Showing posts with label business models. Show all posts
Showing posts with label business models. Show all posts

Sunday, January 30, 2022

Is Old Music Killing New Music?; The Atlantic, January 23, 2022

Ted Gioia, The Atlantic ; Is Old Music Killing New Music?

"A series of unfortunate events are conspiring to marginalize new music. The pandemic is one of these ugly facts, but hardly the only contributor to the growing crisis.

Consider these other trends:...

When a new song overcomes these obstacles and actually becomes a hit, the risk of copyright lawsuits is greater than ever before. The risks have increased enormously since the “Blurred Lines” jury decision of 2015, and the result is that additional cash gets transferred from today’s musicians to old (or deceased) artists.

Adding to the nightmare, dead musicians are now coming back to life in virtual form—via holograms and “deepfake” music—making it all the harder for young, living artists to compete in the marketplace."

Thursday, December 20, 2018

The Second Circuit Shuts Down Resale of Digital Music Files in Capitol Records, LLC v. ReDigi, Inc., Lexology, December 18, 2018

Sunday, December 2, 2018

I Wanted to Stream Buffy, Angel, and Firefly for Free, But Not Like This; Gizmodo, November 30, 2018

Alex Cranz, Gizmodo; I Wanted to Stream Buffy, Angel, and Firefly for Free, But Not Like This

"This is TV that should be accessible to everyone, but Facebook Watch? Really? In order to watch Buffy take on a demon with a rocket launcher you have to be willing to sit there and stare at a video on the Facebook platform—the same place your cousin continues to post Daily Caller Trump videos and that friend from high school shares clips of a Tasty casserole made of butter, four tubes of biscuit dough, baked beans, and a hot dog? The price for complimentary access to three of the best shows produced is bargaining away your data and privacy?

No, thanks.

But Facebook is hoping we’ll all say yes, please. Facebook’s user growth in the U.S. notably hit a wall over the summer and it’s been trying to fix things. It’s also trying to make itself more “sticky,” so people stay on Facebook to get not just family and friend updates and memes, but also the streams and standard videos more commonly found on YouTube. Last year Facebook launched Watch, its YouTube competitor that was, from the start, filled with trash. But things have slowly improved, with the show Sorry for Your Loss gaining rave reviews."

Saturday, September 15, 2018

Scientific publishing is a rip-off. We fund the research – it should be free; The Guardian, September 13, 2018

George Monbiot, The Guardian; Scientific publishing is a rip-off. We fund the research – it should be free

"Never underestimate the power of one determined person. What Carole Cadwalladr has done to Facebook and big data, and Edward Snowden has done to the state security complex, the young Kazakhstani scientist Alexandra Elbakyan has done to the multibillion-dollar industry that traps knowledge behind paywalls. Sci-Hub, her pirate web scraper service, has done more than any government to tackle one of the biggest rip-offs of the modern era: the capture of publicly funded research that should belong to us all. Everyone should be free to learn; knowledge should be disseminated as widely as possible. No one would publicly disagree with these sentiments. Yet governments and universities have allowed the big academic publishers to deny these rights. Academic publishing might sound like an obscure and fusty affair, but it uses one of the most ruthless and profitable business models of any industry."

Tuesday, September 11, 2018

[Documentary] Paywall: The Business of Scholarship, 2018

[Documentary] Paywall: The Business of Scholarship

"Paywall: The Business of Scholarship is a documentary which focuses on the need for open access to research and science, questions the rationale behind the $25.2 billion a year that flows into for-profit academic publishers, examines the 35-40% profit margin associated with the top academic publisher Elsevier and looks at how that profit margin is often greater than some of the most profitable tech companies like Apple, Facebook and Google.  

Staying true to the open access model: it is free to stream and download, for private or public use, and maintains the most open CC BY 4.0 Creative Commons designation to ensure anyone regardless of their social, financial or political background will have access.   

If you are interested in screening this film at your university, please fill out our contact form."

