Ask the ethicist: How to create guardrails for the AI age; WBUR, April 25, 2025

  

Willis Ryder Arnold

Deborah Becker, WBUR; 

Ask the ethicist: How to create guardrails for the AI age

"Will AI devastate humanity or uplift it? Philosopher Christopher DiCarlo's new book examines how we can navigate when AI surpasses human capacity.

Guest

Christopher DiCarlo, philosopher, educator and ethicist who teaches in Philosophy Department at the University of Toronto. Author of "Building a God: The Ethics of Artificial Intelligence and the Race to Control It.""

Sydney woman who sold a cartoon cat T-shirt told to pay US$100,000 in Grumpy Cat copyright case; The Guardian, April 25, 2025

Josh Taylor, The Guardian; Sydney woman who sold a cartoon cat T-shirt told to pay US$100,000 in Grumpy Cat copyright case

"Others across the globe have found themselves in similar situations. There are posts on Reddit asking what to do after finding a default judgment has been made against them.

“I had no idea ‘Grumpy Cat’ was a thing. ‘Grumpy Cat’ was not even mentioned on my design neither looked my design like their stupid cat,” one poster said.

Prof Graeme Austin, chair in private law at Victoria University in New Zealand, said US trademark law gives courts powers to impose tough damages awards in infringement cases, including statutory damages of up to US$200,000.

“Wholesale default judgment proceedings in trademark and copyright cases are a familiar strategy for intellectual property owners,” he said."

U.S. Copyright Office Releases New Copyright Registration Toolkit; U.S. Copyright Office, April 22, 2025

 U.S. Copyright Office, Issue No. 1070; U.S. Copyright Office Releases New Copyright Registration Toolkit

"Today, the U.S. Copyright Office released the Copyright Registration Toolkit, a comprehensive resource designed to help creators, small business owners, advisors, and others navigate the copyright system. As part of the Copyright Office’s Copyright for All initiative, the toolkit is a visual breakdown of copyright, including essential information about copyright law, how to prepare for copyright registration, what to expect during the process, and post-registration considerations.

“The Copyright Registration Toolkit makes copyright information more accessible and user-friendly for all creators,” said Associate Register of Copyrights and Director of Public Information and Education Miriam Lord. “Resources like this one empower authors, artists, musicians, and their advisors to protect and manage creative works with confidence.”

Developed in conjunction with the U.S. Patent and Trademark Office's intellectual property (IP) toolkits for trademarks, trade secrets, and patents, these resources collectively provide a broad overview of IP protection under U.S. law.

Copyright Office attorneys, writers, and designers collaborated on the toolkit to ensure it serves as a reliable and engaging reference for creators making business decisions about their creative works and for advisors who help guide them in understanding their rights as IP owners.

To explore the Copyright Registration Toolkit, visit the landing page. For further inquiries, the Public Information Office is available Monday through Friday, 8:30 a.m.–5:00 p.m. eastern time, to assist with questions about the copyright registration process."

AI and the visual arts: The case for copyright protection; Brookings, April 18, 2025

Judy Wang and  Nicol Turner Lee , Brookings; AI and the visual arts: The case for copyright protection

"Looking ahead  

As AI-generated art continues to reshape the creative landscape, the legal and economic challenges surrounding copyright, authorship, and enforcement will only grow more complex. Ongoing lawsuits, reactions from artists, and market shifts highlight the struggle to define human authorship and protect artists’ rights in an era where AI-generated works hold significant commercial value, but lack clear copyright protections. With increasing pressure on legislative and regulatory bodies to address these issues, the future of AI-generated art will depend on policies that balance innovation with fair compensation and safeguards for human creativity.  

While we await the final part of the Copyright Office’s report, which will determine the legal implications of training AI on copyrighted data, the more pressing determinant of fair use in GenAI training may come from the courts. Yet, regardless of the outcome, the Copyright Office should transcend its passive regulatory guidance and actively develop new mechanisms to distinguish human-authored elements from AI-generated ones to enforce its present guidance. In addition, the office must think creatively about flexible frameworks that can account for future, more nuanced and complex modes of collaboration between human and GenAI systems. This may require stronger disclosure requirements, improved detection methods, and a reexamination of what constitutes meaningful human authorship in an increasing AI-involved creative process.   

