Showing posts with label Internet. Show all posts
Showing posts with label Internet. Show all posts

Wednesday, March 12, 2025

The Copyright Office takes on the sticky issue of artificial intelligence; Federal News Network, March 11, 2025

 Tom Temin, Federal News Network; The Copyright Office takes on the sticky issue of artificial intelligence

"Artificial intelligence raises storms of questions in every domain it touches. Chief among them, copyright questions. Now the U.S. Copyright Office, a congressional agency, has completed the second of two studies of AI and copyrights. This one deals with whether you can copyright outputs created using AI. Emily Chapuis, the Copyright Office’s deputy general counsel, joined the Federal Drive with Tom Temin to discuss...

Emily Chapuis: Yeah. That’s right. So we don’t recommend in the report that Congress take any action. And the reason for this is we think that copyright law is sufficiently flexible to deal with changes in technology. And that’s not just based on AI, but on the entire history of copyright law, has had to deal with these questions, whether it’s the development of the camera or the internet. The questions about copyright ability are always on a case-by-case basis. And the technology that’s used and how it’s used and what it’s used for are important elements of that. But the sort of defining legal principles aren’t different in this context than in those other ones.

Tom Temin: Right. So the human input idea then is kind of an eternal for copyright. How do you decide that? Is it a percentage of human input? Because the machine does a lot here. But you could say, ‘Well, the camera did a lot when it opened and closed the shutter and exposed silver halide. And then there was a machine process to produce that image. But it was the selection, the timing, the decisive moment.’ To quote Henri Cartier-Bresson, another French photographer. That’s really the issue here. The human input and not the machine input.

Emily Chapuis: Yeah, that’s right. And it’s hard to parse. I mean, we’ve had people ask, so what’s the percentage that has to be human created? And there’s not a clear answer to that, again, because it’s case by case. But also the question isn’t really amount as much as it is control. So who’s controlling the expression. And so one of the things that we try to explain is that even the same technology can be used in a variety of different ways. So you can use generative AI technology as a tool assistive to enhance the human expression or you can use it as a substitute for human expression. And so control is sort of the bottom line in terms of what we’re looking at to draw that distinction."

Monday, June 12, 2017

The Internet Is Where We Share — and Steal — the Best Ideas; New York Times, June 6, 2017

Jenna Wortham, New York Times; The Internet Is Where We Share — and Steal — the Best Ideas

"In April, a photograph of Rihanna and Lupita Nyong’o taken at a Miu Miu fashion show three years ago began recirculating online. Their friendly body language and chic clothes (Rihanna wore thigh-highs, fur and leather; Lupita a plum jacket with a jeweled collar) caught the imagination of the internet. A Twitter user named @1800SADGAL suggested that “Rihanna looks like she scams rich white men and Lupita is the computer-smart best friend that helps plan” the scams. People began talking about an “Ocean’s 11”-type film written by and starring black women. Issa Rae was nominated to write the script and Ava DuVernay to direct. All four women chimed in on Twitter, announcing their support, though what that meant seemed unclear. Like any other online frenzy, it disappeared after a few days.

But a few weeks later, Entertainment Weekly reported that the social-media fantasy was actually coming to life: Netflix beat out several bidders at Cannes to buy the concept, which could go into production as early as next year. Viewed one way, this is a tale about how the web has collapsed the distance between audience and creator. But it also raises questions about ownership in the digital age."

Tuesday, January 12, 2016

David Bowie Wasn't Just An Incredible Music Visionary, But An Internet & Business Model Visionary Too; Techdirt.com, 1/11/16

Mike Masnick, Techdirt.com; David Bowie Wasn't Just An Incredible Music Visionary, But An Internet & Business Model Visionary Too:
All the way back in 1996, he was the first major musician to release music only on the internet, launching the single for "Telling Lies" as a direct download off of his website, and announcing it in an online chat session. Yes, nearly 20 years ago, Bowie embraced internet distribution for his music."

Monday, November 24, 2008

Film studios to become 'police, judge, executioner', Sydney Morning Herald, 11/24/08

Via Sydney Morning Herald: Film studios to become 'police, judge, executioner':

"ISPs argue that, like Australia Post with letters, they are just providing a service and should not be forced to become copyright police.

Conversely, the TV and movie industry want ISPs to disconnect people it has identified as repeat infringers. There would be no involvement from police or the courts and the industry would simply provide the IP addresses of users they believe to be illegal downloaders.

"To shift the burden of proof and require that ISPs terminate access to users upon mere allegations of infringement would be incredibly harmful to individual internet users in Australia," the online users lobby group Electronic Frontiers Australia said.

"Every citizen has a right of due process under the law and, when faced with having their internet service terminated, every citizen has the right to ask that the case against them be proven first.""

http://www.smh.com.au/news/technology/biztech/film-studios-to-become-police-judge-executioner/2008/11/24/1227491443731.html

Wednesday, November 19, 2008

Billion Dollar Charlie vs. the RIAA, Boston Globe, 11/18/08

Via Boston Globe: Billion Dollar Charlie vs. the RIAA:

"[Charles] Nesson and his [Harvard Law School] students have decided to "litigate in the court of public opinion," as well as in the courtroom, and they are putting on quite a show. Legally, they are arguing that the RIAA is using civil litigation to punish alleged criminal activity, which they say violates the Constitution. Moreover, Nesson et al have posted all manner of fascinating materials at the CyberOne website of Harvard's Berkman Center for Internet and Society."

http://www.boston.com/lifestyle/articles/2008/11/18/billion_dollar_charlie_vs_the_riaa/

Monday, October 13, 2008

Web radio founder visits here to explain Pandora - Pittsburgh Post-Gazette, 10/13/08

Web radio founder visits here to explain Pandora:

"Pandora founder and chief strategy officer Tim Westergren will be in town tomorrow to talk to Pandora listeners about the service. The meet-up will be held at the SouthSide Works Cinema at 7 p.m. Admission is free, and the event is open to anyone who wants to learn more about Pandora...

Westergren has been one of the most vocal Webcasters leading the charge in the ongoing battle to reduce per-song-played copyright fees Webcasters are now required to pay to record labels. The increased fees for streaming music online were set by the Copyright Royalty Board last year.

Commercial radio only pays royalties to composers and not to artists or record companies."
http://www.post-gazette.com/pg/08287/919482-28.stm