Pandora Just Taught Every Business Out There What Not to Do In Logo Redesign; Inc.com, May 24, 2017

Wanda Thibodeaux, Inc.com; Pandora Just Taught Every Business Out There What Not to Do In Logo Redesign

"It's one of the most basic rules of business: Choose a logo that represents you and only you. After all, logos are supposed to be an identifier for your brand. But apparently, it's a lesson that Pandora hasn't quite learned yet. As Nicole Gallucci of Mashable reports, PayPal is suing the music streaming company for trademark infringement, claiming that Pandora's 2016 logo redesign is too similar to its own...

7 tips to avoid Pandora's trouble

If you, like Pandora, have to come up with something new, keep these rules in mind:..

Oh, and when in doubt? There are these great professionals known as lawyers. Talk to one."

Proposed EU Copyright Rules Could Aid Pandora, Spotify, Netflix, Lovefilm, In Fact Every Streaming Firm; Forbes, 12/10/13

Tim Worstall, Forbes; Proposed EU Copyright Rules Could Aid Pandora, Spotify, Netflix, Lovefilm, In Fact Every Streaming Firm: "The European Union is proposing some changes to how copyright works inside the bloc and one of the things they’re discussing could make it much easier for the streaming companies like Netflix NFLX +2.1%, Spotify, Pandora and all the rest. This is just, in this area at least, something under discussion, open for commentary, but it is one of those things that sounds like a good idea. The problem is that the EU market for copyright is extremely fragmented: to put it in US terms it’s almost as if each State offers copyright on things in that State."

Defining and Demanding a Musician’s Fair Shake in the Internet Age; New York Times, 9/30/13

Ben Sisario, New York Times; Defining and Demanding a Musician’s Fair Shake in the Internet Age: "As the leader of the bands Camper Van Beethoven and Cracker, Mr. Lowery had a modicum of fame in the 1980s and ’90s. But over the last year, he has become a celebrity among musicians for speaking out about artists’ shrinking paychecks and the influence of Silicon Valley over copyright, economics and public discourse. In public appearances and no-holds-barred blog posts, Mr. Lowery, 53, has come to represent the anger of musicians in the digital age. When an NPR Music intern confessed in a blog post last year that she paid very little for her music, he scolded her in a 3,800-word open letter that framed the issue in moral terms... The issue has become hot as technology companies like Pandora and Google have replaced major record labels as the villains of choice for industry critics."

As Music Streaming Grows, Royalties Slow to a Trickle; New York Times, 1/28/13

Ben Sisario, New York Times; As Music Streaming Grows, Royalties Slow to a Trickle: "A decade after Apple revolutionized the music world with its iTunes store, the music industry is undergoing another, even more radical, digital transformation as listeners begin to move from CDs and downloads to streaming services like Spotify, Pandora and YouTube. As purveyors of legally licensed music, they have been largely welcomed by an industry still buffeted by piracy. But as the companies behind these digital services swell into multibillion-dollar enterprises, the relative trickle of money that has made its way to artists is causing anxiety at every level of the business."

O.K., Downloaders, Let’s Try This Song Again; New York Times, 9/3/11

Janet Morrissey, New York Times; O.K., Downloaders, Let’s Try This Song Again:

"Still, Qtrax is relying primarily on the ads linked to the music player to finance licensing fees and to make the company profitable — a business model that many industry experts are skeptical can work. They point to previous hopefuls like Napster, which was sued by the record labels over copyright laws and is now a shadow of its former self (and now charges subscription fees for music) and to SpiralFrog and Ruckus, which had some backing from the major labels but collapsed after failing to raise enough cash to cover royalties to the record companies."

Music Labels Reach Online Royalty Deal; New York Times, 7/7/09

Claire Cain Miller via New York Times; Music Labels Reach Online Royalty Deal:

"On Tuesday, after a two-year battle, record labels and online radio stations agreed on new royalty rates for streaming music online. Many of the music sites had argued that the old rates were so high they were being forced out of business.

“This is definitely the agreement that we’ve been waiting for,” said Tim Westergren, the founder of Pandora, one of the most popular Internet radio sites.

The conflict began in March 2007, when the federal Copyright Royalty Board ruled that all so-called webcasters needed to pay a fee, set to increase to 0.19 cent a song next year, each time they streamed a song. Webcasters said the fees would eat up most of their revenue, which mostly comes from online advertising.

The new agreement treats sites differently depending on their size and business model. It applies to the period from 2006 through 2015 for big sites and through 2014 for small sites. The sites in question often provide customized streams of music, but listeners do not get to directly choose which songs they hear, and they are not permitted to store the music on their computers...

Webcasters also agreed to give more detailed information about the songs they play and how many people listen to them to SoundExchange, the nonprofit organization that collects and distributes digital royalties on behalf of artists and labels."

http://www.nytimes.com/2009/07/08/technology/internet/08radio.html?_r=1&hpw

Web radio founder visits here to explain Pandora - Pittsburgh Post-Gazette, 10/13/08

Web radio founder visits here to explain Pandora:

"Pandora founder and chief strategy officer Tim Westergren will be in town tomorrow to talk to Pandora listeners about the service. The meet-up will be held at the SouthSide Works Cinema at 7 p.m. Admission is free, and the event is open to anyone who wants to learn more about Pandora...

Westergren has been one of the most vocal Webcasters leading the charge in the ongoing battle to reduce per-song-played copyright fees Webcasters are now required to pay to record labels. The increased fees for streaming music online were set by the Copyright Royalty Board last year.

Commercial radio only pays royalties to composers and not to artists or record companies."
http://www.post-gazette.com/pg/08287/919482-28.stm