Further, artists, tech companies, and policymakers must be brought to the table to ensure copyright law reflects the newest collaborations in AI and art, protects human creativity, and accommodates technological progress. Without safeguards, the rapid influx of AI into the art market could lead to a systemic devaluation of human original authorship and growing precarity in the creative field. The future of AI-generated art hinges on such governance. "

2025 International IP Index; U.S. Chamber of Commerce, April 15, 2025

 U.S. Chamber of Commerce; 2025 International IP Index

"The U.S. Chamber’s International IP Index (IP Index) creates a roadmap for economies seeking to strengthen the ecosystem for innovation and creativity through more effective intellectual property (IP) standards. 

The 13th IP Index evaluates intellectual property systems across the world's top 55 economies using 53 unique criteria. The data shows economies how to improve IP-driven innovation and creativity and reveals trends in global IP protection.  

The IP Index also serves as a guide to world leaders on proven methods to champion innovation and creativity at home. With this data, they can see what's working, what's not, and what changes are needed to ensure a brighter future."

This Is How Meta AI Staffers Deemed More Than 7 Million Books to Have No “Economic Value”; Vanity Fair, April 15, 2025

KEZIAH WEIR, Vanity Fair; This Is How Meta AI Staffers Deemed More Than 7 Million Books to Have No “Economic Value”

"Last month, I prompted Meta AI with a question: “Is it okay to use pirated books to train AI?” The machine’s response was unequivocal. “Using pirated books to train AI is not okay,” it admonished. “In fact, it’s a serious violation of copyright laws and can have significant consequences for authors and publishers. Recently, it’s been reported that Meta used millions of pirated books to develop its AI programs, which has sparked widespread outrage and condemnation from the writing community.”"

Jack Dorsey Says Intellectual Property Law Shouldn't Exist, and Elon Musk Agrees: 'Delete All IP Law'; Entrepreneur, April 14, 2025

SHERIN SHIBU EDITED BY MELISSA MALAMUT  , Entrepreneur; Jack Dorsey Says Intellectual Property Law Shouldn't Exist, and Elon Musk Agrees: 'Delete All IP Law'

"While Dorsey may want to end intellectual property law, copyright holders are still holding on to their work. Dozens of cases have been filed over the past few years in U.S. federal court against AI companies like OpenAI, Google, and Meta, as authors, artists, and news organizations accuse these companies of using their copyrighted work to train AI models without credit or compensation.

AI needs ample training material to keep it sharp. It took about 300 billion words to train ChatGPT, an AI chatbot now used by over 500 million people weekly. AI image generator DALL·E 2 needed "hundreds of millions of captioned images from the internet" to become operational."

From the courtroom to the notepad: Ian Crosby advocates for fair use; The Daily Mississippian, April 16, 2025

Cameron Larkin , The Daily Mississippian; From the courtroom to the notepad: Ian Crosby advocates for fair use

"How can journalism and artificial intelligence coexist? What are the practical uses of AI in a field like journalism? What does the legal side of all of this look like?

Lead counsel for the New York Times v. OpenAI copyright lawsuit, Ian Crosby, answered these questions and many more at the “Addressing the Impact of Social Media and Artificial Intelligence on Democracy” symposium hosted April 1-2 by the University of Mississippi’s brand-new Jordan Center for Journalism Advocacy and Innovation...

Knowing this, Crosby said that AI does not have to be viewed as the enemy many people make it out to be; rather, when used and operated in the right way, AI can be a tool for journalists.

“Just to be clear, I don’t think that any of my clients feel that AI is bad (or) that AI shouldn’t exist,” Crosby said. “AI has amazing uses, and those uses should persist.”

One practical use Crosby suggested for AI in journalism is for the “needle in the haystack problem.” Crosby said that AI is useful for delving into large data sets, such as government documents, to quickly sift through and pick out key information much quicker than a human could."

How to Find Copyright Owners For Covers and Samples; HypeBot, April 16, 2025

Alana Bonilla , HypeBot; How to Find Copyright Owners For Covers and Samples

"Want to use a someone else’s audio legally but don’t know who owns it? This expert guide shows you how to find copyright holders fast – and get the permissions you need without the legal headaches."

The philosopher’s machine: my conversation with Peter Singer’s AI chatbot; The Guardian, April 17, 2025

 Stephanie Convery , The Guardian; The philosopher’s machine: my conversation with Peter Singer’s AI chatbot

"Singer has had a long and high-profile career in philosophy. He has only recently retired from Princeton University, where he was professor of bioethics. His CV is extensive (it runs to a full 102 pages). He has a Substack, a podcast, a Bluesky account, a journal he co-edits, and a polished online presence. As I’m scrolling through the storied septuagenarian philosopher’s blog, the chatbot pops up in the corner of the page. I can’t help but feeling like I am being sold something.

