Cultural barbarism: How AI companies are destroying the world’s books; The Telegraph, July 30, 2026

Chris Stokel-Walker , The Telegraph; Cultural barbarism: How AI companies are destroying the world’s books

In its attempt to boost AI’s power, Silicon Valley is buying millions of rare editions, scanning them and then shredding the originals

Archiving with AI; Library Journal, June 8, 2026

 Matt Enis, Library Journal; Archiving with AI

"AI companies are offering some libraries funding for digitization projects, but archives and special collections are working through how to manage projects responsibly

“Imagine a world where you know things but cannot say where you learned them,” begins “Memory Without Origin,” a paper published in April by University of Virginia (UVA) Dean of Libraries and University Librarian Leo S. Lo. This isn’t a hypothetical question, Lo notes, it’s a predictable consequence if libraries allow generative artificial intelligence (AI) to ingest archival materials as training data without requiring provenance conditions. And libraries, which could always use funding for projects involving digitization, special collections, and archives, are being approached by AI companies with deep pockets.

“They’ve been approaching a lot of larger research libraries, including Oxford and many more,” Lo tells LJ. (Oxford’s Bodleian Libraries began a digitization pilot project funded by ChatGPT maker OpenAI last year.) “Usually the offer is: they will pay you to digitize materials—which we want, because we want to make them more accessible—and in return, depending on the deal…they would like to have the data to train their AI models.”

These partnerships can benefit both parties, but for libraries, the consequences of getting these arrangements wrong “are more permanent than anything the profession has previously encountered,” Lo writes. “Once archival materials are absorbed into foundation model weights, no subsequent institutional action can remove them from the model.” If proper care isn’t taken, that information becomes unmoored from its former context within an archive."

A bonanza for fans of the natural world: the digital library sharing 64m pages of scientific knowledge with everyone; The Guardian, June 18, 2026

Donna Ferguson, The Guardian; A bonanza for fans of the natural world: the digital library sharing 64m pages of scientific knowledge with everyone

"Over the past 20 years, more than 64m pages have been made freely available through the Biodiversity Heritage Library (BHL) – a digital treasure trove for fans of the natural world. More than 680 museums, universities, libraries and scientific institutions from China, Singapore, Australia and New Zealand to Europe, Africa, Mexico, Canada and the US, have contributed to the library.

This week, a report from Royal Botanic Gardens (RBG), Kew revealed the crucial role digitisation is playing in “transforming our ability to understand and respond to the climate and biodiversity crises”, but it was the creation of the BHL 20 years ago that first demonstrated how bringing centuries of scientific knowledge online can unlock transformative discoveries and insights about the natural world.

David Iggulden, who chairs the BHL executive committee alongside his job as head of data and digital, library and archives at RBG Kew, describes the library as an invaluable and “absolutely essential” resource for scientists in the field. But it is also used by scientific researchers, environmental historians, educators, art historians, artists, citizen scientists and members of the public who – like Iggulden – simply enjoy browsing its contents on a rainy weekend.

“I just get caught up in it sometimes, looking at the various collections,” he says. “I think it’s amazing that we can explore such a vast array of different collections from very different institutions.”

As well as published biodiversity literature and journals, there are letters, illustrations, climate records, field diaries, ecosystem profiles, distribution records and manuscripts containing the original collecting stories of a particular species or detailing voyages of discovery."

Lost copy of seventh-century poem in Old English discovered at Rome library; The Guardian, April 29, 2026

 Rory Carroll , The Guardian; Lost copy of seventh-century poem in Old English discovered at Rome library

"“This discovery is a testament to the power of libraries to facilitate new research by digitising their collections and making them freely available online,” she said.

Andrea Cappa, head of manuscripts and rare books at the Rome library, said the institution was digitising holdings from Italy’s National Centre for the Study of the Manuscript, which will give researchers access to more than 40m images.

Riccardo Fangarezzi, head of archives at the abbey in Nonantola, said he looked forward to further discoveries. “The present times may be rather dark, yet such intellectual contributions are genuine rays of sunlight: the continent is less isolated,” he said.

The poet Paul Muldoon translated Caedmon’s Hymn into contemporary English in a 2016 anthology of British poetry. The opening lines read:

“Now we must praise to the skies, the Keeper of the heavenly kingdom,

The might of the Measurer, all he has in mind,

The work of the Father of Glory, of all manner of marvel.”"