Monday, September 3, 2018

Print Is Dead? Not Here; The New York Times, September 2, 2018

Ted Geltner, The New York Times; Print Is Dead? Not Here


[Kip Currier: Timely New York Times article, given my Letter to the Editor that I emailed to The Pittsburgh Post-Gazette on September 1, 2018.]

"Practically every morning begins with a thud on the driveways of the roughly 50,000 homes here. The newspaper has arrived.

That newspaper, The Villages Daily Sun, which exhaustively covers this rapidly growing retirement community in Central Florida, is in the midst of a boom that few other papers can even imagine. According to the Alliance for Audited Media, the Sun’s weekday circulation of 55,700 is up 169 percent since 2003. Over the same time, weekday newspaper circulation across the United States has dropped 43 percent. (The Orlando Sentinel, the region’s largest newspaper, is down 53 percent.)...

Elsewhere around the country, the industry continues to cough and wheeze its way from print to digital, with layoffs and closings in its wake. Just this week, Pittsburgh became the largest city in the United States without a daily print paper when the Pittsburgh Post-Gazette announced it was cutting its print distribution to five days a week, ending a nearly 100-year history of seven-day-a-week publication."

Saturday, September 1, 2018

Post-Gazette Is Going Digital, At Least On Some Days, With An Ad Campaign That Is Raising Eyebrows; KDKA 2 CBS Pittsburgh, August 22, 2018

Jon Delano, KDKA 2 CBS Pittsburgh; Post-Gazette Is Going Digital, At Least On Some Days, With An Ad Campaign That Is Raising Eyebrows

"The PG has billboards up around town and television ads on-air, featuring those who say they will never go digital.

One TV advertisement: “PGe and PG NewsSlide, who the bleep needs them. Last time I went on line they tried to track my cookies. They’ll never get my cookie recipe.” 

Another TV advertisement: “Now they’re telling me PG is going digital. They can stick their digital. I’m not doing that.” 

“It’s a little insensitive to the readers who really are connected to print, who really depend on print,” said [Andrew] Conte [director of Point Park University’s Center for Media Innovation].

Not true, says [Allan] Block [chairman of Block Communications that owns the PG]."

Friday, May 25, 2018

It Took 17 Years: Freelancers Receive $9 Million in Copyright Suit; The New York Times, April 30, 2018

Jaclyn Peiser, The New York Times;It Took 17 Years: Freelancers Receive $9 Million in Copyright Suit

"Seventeen years after nearly 3,000 freelance journalists filed a class-action lawsuit claiming copyright infringement by some of the country’s biggest publishers, the checks are finally in the mail.

The 2,500 writers who made it through the tortuous legal process will start receiving their pieces of a settlement totaling $9 million this week...

The Authors Guild filed the suit — along with the American Society of Journalists and Authors, the National Writers Union and 21 freelance writers named as class representatives — in 2001 after publishers licensed articles by freelancers to the electronic database Lexis/Nexis and other digital indexers without getting the writers’ approval. The publishers include The New York Times, Dow Jones, and Knight Ridder, as well as Reed Elsevier, the provider of Lexis/Nexis.

Saturday, July 15, 2017

Why musicians are so angry at the world’s most popular music streaming service; Washington Post, July 14, 2017

Todd C. Frankel, Washington Post; Why musicians are so angry at the world’s most popular music streaming service

"With the money from CDs and digital downloads disappearing, the music industry has pinned its hope for the future on online song streaming, which now accounts for the majority of the $7.7 billion U.S. music market.

But the biggest player in this future isn’t one of the names most associated with streaming — Spotify, Amazon, Pandora or Apple. It’s YouTube, the site best known for viral videos, which accounts for 25 percent of all music streamed worldwide, far more than any other site.

Now, YouTube is locked in an increasingly bitter battle with music labels over how much it pays to stream their songs — and at stake is not just the finances of the music industry but also the way that millions of people around the world have grown accustomed to listening to music: free of cost."