In launching his chatbot, Singer described the tool as “employing the Socratic method” – that is, dialogue – to “[guide] users through a process of critical thinking and self-examination”. But I have questions about that.

Me: Do you think it is philosophically justifiable to outsource the discussion of ethics to a chatbot?

Peter Singer AI: Outsourcing ethical discussions to a chatbot can be philosophically justifiable if viewed as a tool to enhance and facilitate ethical reflection. Chatbots can provide insights, pose questions, and offer perspectives that might help individuals think more deeply about ethical issues.

However, it’s crucial to remember that chatbots lack human experience, empathy, and the ability to understand context fully. They should be used as a complement to human judgment and conversation, not a replacement.

Engaging with a chatbot can stimulate thinking and provide a starting point for deeper exploration, but ultimately, ethical decision-making involves personal reflection and discussion with others.

My most memorable and exciting philosophy lessons were the ones in which, as a class, we hotly debated ideas in which we were all materially and emotionally invested. The AI floats loftily above the emotional fray, coolly dispensing pre-programmed wisdom from the cloud, while we grapple with the contradictions and complications of actually living. Between the chatbot and me, there is only one of us for whom the dialogue elicits an emotional response, because for only one of us does the conversation actually matter." 

Creators Are Losing the AI Copyright Battle. We Have to Keep Fighting (Guest Column); The Hollywood Reporter, April 16, 2025

Ed Newton-Rex ; Creators Are Losing the AI Copyright Battle. We Have to Keep Fighting (Guest Column)

"The struggle between AI companies and creatives around “training data” — or what you and I would refer to as people’s life’s work — may be the defining struggle of this generation for the media industries. AI companies want to exploit creators’ work without paying them, using it to train AI models that compete with those creators; creators and rights holders are doing everything they can to stop them."

When was the last time AI made you laugh? Scenes from the 2025 Summit on AI, Ethics and Journalism; Poynter, April 11, 2025

 TyLisa Johnson, Poynter ; When was the last time AI made you laugh? Scenes from the 2025 Summit on AI, Ethics and Journalism

"This year’s Summit on AI, Ethics and Journalism, led by Poynter and The Associated Press, unfolded over two days in New York City’s financial district at the AP’s headquarters.

Here’s a brief summit recap through images:"

The real argument artists should be making against AI; Vox, April 16, 2025

 Sigal Samuel, Vox; The real argument artists should be making against AI

[Paywall to access]

Why Musk and Dorsey want to ‘delete all IP law’; The Washington Post, April 15, 2025

Analysis by Gerrit De Vynck

 and 

Will Oremus

with research by 

Andrea Jiménez

 , The Washington Post; Why Musk and Dorsey want to ‘delete all IP law’

"Jack Dorsey, the co-founder of Twitter and CEO of Square, posted a cryptic and drastic demand on Elon Musk’s X over the weekend: “delete all IP law.” The post drew a quick reply from Mr. X himself: “I agree.”

Musk’s laconic response amplified Dorsey’s post to his 220 million followers and sparked a debate that drew in a cast of characters including Epic Games CEO Tim Sweeney, tech lawyer and former vice presidential candidate Nicole Shanahan, novelist Walter Kirn, evolutionary psychologist Geoffrey Miller and the technologist and early Twitter developer Evan Henshaw-Plath, a.k.a. Rabble, among others...

Serious policy idea or not, the concord between Dorsey and Musk highlights how the debate over AI and copyright law is coming to a head in Silicon Valley.

How it’s resolved will have major ramifications for the tech companies, creative people and their livelihoods and the overall AI race."

Law professors side with authors battling Meta in AI copyright case; TechCrunch, April 11, 2025

Kyle Wiggers , TechCrunch; Law professors side with authors battling Meta in AI copyright case

"A group of professors specializing in copyright law has filed an amicus brief in support of authors suing Meta for allegedly training its Llama AI models on e-books without permission.

The brief, filed on Friday in the U.S. District Court for the Northern District of California, San Francisco Division, calls Meta’s fair use defense “a breathtaking request for greater legal privileges than courts have ever granted human authors.”"