Boston Public Library aims to increase access to a vast historic archive using AI; NPR, August 11, 2025

 Chloe Veltman, NPR ; Boston Public Library aims to increase access to a vast historic archive using AI

"Boston Public Library, one of the oldest and largest public library systems in the country, is launching a project this summer with OpenAI and Harvard Law School to make its trove of historically significant government documents more accessible to the public.

The documents date back to the early 1800s and include oral histories, congressional reports and surveys of different industries and communities...

Currently, members of the public who want to access these documents must show up in person. The project will enhance the metadata of each document and will enable users to search and cross-reference entire texts from anywhere in the world. 

Chapel said Boston Public Library plans to digitize 5,000 documents by the end of the year, and if all goes well, grow the project from there...

Harvard University said it could help. Researchers at the Harvard Law School Library's Institutional Data Initiative are working with libraries, museums and archives on a number of fronts, including training new AI models to help libraries enhance the searchability of their collections. 

AI companies help fund these efforts, and in return get to train their large language models on high-quality materials that are out of copyright and therefore less likely to lead to lawsuits. (Microsoft and OpenAI are among the many AI players targeted by recent copyright infringement lawsuits, in which plaintiffs such as authors claim the companies stole their works without permission.)"

Column: A Faulkner classic and Popeye enter the public domain while copyright only gets more confusing; Los Angeles Times, December 31, 2024

Michael Hiltzik , Los Angeles Times; Column: A Faulkner classic and Popeye enter the public domain while copyright only gets more confusing

"The annual flow of copyrighted works into the public domain underscores how the progressive lengthening of copyright protection is counter to the public interest—indeed, to the interests of creative artists. The initial U.S. copyright act, passed in 1790, provided for a term of 28 years including a 14-year renewal. In 1909, that was extended to 56 years including a 28-year renewal.

In 1976, the term was changed to the creator’s life plus 50 years. In 1998, Congress passed the Copyright Term Extension Act, which is known as the Sonny Bono Act after its chief promoter on Capitol Hill. That law extended the basic term to life plus 70 years; works for hire (in which a third party owns the rights to a creative work), pseudonymous and anonymous works were protected for 95 years from first publication or 120 years from creation, whichever is shorter.

Along the way, Congress extended copyright protection from written works to movies, recordings, performances and ultimately to almost all works, both published and unpublished.

Once a work enters the public domain, Jenkins observes, “community theaters can screen the films. Youth orchestras can perform the music publicly, without paying licensing fees. Online repositories such as the Internet Archive, HathiTrust, Google Books and the New York Public Library can make works fully available online. This helps enable both access to and preservation of cultural materials that might otherwise be lost to history.”"

KATHLEEN HANNA, TEGAN AND SARA, MORE BACK INTERNET ARCHIVE IN $621 MILLION COPYRIGHT FIGHT; Rolling Stone, December 9, 2024

 JON BLISTEIN, Rolling Stone; KATHLEEN HANNA, TEGAN AND SARA, MORE BACK INTERNET ARCHIVE IN $621 MILLION COPYRIGHT FIGHT

"Kathleen Hanna, Tegan and Sara, and Amanda Palmer are among the 300-plus musicians who have signed an open letter supporting the Internet Archive as it faces a $621 million copyright infringement lawsuit over its efforts to preserve 78 rpm records...

The lawsuit was brought last year by several major music rights holders, led by Universal Music Group and Sony Music. They claimed the Internet Archive’s Great 78 Project — an unprecedented effort to digitize hundreds of thousands of obsolete shellac discs produced between the 1890s and early 1950s — constituted the “wholesale theft of generations of music,” with “preservation and research” used as a “smokescreen.” (The Archive has denied the claims.)

While more than 400,000 recordings have been digitized and made available to listen to on the Great 78 Project, the lawsuit focuses on about 4,000, most by recognizable legacy acts like Billie Holiday, Frank Sinatra, Elvis Presley, and Ella Fitzgerald. With the maximum penalty for statutory damages at $150,000 per infringing incident, the lawsuit has a potential price tag of over $621 million. A broad enough judgement could end the Internet Archive.