Monday, September 5, 2016

Yes, the News Can Survive the Newspaper; New York Times, 9/4/16

Jim Rutenberg, New York Times; Yes, the News Can Survive the Newspaper:
"In this case, as the ad dollars that have long financed journalism vaporize into the electronic ether, you don’t know with any certainty that the best services that newspapers have provided — holding public officials to account, rooting out corruption — will live on.
If anything, today’s “efficiencies” may even set readers back by pumping out lowest-common-denominator nonsense or, at worst, disinformation.
Just look at what happened last week after that Goliath of the digital transformation, Facebook, pared back the team of “curators” and copy editors who oversaw the selection process for its “Trending Topics” feed. Instead, it gave more control over to an algorithm...
The Facebook experience wasn’t all that far off from the doomsday scenario John Oliver recently envisioned on his HBO show “Last Week Tonight.”...
Know-nothing press haters may say that news organizations are going out of business because the public is shunning them, but that’s not the case at all. Through online exposure, newspapers are reaching more people than ever. The problem is how they make money. Circulation for physical newspapers is declining, and so is print advertising; digital ads remain far less profitable. The trick is finding a way to make up the lost revenue."

Friday, August 19, 2016

Britain’s Paper Tigers; New York Times, 8/10/16

Stig Abell, New York Times; Britain’s Paper Tigers:
"The Sun can still call an election correctly, can still elicit outrage and comment. The Mirror, The Sun and The Mail hope to turn their vast online audiences into a profitable business model.
And there is a gradual resurgence of a willingness to pay for quality. The Times and The Sunday Times, paywalled and protected, have become profitable perhaps for the first time in history. Paywalls — once seen as an embodiment of Luddism in the giddy world of the free internet — now seem essential to the survival of professional writing.
Yet there has never been a more hostile environment to journalism than exists today, and not only in economic terms. The democratizing effect of social media, a potentially healthful development, has also given rise to a cynicism directed toward the mainstream media. This is all part of a new angriness in politics."

Sydney Morning Herald Faces Uncertain Print Future in Australia; New York Times, 8/17/16

Keith Bradsher and Michelle Innis, New York Times; Sydney Morning Herald Faces Uncertain Print Future in Australia:
"Kate McClymont, 58, has been breaking news at The Sydney Morning Herald for decades. One of the newspaper’s marquee journalists, Ms. McClymont appears in the paper’s ads.
“We have been holding the powerful in this city to account for a long time,” Ms. McClymont said.
Most recently, she pursued a state government minister, Eddie Obeid, uncovering how his private businesses were improperly benefiting from his public role. Mr. Obeid was found guilty in June of misusing his public office. He will soon face a second court case over mining leases he obtained from the state government.
“We have shone a light where crooks would prefer places remained dark,” Ms. McClymont said. “I hate the idea of people getting away with anything.”
“It is bad for democracy,” she added, “if this voice is diminished in any way.”"

Thursday, August 11, 2016

John Oliver’s newspaper rant hits a nerve: “We’ve watched it being not-so-slowly destroyed by forces beyond our control”; Salon, 8/10/16

Scott Timberg, Salon; John Oliver’s newspaper rant hits a nerve: “We’ve watched it being not-so-slowly destroyed by forces beyond our control” :
"So part of what’s interesting about Oliver’s bit — which looked at both the causes of the decline as well as the effects, with his usual combination of hyperventilating moralism and comic exaggeration — is that some seem frustrated with it. And not just people who hate the press, but people who value what it does.
The most visible of these criticisms so far has come from the president of the Newspaper Association of America, who praised the segment’s opening. “But making fun of experiments,” David Chavern wrote, “and pining away for days when classified ads and near-monopolistic positions in local ad markets funded journalism is pointless and ultimately harmful.”
Sullivan, who was once the executive editor of the Buffalo News and the public editor of the New York Times, hit back sharply in a Post piece:
Actually, no. What Oliver did was precisely nail everything that’s been happening in the industry that Chavern represents: The shrinking staffs, the abandonment of important beats, the love of click bait over substance, the deadly loss of ad revenue, the truly bad ideas that have come to the surface out of desperation, the persistent failures to serve the reading public."