Entrance to [Copyright] Paradise Halted by the Human-Authorship Requirement; The National Law Review, April 9, 2025

Jonathan D. Reichman of Hunton Andrews Kurth   - Publications , The National Law Review; Entrance to [Copyright] Paradise Halted by the Human-Authorship Requirement

"In mid-March, a federal appeals court affirmed a ruling finding that artwork created solely by an artificial intelligence (AI) system is not entitled to copyright protection. Thaler v. Perlmutter, No. 23-5233 (D.C. Cir. Mar. 18, 2025). This decision aligns with the position taken by the US Copyright Office in its recent report in light of the ongoing evolution, application, and litigation surrounding AI systems. U.S. Copyright Office, Copyright and Artificial Intelligence, Part 2: Copyrightability (2025).

While this decision may appear straightforward, future developments could arise through an application to the US Supreme Court or through cases addressing the extent of human involvement necessary in AI-generated works that seek copyright protection.

Key Takeaways

• The Copyright Act of 1976 (Act) requires all eligible works to be authored by a human being.
• The Act’s definition of “author” does not apply to machines.
• The work-made-for-hire doctrine requires an existing copyright interest.
• Thaler’s representation that the work was generated autonomously by a computer system weighed heavily against his challenges to the human-authorship requirement and the work-made-for-hire doctrine.
• The Court rejected Dr. Thaler’s arguments that (1) the term “author” is not confined to human beings; (2) the work was made for hire; and (3) the human-authorship requirement prevents protection of works made with AI.
• The Court affirmed the denial of copyright registration where the author of the work was listed as a machine."

I’m Not Convinced Ethical Generative AI Currently Exists; Wired, February 20, 2025

 REECE ROGERS , Wired; I’m Not Convinced Ethical Generative AI Currently Exists

"For me, the ethics of generative AI use can be broken down to issues with how the models are developed—specifically, how the data used to train them was accessed—as well as ongoing concerns about their environmental impact. In order to power a chatbot or image generator, an obscene amount of data is required, and the decisions developers have made in the past—and continue to make—to obtain this repository of data are questionable and shrouded in secrecy. Even what people in Silicon Valley call “open source” models hide the training datasets inside...

The ethical aspects of AI outputs will always circle back to our human inputs. What are the intentions of the user’s prompts when interacting with a chatbot? What were the biases in the training data? How did the devs teach the bot to respond to controversial queries? Rather than focusing on making the AI itself wiser, the real task at hand is cultivating more ethical development practices and user interactions."

A banana taped to a wall? This artist says he did it first. The Supreme Court ignored him.; USA TODAY, April 7, 2025

Maureen Groppe , USA TODAY; A banana taped to a wall? This artist says he did it first. The Supreme Court ignored him.

"California artist Joe Morford tried, hoping the Supreme Court would give him credit for being the first person to tape a banana to the wall in the name of art. But the justices on Monday rejected his fruit suit. 

That leaves in place lower court rulings that Italian artist Maurizio Cattelan, who sold his banana art work, “Comedian,” for about $6.2 million last year, did not rip the idea off of Morford."

OpenAI Copyright Suit Consolidation Portends Consistency, Risk; Bloomberg Law, April 8, 2025

Annelise Levy

, Kyle Jahner , Bloomberg Law; OpenAI Copyright Suit Consolidation Portends Consistency, Risk

"OpenAI Inc.'s tactical win consolidating a dozen copyright suits against it nevertheless carries risks for the company, as the matters proceed before a judge who’s already ruled against the company in key decisions.

The US Judicial Panel on Multidistrict Litigation last week centralized casesacross the country in the US District Court for the Southern District of New York for pretrial activity, which could include dispositive motions including summary judgment, as well as contentious discovery disputes that have been common among the cases.

“This will help create more consistency in the pre-trial outcomes, but it also means that you’ll get fewer tries from different plaintiffs to find a winning set of arguments,” Peter Henderson, an assistant professor at Princeton University, said in an email...

While streamlined, the pretrial proceedings figure to remain contentious as the parties press novel questions about how copyright laws apply to the game-changing generative AI technology. The disputes carry vast ramifications for companies reliant on millions of copyrighted works to train their models."

List of Books Removed from USNA Library; America's Navy, April 4, 2025

America's Navy; List of Books Removed from USNA Library

[Kip Currier: The freedoms to read, speak, and think are fundamental American values enshrined by our Constitution. Libraries should and must have books and resources that represent a wide range of information, views, and lived experiences. Whether or not we as individuals or members of groups agree or disagree with every book in a library is immaterial and contrary to our freedoms. As the late Robert Croneberger, Director of Carnegie Library of Pittsburgh (1986-1998), aptly observed, a library is not doing its job if it doesn't have at least one book that offends every person.