Supporters of the suit — including the estates of many of the legacy artists whose recordings are involved — claim the Archive is doing nothing more than reproducing and distributing copyrighted works, making it a clear-cut case of infringement. The Archive, meanwhile, has always billed itself as a research library (albeit a digital one), and its supporters see the suit (as well as a similar one brought by book publishers) as an attack on preservation efforts, as well as public access to the cultural record."

Copyright Office Launches Digitized Copyright Historical Record Books Collection; U.S. Copyright Office, February 7, 2022

U.S. Copyright Office; Copyright Office Launches Digitized Copyright Historical Record Books Collection

"The Copyright Office today launched the first release of the digitized Copyright Historical Record Books Collection. “The Copyright Office holds the world’s most comprehensive collection of records of copyright ownership,” said Register of Copyrights Shira Perlmutter. “Today’s release of the first batch of our digitized historical record books will ensure that these records are preserved for future research and that anyone can access them from anywhere.”

This collection is a preview of digitized versions of historical record books that the Office plans to incorporate into its Copyright Public Record System (CPRS), currently in public pilot. The collection will eventually include images of copyright applications and other records bound in books dating from 1870 to 1977. This first release includes 500 record books containing registration applications for books from 1969 to 1977, with a majority of the record books being the most recent volumes from 1975 to 1977. The collection is being digitized using the Copyright Office’s internal administrative classification system in reverse chronological order. There will be periodic updates as record books are digitized and added to the collection."

Internet Archive to Publishers: Drop ‘Needless’ Copyright Lawsuit and Work with Us; Publishers Weekly, July 23, 2020

Andrew Albanese, Publishers Weekly; Internet Archive to Publishers: Drop ‘Needless’ Copyright Lawsuit and Work with Us

"During a 30-minute Zoom press conference on July 22, Internet Archive founder Brewster Kahle urged the four major publishers suing over the organization’s book scanning efforts to consider settling the dispute in the boardroom rather than the courtroom.

“Librarians, publishers, authors, all of us should be working together during this pandemic to help teachers, parents, and especially students,” Kahle implored. “I call on the executives of Hachette, HarperCollins, Wiley, and Penguin Random House to come together with us to help solve the challenging problems of access to knowledge during this pandemic, and to please drop this needless lawsuit.”

Kahle’s remarks came as part of a panel, which featured a range of speakers explaining and defending the practice of Controlled Digital Lending (CDL), the legal theory under which the Internet Archive has scanned and is making available for borrowing a library of some 1.4 million mostly 20th century books."

Reforming Digital Lending Libraries and the End of the Internet Archive; Jurist, July 20, 2020

Binit Agrawal, Jurist; Reforming Digital Lending Libraries and the End of the Internet Archive

"The lack of certainty relating to the legality of CDL as fair use is hampering its growth by creating a chilling effect. Libraries are under the fear of costly litigations. IA itself is under the risk of bankruptcy, as the publishers are not inclined to take back their suit, even after IA stopped ELP. This is the very problem section 108 intended to resolve. Hence, it is pertinent that the section is amended to meet the needs of the digital age and provide certainty in this regard. Some countries have already moved in this direction. While Canada has permitted a limited right to provide digitized copies to patrons of other libraries, the EU has been considering proposals to allow digitization of cultural heritage institutions, including libraries."

National Library of Israel to open access to 2,500 rare Islamic books; Jerusalem Post, June 8, 2020

Jerusalem Post Staff, Jerusalem Post; National Library of Israel to open access to 2,500 rare Islamic books

"The National Library of Israel, in coordination with the Arcadia Fund, has announced a major initiative to open digital access to over 2,500 rare Islamic manuscripts and books, according to a press release from library on Monday. 

With the aid of a grant from Arcadia, a charitable fund of Lisbet Rausing and Peter Baldwin, the National Library's opening of access will include the digitization and uploading of high-resolution images of books and manucripts, improving item descriptions in Arabic and English  and the development of an English-Hebrew-Arabic digital platform."

Smithsonian Releases 2.8 Million Images Into Public Domain; Smithsonian Magazine, February 25, 2020

Katherine J. Wu , Smithsonian Magazine; Smithsonian Releases 2.8 Million Images Into Public Domain

"For the first time in its 174-year history, the Smithsonian has released 2.8 million high-resolution two- and three-dimensional images from across its collections onto an open access online platform for patrons to peruse and download free of charge. Featuring data and material from all 19 Smithsonian museums, nine research centers, libraries, archives and the National Zoo, the new digital depot encourages the public to not just view its contents, but use, reuse and transform them into just about anything they choose—be it a postcard, a beer koozie or a pair of bootie shorts.

