"The EpiPen, an easy-to-use injectable shot filled with medicine that can stop a life-threatening allergic reaction, has increased in price from about $100 for a pack of two pens in 2009 to over $600 this year. Pharmaceutical company Mylan purchased the rights to the pen back in 2007, and it appears that they’ve taken a page from “pharma bro” Martin Shkreli and re-priced their newly acquired product. That is, they’ve spiked prices for no apparent research and development reason related to the product, except perhaps to make up for the tens of millions of dollars they’ve spent on TV commercials to promote it, reports CBS news. The price spike also coincides with the recall of one of EpiPen’s competitors, the Auvi-Q from the pharmaceutical company Sanofi US. The company recalled their pen in October because of inaccurate dosage issues... Pharmaceutical watchdogs and politicians have weighed in on the price hike, pushing back on Mylan’s pricing scheme and calling for competitors to enter the market."
My Bloomsbury book "Ethics, Information, and Technology" was published on Nov. 13, 2025. Purchases can be made via Amazon and this Bloomsbury webpage: https://www.bloomsbury.com/us/ethics-information-and-technology-9781440856662/
Friday, August 19, 2016
EpiPen’s 500 Percent Price Hike Leaves Patients Scrambling; Huffington Post, 8/18/16
Anna Almendrala, Huffington Post; EpiPen’s 500 Percent Price Hike Leaves Patients Scrambling:
The Downfall Of Invention: A Broken Patent System; Huffington Post, 8/16/16
Tahir Amin, Huffington Post; The Downfall Of Invention: A Broken Patent System:
"The cost of dozens of brand-name drugs have nearly doubled in just the past five years. Public outrage over drug prices extends from Capitol Hill to the presidential candidates to patients. In response, pharmaceutical executives are spending more on lobbying and marketing. Yet for all this attention, most of the proposed solutions for reducing prescription drug costs—tougher negotiations, appeals for transparent R&D costs or investigations into insurers—miss one of the primary sources of the problem: the way we award patents. Today, too many drug makers receive patents for unmerited and unjust reasons... Not surprisingly, the pharma industry employs a variety of stall tactics that make it virtually impossible for affordable, generic drugs to enter the U.S. market. In what’s called “pay-for-delay,” for example, patent owners pay off generic manufacturers to wait before entering the market, a practice that could violate antitrust laws... It’s time to restore the U.S. patent system to its original purpose – to protect and incentivize invention, not innovation."
Monday, August 15, 2016
WATCH: X-MEN BATTLE THE AVENGERS IN EPIC SUPERCUT TRAILER; Comic Book Resources, 8/15/16
Marykate Jasper, Comic Book Resources; WATCH: X-MEN BATTLE THE AVENGERS IN EPIC SUPERCUT TRAILER:
[Some graphic language; NSFW]
"While comics readers got to see these teams fight in 2012's "Avengers Vs. X-Men" event and a number of other series, the cinematic universes have been kept separate due to Disney and Fox's competing rights. Thanks to this supercut, fans can experience a glimpse at the super-powered showdown they may never get to see on the big screen, featuring Storm taking on Iron Man, Wolverine challenging the Hulk, Jean Grey facing Scarlet Witch, and more!"
Labels:
Avengers,
copyright,
Disney,
fair use,
fan fiction,
fan-made mashup film trailer,
Fox,
Marvel,
Remix,
X-Men
Sunday, August 14, 2016
Fan-fiction writers can't help wondering what if?; Pittsburgh Post-Gazette, 8/14/16
Atiya Irvin-Mitchell, Pittsburgh Post-Gazette; Fan-fiction writers can't help wondering what if? :
"What if Harry Potter’s parents lived? What if Spock and Captain Kirk were in love? What if Joan of Arc was a woman of color hearing the voice of God in 21st-century New York instead of 15th-century France? For readers and writers, there is a place made up of such what ifs — fan fiction. Although fan fiction today is filled with tales of vampires and wizards, the practice of writing new stories featuring familiar characters predates them as well as copyright laws. The term was coined in 1939 but is believed to have existed centuries before... The fan-fiction world is a space uniquely dominated by women, LGBTQ people, people of color and individuals for whom those identities overlap. They say that the publishing world is dominated by white, heterosexual, able-bodied and cisgendered people. “There’s next to no good queer representation in media,” Ms. Schmitt, 20, complained. “The reason why fan fic is used to talk about queer representation is because writers start so young and they’re disappointed in not seeing themselves. ... It’s a way of taking control.”"
Friday, August 12, 2016
Alleged video pirate Kim Dotcom loses in U.S. appeals court; Politico, 8/12/16
Josh Gerstein, Politico; Alleged video pirate Kim Dotcom loses in U.S. appeals court:
"A panel of the Richmond-based 4th Circuit U.S. Court of Appeals ruled, 2-1, that Dotcom—the swashbuckling founder of the once-highly-popular file-sharing website Megaupload—could not recover his assets because he remains a fugitive from criminal charges of racketeering, conspiracy to commit copyright infringement and conspiracy to commit money laundering in a scheme that allegedly caused $500 million in damages to the motion picture industry. "The refusal to face criminal charges that would determine whether or not the claimants came by the property at issue illegally supports a presumption that the property was, indeed, so obtained," Judge Roger Gregory wrote in an opinion joined by Judge Allyson Duncan."
Thursday, August 11, 2016
John Oliver has given us the best defense of newspapers ever; Washington Post, 8/9/16
Kathleen Parker, Washington Post; John Oliver has given us the best defense of newspapers ever:
"My point — shared by Oliver — is that only newspapers are the brick and mortar of the Fourth Estate’s edifice. Only they have the wherewithal to do the kind of reporting that leads to stories such as “Spotlight.” What happens to the “news” when there are no newspapers left? We seem doomed to find out as people increasingly give up their newspaper subscriptions and seek information from free-content sources. And though newspapers have an online presence, it’s hard to get readers to pay for content... And then there’s Sam Zell, erstwhile owner of the Tribune Co., who summed up the sad trajectory of the nation’s interests and, perhaps, our future while speaking to Orlando Sentinel staffers in 2008. When he said he wanted to increase revenues by giving readers what they want, a female voice objected, “What readers want are puppy dogs.” Zell exploded, calling her comment the sort of “journalistic arrogance of deciding that puppies don’t count. . . . Hopefully we get to the point where our revenue is so significant that we can do puppies and Iraq, okay? [Expletive] you.” Yes, he said that."
John Oliver’s newspaper rant hits a nerve: “We’ve watched it being not-so-slowly destroyed by forces beyond our control”; Salon, 8/10/16
Scott Timberg, Salon; John Oliver’s newspaper rant hits a nerve: “We’ve watched it being not-so-slowly destroyed by forces beyond our control” :
"So part of what’s interesting about Oliver’s bit — which looked at both the causes of the decline as well as the effects, with his usual combination of hyperventilating moralism and comic exaggeration — is that some seem frustrated with it. And not just people who hate the press, but people who value what it does. The most visible of these criticisms so far has come from the president of the Newspaper Association of America, who praised the segment’s opening. “But making fun of experiments,” David Chavern wrote, “and pining away for days when classified ads and near-monopolistic positions in local ad markets funded journalism is pointless and ultimately harmful.” Sullivan, who was once the executive editor of the Buffalo News and the public editor of the New York Times, hit back sharply in a Post piece: Actually, no. What Oliver did was precisely nail everything that’s been happening in the industry that Chavern represents: The shrinking staffs, the abandonment of important beats, the love of click bait over substance, the deadly loss of ad revenue, the truly bad ideas that have come to the surface out of desperation, the persistent failures to serve the reading public."
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