 2015

Meerkat, Game of Thrones and a Brewing Copyright Nightmare; Natinonal Journal, 3/26/15

Kaveh Waddell, National Journal; Meerkat, Game of Thrones and a Brewing Copyright Nightmare:
"Meerkat, a weeks-old service that allows users to broadcast live video over the Internet via Twitter, is the app du jour. It hit the popularity jackpot at this month's South by Southwest festival in Austin, Texas. And political media have fallen in love with the prospect of live streaming every speech and candidate interaction for the next 18 months...
But as Meerkat tries to keep up with its exploding user base (Rubin says the app hit the 400,000-user mark Tuesday) it may be loping into a legal minefield. The same characteristics that make the app attractive to the hundreds of thousands of people who are downloading it—its ease of use and engaged users—make it perfect for another of the Internet's favorite pastimes: piracy.
Copyright infringement has been a problem since before the Internet existed, and every new generation of technology presents an easier, faster way to share movies and TV without paying."

EU announces plans to banish geo-blocking, modernize copyright law; Ars Technica, 3/271/5

Glyn Moody, Ars Technica; EU announces plans to banish geo-blocking, modernize copyright law:
"At the heart of the European Union lies the Single Market—the possibility for people to buy and sell goods and services anywhere in the EU. So it is ironic that the European sector least constrained by geography—the digital market—is also the least unified. To remedy that situation, the European Commission has announced its Digital Single Market Strategy, which addresses three main areas.
The first is "Better access for consumers and businesses to digital goods and services" and includes two of the thorniest issues: geo-blocking and copyright. As the EU's strategy notes, "too many Europeans cannot use online services that are available in other EU countries, often without any justification; or they are re-routed to a local store with different prices. Such discrimination cannot exist in a Single Market."
There is strong resistance to removing geo-blocking, particularly from copyright companies that have traditionally sold rights on a national basis and which therefore want geo-blocking to enforce that fragmentation."