U.S. Top Court to Examine How Government Agency Reviews Patents; Reuters via New York Times, 1/15/16

Reuters via New York Times; U.S. Top Court to Examine How Government Agency Reviews Patents:

"The U.S. Supreme Court will consider whether a federal agency's procedures have made it too easy to successfully cancel patents after agreeing on Friday to decide a case involving a vehicle speedometer that alerts drivers if they are speeding.

The nine justices will hear an appeal filed by Cuozzo Speed Technologies LLC, whose speedometer patent was invalidated in a U.S. Patent and Trademark Office review procedure after being challenged by GPS device maker Garmin Ltd in 2012.

Companies that are frequent targets of patent suits, including Apple Inc and Google Inc, have taken advantage of the patent office procedure, known as inter partes review (IPR), in unexpectedly high numbers since it was put in place in 2012.

These reviews allow anyone to challenge the validity of a patent far more cheaply and quickly than in a U.S. federal court.

The high court justices will now consider whether the patent office is improperly interpreting the patents that come before it in the reviews. Critics say this leads to a high rate of patent cancellations."

Fan-made ‘X-Men: Danger Room Protocols’ calls in the Sentinels; ComicBookResources.com, 1/19/16

Kevin Melrose, ComicBookResources.com; Fan-made ‘X-Men: Danger Room Protocols’ calls in the Sentinels:

"Wolverine and Jean Grey team up against the Sentinels in the premiere episode of the animated web series X-Men: Danger Room Protocols, a fan tribute to the 1990s cartoon and comics.

Announced earlier this month, the biweekly project by Joel Furtado is exactly as advertised: Classic X-Men are placed by Professor X into teams of two and put through their paces in the Danger Room.

Anne Frank's diary caught in fierce European copyright battle; Guardian, 1/18/16

Alison Flood, Guardian; Anne Frank's diary caught in fierce European copyright battle:

"In a letter to Ertzscheid sent in late December, the foundation asks him to “cease and desist” from making The Diary of a Young Girl available online, to “immediately” announce he was “misinformed” about the copyright in the diary, to compensate damages, and to pay €1,000 each day he does not comply with the instructions, or risk court proceedings.

Ertzscheid went ahead, however, describing it as a “gift”. “This first of January 2016, 70 years after the death of Anne Frank, because this is enough time and because it is legal, this diary, her diary, enters the public domain. It belongs to everyone. And it is up to each of us to weigh its importance,” he wrote."

Yosemite to Rename Several Iconic Places; Outside, 1/14/16

Christopher Solomon, Outside; Yosemite to Rename Several Iconic Places:

"The outgoing company also trademarked “Yosemite National Park” for merchandising purposes, said Gediman. Will you be able to buy a Yosemite T-shirt at the gift shop come March 1? “That’s something that remains to be determined,” he said.

The announcement is the latest drama in a long legal dispute between the park service and the concessionaire, DNC Parks & Resorts at Yosemite, Inc. And it comes as the agency kicks off the centennial celebration year of America’s national parks system—when the park service would rather be feting America’s parks, not painting over signs at one of its marquee locations.

The news angered some park watchers.

“It’s a really unfortunate situation where the National Park Service is being held hostage by a corporate concessionaire who clearly does not have the public interest at heart,” said Amy Trainer, executive director of the Environmental Action Committee of West Marin. “I think this is pretty outrageous that the park service, because of a 50-plus-million-dollar lawsuit, is forced to change these historic namesakes,” Trainer said. “It’s a tragedy.”...

The federal government might find some relief, however, in a law Congress passed in late 2014 that allows the government to keep a name that’s historically associated with a building or structure that is either on, or eligible, to be included on the National Register of Historic Places, says Sitzmann."

Before I Can Fix This Tractor, We Have to Fix Copyright Law; Future Tense, 1/13/16

Kyle Wiens, Future Tense; Before I Can Fix This Tractor, We Have to Fix Copyright Law:

"These hard-won exemptions last only until the next rulemaking. (That’s how unlocking your cellphone went from legal to illegal, before Congress stepped in.) In three years, proponents will have to find a way to do this all over again. This is not sustainable process—not for participants and not for the Copyright Office.

It’s time to level the playing field. Let’s make these exemptions less restrictive and shift the burden of proof a little. Instead of making supporters go to extreme lengths to show that an exemption is absolutely necessary, how about asking the opposition to show that an exemption is absolutely unnecessary? At the very least, Congress should remove the expiration date on exemptions. Once granted, exemptions should be permanent.

I’m a repairman. I recognize broken things when I see them. I got into this fight because I wanted to help people repair their broken stuff. Turns out, copyright law is the thing that was broken all along."

David Bowie Wasn't Just An Incredible Music Visionary, But An Internet & Business Model Visionary Too; Techdirt.com, 1/11/16

Mike Masnick, Techdirt.com; David Bowie Wasn't Just An Incredible Music Visionary, But An Internet & Business Model Visionary Too:

All the way back in 1996, he was the first major musician to release music only on the internet, launching the single for "Telling Lies" as a direct download off of his website, and announcing it in an online chat session. Yes, nearly 20 years ago, Bowie embraced internet distribution for his music."

European Union: European Commission On Harmonisation Of EU Copyright Rules; Mondaq.com, 1/11/16

Peter L'Ecluse and Thibaut D'hulst, Mondaq.com; European Union: European Commission On Harmonisation Of EU Copyright Rules:

"As announced in its 2016 Work Programme (See, VBB on Business Law, Volume 2015, No. 10, p. 15, available at www.vbb.com), the European Commission presented on 9 December 2015 its vision on a further harmonisation of EU copyright rules as part of its Digital Single Market Strategy (the "Communication"). To achieve a wide availability of creative contents across the European Union while maintaining a high level of protection for right holders, the European Commission considers it necessary to have a higher level of harmonisation and adapt copyright rules to new technological realities. To achieve this goal, the European Commission focuses on the following courses of action."