Journalism: Last Week Tonight with John Oliver (HBO); HBO via YouTube, 8/7/16

HBO via YouTube; Journalism: Last Week Tonight with John Oliver (HBO) :
"The newspaper industry is suffering. That’s bad news for journalists — both real and fictional."

Tuesday, May 24, 2016

Making the Transition to Gold Open Access; Library Journal, 5/19/16

John Parsons, Library Journal; Making the Transition to Gold Open Access:
"Unlike other digital goods markets like eBooks or music, where a single dominant player can coordinate rapid change, scientific publishing is fragmented and heterogeneous. There are a multitude of publishers, disciplines, and funding organizations. “Like any other platform shift, it will take everybody on both sides to do it,” said Mark McCabe, a lecturer at Boston University’s Questrom School of Business, and Professor and Director of the Digital Business Program at SKEMA Business School in France. “The transition between business models is a process that requires major players to subsidize or sponsor it. In the context of OA, the coordination challenges are substantial. This will take time...”
However, increasing pressure from researchers outside Western Europe and North America, as well as mandates from the EU, may eventually force even reluctant publishers and institutions to adopt the Gold model. “The thing about science is that if traditional publishers were to disappear tomorrow, research would still be conducted and articles would still be written,” McCabe said. “Research authors aren’t selling books or songs; they just want to get their stuff out there in the best way possible, and have it read by anyone who needs it.”"

Monday, May 16, 2016

Printed book sales rise for first time in four years as ebooks decline; Guardian, 5/13/16

Mark Sweney, Guardian; Printed book sales rise for first time in four years as ebooks decline:
"Sales of printed books have grown for the first time in four years, lifted by the adult colouring book craze and 150th anniversary of Alice in Wonderland, as ebooks suffered their first ever decline.
Ebook sales fell by 1.6% to to £554m in 2015, the first drop recorded in the seven years industry body the Publishers Association has been monitoring the digital book market. Meanwhile, sales of printed books grew by 0.4% to £2.76bn."

Saturday, February 13, 2016

Researcher illegally shares millions of science papers free online to spread knowledge; Science Alert, 2/12/16

Fiona MacDonald, Science Alert; Researcher illegally shares millions of science papers free online to spread knowledge:
"A researcher in Russia has made more than 48 million journal articles - almost every single peer-reviewed paper every published - freely available online. And she's now refusing to shut the site down, despite a court injunction and a lawsuit from Elsevier, one of the world's biggest publishers.
For those of you who aren't already using it, the site in question is Sci-Hub, and it's sort of like a Pirate Bay of the science world. It was established in 2011 by neuroscientist Alexandra Elbakyan, who was frustrated that she couldn't afford to access the articles needed for her research, and it's since gone viral, with hundreds of thousands of papers being downloaded daily. But at the end of last year, the site was ordered to be taken down by a New York district court - a ruling that Elbakyan has decided to fight, triggering a debate over who really owns science."

Monday, October 6, 2014

Readers Debate Online Piracy and the Future of Digital Entertainment; New York Times, 9/29/14

Jenna Wortham, New York Times; Readers Debate Online Piracy and the Future of Digital Entertainment:
"On Sunday, The New York Times published the story of a popular — and illegal — website that let people stream and download movies and television shows at their leisure. The site was taken offline in 2010 by the federal government, and the administrators behind the site were charged with conspiracy and copyright infringement. Nearly all served time in prison. The article touched a nerve among Times readers, eliciting hundreds of reactions about copyright infringement and intellectual property, and how the digital world complicates both.
Here is a sampling of their comments..."

Saturday, August 31, 2013

VCR’s Past Is Guiding Television’s Future; New York Times, 7/28/13

David Carr, New York Times; VCR’s Past Is Guiding Television’s Future: "It is a truism of all businesses, especially media, that once the consumer decides how things are going to go, it is only a matter of time before disruption occurs in fundamental ways. Just ask the record companies. And for now, the disrupters not only have the consumer on their side, but the law as well."