And this gargantuan data dump is just the beginning. Throughout the rest of 2020, the Smithsonian will be rolling out another 200,000 or so images, with more to come as the Institution continues to digitize its collection of 155 million items and counting...

The database’s launch also marks the latest victory for a growing global effort to migrate museum collections into the public domain. Nearly 200 other institutions worldwide—including Amsterdam’s Rijksmuseum, New York’s Metropolitan Museum of Art and the Art Institute of Chicago—have made similar moves to digitize and liberate their masterworks in recent years. But the scale of the Smithsonian’s release is “unprecedented” in both depth and breadth, says Simon Tanner, an expert in digital cultural heritage at King’s College London.

Spanning the arts and humanities to science and engineering, the release compiles artifacts, specimens and datasets from an array of fields onto a single online platform."

Torching the Modern-Day Library of Alexandria: "Somewhere at Google there is a database containing 25 million books and nobody is allowed to read them."; The Atlantic, April 20, 2017

James Somers, The Atlantic; Torching the Modern-Day Library of Alexandria: "Somewhere at Google there is a database containing 25 million books and nobody is allowed to read them."

"After the settlement failed, Clancy told me that at Google “there was just this air let out of the balloon.” Despite eventually winning Authors Guild v. Google, and having the courts declare that displaying snippets of copyrighted books was fair use, the company all but shut down its scanning operation.

It was strange to me, the idea that somewhere at Google there is a database containing 25-million books and nobody is allowed to read them. It’s like that scene at the end of the first Indiana Jones movie where they put the Ark of the Covenant back on a shelf somewhere, lost in the chaos of a vast warehouse. It’s there. The books are there. People have been trying to build a library like this for ages—to do so, they’ve said, would be to erect one of the great humanitarian artifacts of all time—and here we’ve done the work to make it real and we were about to give it to the world and now, instead, it’s 50 or 60 petabytes on disk, and the only people who can see it are half a dozen engineers on the project who happen to have access because they’re the ones responsible for locking it up."

Lou Reed Archives Head to New York Public Library; New York Times, March 2, 2017

Ben Sisario, New York Times; 

Lou Reed Archives Head to New York Public Library

"Ms. Anderson said that the library’s mandate of making its collections available to the public was central to her decision to place the archive there. But she also felt that it all simply belonged in New York.

“Lou is kind of Mr. New York,” Ms. Anderson said. “This is the city he loved the most. It doesn’t make any sense for him to be anywhere else. Then, what’s the best place in New York? This is the best place in New York.”

She also giggled a little, and made a mock librarian’s shush, as she added: “I just love that somebody who is so loud is in the New York Public Library.”"

Librarians, Archivists, Call On WIPO Members To Create Safe Harbour Against Copyright Liability; Intellectual Property Watch, 11/18/16

Catherine Saez, Intellectual Property Watch; Librarians, Archivists, Call On WIPO Members To Create Safe Harbour Against Copyright Liability:

"The age of digitisation has opened new doors to distribution of information including for libraries and archives. However, librarians and archivists are often confronted with risk of liability for copyright infringement, nationally and in cross-border activities. This week, they asked the World Intellectual Property Organization copyright committee to provide them not only with some exceptions to copyright, but with protection against liability.

The WIPO Standing Committee on Copyright and Related Rights (SCCR) is taking place from 14-18 November. On the SCCR agenda is copyright exceptions and limitations for libraries and archives. On 17 November, librarians and archivists took the floor to explain why an international standard protecting them against liability is indispensable."

Christmas Tree Candles and Candle Holders - Web’s Largest Gallery of Historic Patents Shows How We Used To Decorate Our Trees; Huffington Post, 11/25/16

Tom Conrad, Huffington Post; Christmas Tree Candles and Candle Holders - Web’s Largest Gallery of Historic Patents Shows How We Used To Decorate Our Trees:

'Decorating with Christmas tree candles was in its commercial prime for about 50 years — from roughly 1870, gradually tapering off through the 1920s and 30s, although the U.S. Patent Office was still awarding patents for Christmas tree candle holders as late as 1945.

