Friday, February 5, 2016

[Press Release] WVU Press and Libraries launch open access reader on West Virginia history, 1/15/16

[Press Release] WVU Press and Libraries launch open access reader on West Virginia history:
"West Virginia University Press and the WVU Libraries have launched West Virginia History: An Open Access Reader, a free, online collection of previously published essays drawn from the journal West Virginia History and other WVU Press publications.
The collection covers the history of the territory that became West Virginia from European settlement to mountaintop removal, and is especially suitable for use in courses on state history. It is available at https://textbooks.lib.wvu.edu/index.html.
“I love everything about this project – serving the needs of students, sharing the history of West Virginia, harnessing the power of technology, and collaborating between West Virginia University and Marshall,” WVU President Gordon Gee said. “This is the kind of responsive and innovative work that we want to become the ‘new normal’ for higher education in meeting the needs of our state.”"

African Avengers: the comic book creators shaking up superhero genre; Guardian, 2/3/16

David Barnett, Guardian; African Avengers: the comic book creators shaking up superhero genre:
"“I don’t think Africa and Africans are well represented in mainstream western comics. That is why we are here ... to give us a place in this genre and to show the world what Africans are capable of.”
Interestingly, half the digital downloads from Comic Republic come from outside Africa – specifically, the US and the UK. Martin says the general response has been “amazing” and adds, “Africa and the world in general has welcomed us with open arms and we are grateful."...
And could the rise of the African comic industry also herald a sea-change in the way the continent is portrayed in mainstream comics over here? It wouldn’t be that difficult, according to Richardson. “We live in an information age,” she says. “Go out and do a little damn reading. No one is keeping that from you. But this is a great opportunity for someone to tap into a narrative not yet being utilised. I notice fictional media and entertainment in general, will paint a very one-sided representation of African countries and its people. I imagine the world would have an obscured view of the United States if all that was ever seen of its people were the ghettos, the impoverished, the starving and the vitriolic, you’d probably not want to visit."

Cops will adapt big data platform to secure Super Bowl; FedScoop.com, 2/5/16

Alex Koma, FedScoop.com; Cops will adapt big data platform to secure Super Bowl:
"Law enforcement agents and first responders in Northern California are turning to some software that harnesses the power of data to help keep fans safe at the Super Bowl, one of the most daunting security challenges of the year.
The state first started using the program last year — known as the “California Common Operating Picture” and powered by Haystax Technology’s “Constellation” analytics platform — and now law enforcement agencies of all shapes and sizes are preparing to use it to collect thousands of pieces of data about potential threats ahead of the big matchup in Santa Clara’s Levi’s Stadium.
In a briefing here at Haystax’s headquarters, Chief Technology Officer Bryan Ware laid out just how federal, state and local agents across the region have been using the system to keep a close eye on potential trouble makers and targets ahead of the Super Bowl, and how 13 different monitoring centers run by various government agencies will use it the night of the game to stay ahead of any security concerns."

Wednesday, February 3, 2016

If China Ever Uses Copyright to Censor Tank Man, It Will Be America’s Fault; Motherboard, 2/1/16

Sarah Jeong, Motherboard; If China Ever Uses Copyright to Censor Tank Man, It Will Be America’s Fault:
"Imagine a future where news agencies, historical archives, academic resources, and humanitarian organizations across the world all receive the same US Digital Millennium Copyright Act (DMCA) notice, sent by a Chinese firm: Take down the Tank Man photo, or be sued for copyright infringement.
There is perhaps no better-known image associated with the 1989 Tiananmen Square massacre: an unknown man in a white shirt and black trousers, grasping a bag in one hand, stands in front of a line of tanks, halting their progress.
Tank Man is a subversive image for the Chinese government, and for internet users in that the country, the photo—like many other references to the 1989 protests—has been censored by the authorities. It would be insanity if copyright were used to expand that censorship beyond China’s borders, but thanks to the United States copyright lobby, this absurd hypothetical is a little more realistic than you’d expect.
There’s more than one photograph of Tank Man, but for such a long, momentous stand-off, the photographs are surprisingly few. At least one of these photographs now belongs to Visual China Group, which purchased it from none other than Bill Gates himself, included inside of a massive bundle of copyrights to “historic news, documentary, and artistic images” that includes images of the Tiananmen Square protests.
Visual China Group has announced a partnership with Getty to license the images, so censorship doesn’t look like it’s in the cards."

Tuesday, February 2, 2016

Out of a Rare Super Bowl I Recording, a Clash With the N.F.L. Unspools; New York Times, 2/2/16

Richard Sandomir, New York Times; Out of a Rare Super Bowl I Recording, a Clash With the N.F.L. Unspools:
"Haupt owns the recording but not its content, which belongs to the N.F.L. If the league refuses to buy it, he cannot sell the tapes to a third party, like CBS or a collector who would like to own a piece of sports history that was believed to be lost. He would like to persuade the league to sell the tapes jointly and donate some of the proceeds to their favorite charities. His mother said that she would give some of her share of the sale to the Wounded Warrior Project.
“They’re not doing anybody any good sitting in a vault,” he said. “Let’s help some great charities.”
But that is unlikely to happen. A letter from the league to Harwood last year provided a sharp warning to Haupt. “Since you have already indicated that your client is exploring opportunities for exploitation of the N.F.L.’s Super Bowl I copyrighted footage with yet-unidentified third parties,” Dolores DiBella, a league counsel, wrote, “please be aware that any resulting copyright infringement will be considered intentional, subjecting your client and those parties to injunctive relief and special damages, among other remedies.”
The law favors the league, said Jodi Balsam, a professor at Brooklyn Law School.
“What the league technically has is a property right in the game information and they are the only ones who can profit from that,” said Balsam, a former N.F.L. lawyer."

At Berkeley, a New Digital Privacy Protest; New York Times, 2/1/16

Steve Lohr, New York Times; At Berkeley, a New Digital Privacy Protest:
"While some of the professors criticize the monitoring program as one that invades their privacy, the University of California has responded that “privacy perishes in the absence of security.”
It’s part of the larger challenge that fast-moving technology poses for social values. Every day, corporations, government agencies and universities must balance the need for computer security with the expected right to privacy of the people who use their networks. In different settings, there are different rules, expectations and levels of threat.
“We’re really just starting to sort out the risks and rules for digital security and data collection and use,” said Elana Zeide, a privacy expert at New York University’s Information Law Institute."

Adele tells Donald Trump to stop pinching her songs for his campaign; Guardian, 2/1/16

Mark Tran and Amber Jamieson, Guardian; Adele tells Donald Trump to stop pinching her songs for his campaign:
"Was there anything artists could do to make sure someone with completely different political views to them stays away from their music?
“Not really,” said Gordon."