Military service members have served, fought, and died to preserve our freedoms and core values. Enlisted persons and their families should and must have access to a broad continuum of ideas and information. Anything less is blatant censorship that is antithetical to the American way of life.]

[Excerpts from list]

     "How to be an antiracist / Ibram X. Kendi.

Uncomfortable conversations with a black man / Emmanuel Acho.

Why didn't we riot? : a Black man in Trumpland / Issac J. Bailey.

Long time coming : reckoning with race in America / Michael Eric Dyson.

State of emergency : how we win in the country we built / Tamika D. Mallory as told to Ashley A. Coleman ; [forewords, Angela Y. Davis and Cardi B].

How we can win : race, history and changing the money game that's rigged / Kimberly Jones.

My vanishing country : a memoir / Bakari Sellers.

The gangs of Zion : a Black cop's crusade in Mormon country / Ron Stallworth, with Sofia Quintero.

American hate : survivors speak out / edited by Arjun Singh Sethi.

The rage of innocence : how America criminalizes Black youth /
Kristin Henning.

Our time is now : power, purpose, and the fight for a fair America /
Stacey Abrams.

What's your pronoun? : beyond he & she / Dennis Baron.

Rainbow milk : a novel / Paul Mendez.

The genesis of misery / Neon Yang.

The last white man / Mohsin Hamid.

Light from uncommon stars / Ryka Aoki.

Everywhere you don't belong : a novel / by Gabriel Bump.

Evil eye : a novel / Etaf Rum.

Lies my teacher told me : everything your American history
textbook got wrong / James W. Loewen.

Gender queer : a memoir / by Maia Kobabe ; colors by Phoebe
Kobabe.

The third person / Emma Grove."

Judge calls out OpenAI’s “straw man” argument in New York Times copyright suit; Ars Technica, April 4, 2025

ASHLEY BELANGER , Ars Technica; Judge calls out OpenAI’s “straw man” argument in New York Times copyright suit

"Essentially, the judge agreed with the NYT that OpenAI has not yet provided any evidence that the newspaper knew how ChatGPT would perform until the product was out in the wild. Therefore, he denied OpenAI's motion to dismiss those claims as time-barred, while denouncing as a "straw man" an OpenAI argument that the NYT, "as a 'sophisticated publisher,' had a duty 'to take prompt action after being put on notice of what it now claims to be alleged infringement.'""

EFF Urges Third Circuit to Join the Legal Chorus: No One Owns the Law; Electronic Frontier Foundation (EFF), March 31, 2025

 CORYNNE MCSHERRY, Electronic Frontier Foundation (EFF); EFF Urges Third Circuit to Join the Legal Chorus: No One Owns the Law

"This case concerns UpCodes, a company that has created a database of building codes—like the National Electrical Code—that includes codes incorporated by reference into law. ASTM, a private organization that coordinated the development of some of those codes, insists that it retains copyright in them even after they have been adopted into law, and therefore has the right to control how the public accesses and shares them. Fortunately, neither the Constitution nor the Copyright Act support that theory. Faced with similar claims, some courts, including the Fifth Circuit Court of Appeals, have held that the codes lose copyright protection when they are incorporated into law. Others, like the D.C. Circuit Court of Appeals in a case EFF defended on behalf of Public.Resource.Org, have held that, whether or not the legal status of the standards changes once they are incorporated into law, making them fully accessible and usable online is a lawful fair use. A federal court in Pennsylvania followed the latter path in this case, finding that UpCodes’ database was a protected fair use."

Publishers, journalists, and film producers attack ‘fundamentally flawed’ plan for enforcing Europe’s new AI law; Fortune, March 28, 2025

 DAVID MEYER, Fortune; Publishers, journalists, and film producers attack ‘fundamentally flawed’ plan for enforcing Europe’s new AI law

"A broad coalition, including journalists, publishers, and film and music industry heavyweights, has weighed in against the latest draft of proposed regulations that will govern how companies can comply with Europe’s new AI Act. The coalition, which represents major copyright holders, says that the current draft will not ensure that AI companies respect the terms of either the AI Act itself or European Union copyright law."