Studying patent drawings and reading the filings from the U.S. Patent Office is a good way to trace the design developments and get a feel for how the Christmas tree candle holders evolved through the years before they were overtaken by electric Christmas tree lights. The following selection is excerpted from our online Gallery of Christmas Tree Candle Holder Patents, which is the largest collection available on the web. Check out the gallery and see varieties of Christmas tree candle holders, clips and pendulums that are available to buy online."

Libraries, Orphan Works, and the Future of Copyright; Information Today, 10/4/16

Nancy K. Herther, Information Today; Libraries, Orphan Works, and the Future of Copyright:

"Harvard Library recently released a comprehensive literature review on orphan works and copyright in “an attempt to solve the legal complexities of the orphan works problem by identifying no-risk or low-risk ways to digitize and distribute orphan works under U.S. copyright law. The project’s goal is to help clear the way for U.S. universities, libraries, archives, museums, and other cultural institutions to digitize their orphan works and make the digital copies open access.”

The review, “Digitizing Orphan Works: Legal Strategies to Reduce Risks for Open Access to Copyrighted Orphan Works,” was written by David Hansen, clinical assistant professor of law and faculty research librarian at the UNC (University of North Carolina) School of Law. Its goal is to “change the face of the orphan-works problem in the United States.”"

[Press Release] WVU Press and Libraries launch open access reader on West Virginia history, 1/15/16

[Press Release] WVU Press and Libraries launch open access reader on West Virginia history:

"West Virginia University Press and the WVU Libraries have launched West Virginia History: An Open Access Reader, a free, online collection of previously published essays drawn from the journal West Virginia History and other WVU Press publications.

The collection covers the history of the territory that became West Virginia from European settlement to mountaintop removal, and is especially suitable for use in courses on state history. It is available at https://textbooks.lib.wvu.edu/index.html.

“I love everything about this project – serving the needs of students, sharing the history of West Virginia, harnessing the power of technology, and collaborating between West Virginia University and Marshall,” WVU President Gordon Gee said. “This is the kind of responsive and innovative work that we want to become the ‘new normal’ for higher education in meeting the needs of our state.”"

Unpublished Black History; New York Times, 2/1/16

Rachel L. Swarns, Darcy Eveleigh, and Damien Cave, New York Times; Unpublished Black History:

"Hundreds of stunning images from black history, drawn from old negatives, have long been buried in the musty envelopes and crowded bins of the New York Times archives.

None of them were published by The Times until now.

Were the photos — or the people in them — not deemed newsworthy enough? Did the images not arrive in time for publication? Were they pushed aside by words here at an institution long known as the Gray Lady?...

Every day during Black History Month, we will publish at least one of these photographs online, illuminating stories that were never told in our pages and others that have been mostly forgotten...

Many of these photographs, and their stories, are equally intriguing. But the collection is far from comprehensive. There are gaps, for many reasons."

New York Public Library Invites a Deep Digital Dive; New York Times, 1/6/16

Jennifer Schuessler, New York Times; New York Public Library Invites a Deep Digital Dive:

"But the game is what you might call a marketing teaser for a major redistribution of property, digitally speaking: the release of more than 180,000 photographs, postcards, maps and other public-domain items from the library’s special collections in downloadable high-resolution files — along with an invitation to users to grab them and do with them whatever they please.

Digitization has been all the rage over the past decade, as libraries, museums and other institutions have scanned millions of items and posted them online. But the library’s initiative (nypl.org/publicdomain), which goes live on Wednesday, goes beyond the practical questions of how and what to digitize to the deeper one of what happens next...

A growing number of institutions have been rallying under the banner of “open content.” While the library’s new initiative represents one of the largest releases of visually rich material since the Rijksmuseum in Amsterdam began making more than 200,000 works available in high-quality scans free of charge in 2012, it’s notable for more than its size.

“It’s not just a data dump,” said Dan Cohen, the executive director of the Digital Public Library of America, a consortium that offers one-stop access to digitized holdings from more than 1,300 institutions.

The New York Public has “really been thinking about how they can get others to use this material,” Mr. Cohen continued. “It’s a next step that I would like to see more institutions take.”

Most items in the public-domain release have already been visible at the library’s digital collections portal. The difference is that the highest-quality files will now be available for free and immediate download, along with the programming interfaces, known as APIs, that allow developers to use them more easily."