L.J. Smith, Author of ‘Vampire Diaries’ Book Series, Dies at 66; The New York Times, March 26, 2025

 Jeré Longman, The New York Times; L.J. Smith, Author of ‘Vampire Diaries’ Book Series, Dies at 66

"L.J. Smith, an author of young adult novels best known for “The Vampire Diaries” series, which became a hit television drama, and for repossessing her characters by writing fan fiction after she was fired and replaced by a ghostwriter, died on March 8 in Walnut Creek, Calif. She was 66...

Alloy Entertainment sought a young adult version of supernatural romance and signed Ms. Smith to write “The Vampire Diaries,” a series centered on a love triangle involving a popular high school girl named Elena Gilbert and a pair of vampire brothers, Stefan and Damon Salvatore.

The first three books, written for HarperCollins, were published in 1991, and a fourth was released in 1992. But Ms. Smith — whose first agent was her typist, who had never represented a client — told The Wall Street Journal that she had written the trilogy for an advance of only a few thousand dollars without realizing that it was work for hire, meaning she did not own the copyright or the characters...

By 2007, sales of “The Vampire Diaries” had increased, and Ms. Smith was contracted to continue the series by writing a new trilogy for Alloy Entertainment, for which she was entitled to half the royalties.

In 2009, “The Vampire Diaries” were adapted into a dramatic television series that lasted for eight seasons on the CW Network. Popular among younger audiences, the show used various musical genres to explore topics like romance and morality and helped popularize a grunge and leather-jacket fashion look."

ChatGPT's new image generator blurs copyright lines; Axios, March 28, 2025

Ina Fried, Axios; ChatGPT's new image generator blurs copyright lines

"AI image generators aren't new, but the one OpenAI handed to ChatGPT's legions of users this week is more powerful and has fewer guardrails than its predecessors — opening up a range of uses that are both tantalizing and terrifying."

• 
  

Judge allows 'New York Times' copyright case against OpenAI to go forward; NPR, March 27, 2025

Bobby Allyn, NPR ; Judge allows 'New York Times' copyright case against OpenAI to go forward

"A federal judge on Wednesday rejected OpenAI's request to toss out a copyright lawsuit from The New York Times that alleges that the tech company exploited the newspaper's content without permission or payment.

In an order allowing the lawsuit to go forward, Judge Sidney Stein, of the Southern District of New York, narrowed the scope of the lawsuit but allowed the case's main copyright infringement claims to go forward.

Stein did not immediately release an opinion but promised one would come "expeditiously."

The decision is a victory for the newspaper, which has joined forces with other publishers, including The New York Daily News and the Center for Investigative Reporting, to challenge the way that OpenAI collected vast amounts of data from the web to train its popular artificial intelligence service, ChatGPT."

Doctors Told Him He Was Going to Die. Then A.I. Saved His Life.; The New York Times, March 20, 2025

  Kate Morgan, The New York Times ; Doctors Told Him He Was Going to Die. Then A.I. Saved His Life.

"In labs around the world, scientists are using A.I. to search among existing medicines for treatments that work for rare diseases. Drug repurposing, as it’s called, is not new, but the use of machine learning is speeding up the process — and could expand the treatment possibilities for people with rare diseases and few options.

Thanks to versions of the technology developed by Dr. Fajgenbaum’s team at the University of Pennsylvania and elsewhere, drugs are being quickly repurposed for conditions including rare and aggressive cancers, fatal inflammatory disorders and complex neurological conditions. And often, they’re working."

Richard Osman urges writers to ‘have a good go’ at Meta over breaches of copyright; The Guardian, March 25, 2025

Ella Creamer , The Guardian; Richard Osman urges writers to ‘have a good go’ at Meta over breaches of copyright

"Richard Osman has said that writers will “have a good go” at taking on Meta after it emerged that the company used a notorious database believed to contain pirated books to train artificial intelligence.

“Copyright law is not complicated at all,” the author of The Thursday Murder Club series wrote in a statement on X on Sunday evening. “If you want to use an author’s work you need to ask for permission. If you use it without permission you’re breaking the law. It’s so simple.”

In January, it emerged that Mark Zuckerberg approved his company’s use of The Library Genesis dataset, a “shadow library” that originated in Russia and contains more than 7.5m books. In 2024 a New York federal court ordered LibGen’s anonymous operators to pay a group of publishers $30m (£24m) in damages for copyright infringement. Last week, the Atlantic republished a searchable database of the titles contained in LibGen. In response, authors and writers’ organisations have rallied against Meta’s use of copyrighted works."