CBS News ; Disney loses famous Mickey Mouse copyright in 2024, along with many others
"Copyright protections on many well-known books, films and musical compositions are set to expire in 2024. Disney's Mickey Mouse is getting a lot of attention as one famous iteration of the classic mouse is set to enter the public domain. CBS News' Jo Ling Kent has the story."
Gene Maddaus, Variety; Mickey Mouse, Long a Symbol in Copyright Wars, to Enter Public Domain: ‘It’s Finally Happening’
"Every Jan. 1, Jenkins celebrates Public Domain Day, publishing a long list of works that are now free for artists to remix and reimagine. This year’s list includes Tigger, who, like Mickey Mouse, made his first appearance in 1928. Other 1928 works include “Lady Chatterley’s Lover,” “All Quiet on the Western Front” and Buster Keaton’s “The Cameraman.”
The celebrations are relatively recent. After Congress extended copyright terms in 1998, 20 years went by when nothing entered the public domain. Works began to lose copyright protection again in 2019, and since then, it’s been open season on “The Great Gatsby,” “Rhapsody in Blue” and Winnie the Pooh...
Lessig fought the extension all the way to the Supreme Court. He argued that Congress might keep granting extensions, thwarting the constitutional mandate that copyrights be “for limited times.” He lost, 7-2, but the debate helped advance the movement for Creative Commons and an appreciation for the benefits of “remix culture.”
“That movement awoke people to the essential need for balance in this,” Lessig said. “At the beginning of this fight, it was a simple battle between the pirates and the property owners. And by the end of that period, people recognized that there’s a much wider range of interests that were involved here, like education and access to knowledge.”...
He continues to support reforms that would free up a vast body of cultural output that remains inaccessible because it lacks commercial value and its ownership cannot be determined."
John Naughton, The Guardian; Something is afoot with copyright this Public Domain Day
"The issue highlighted by Public Domain Day is not that intellectual property is evil but that aspects of it – especially copyright – have been monopolised and weaponised by corporate interests and that legislators have been supine in the face of their lobbying. Authors and inventors need protection against being ripped off. It’s obviously important that clever people are rewarded for their creativity and the patent system does that quite well. But if a patent only lasts for 20 years, why on earth should copyright last for life plus 70 years for a novel? You only have to ask the question to realise that the founders of the American republic at least got that one right. Happy new year."
Jennifer Jenkins, Director; Duke Law's Center for the Study of the Public Domain ; January 1, 2023 is Public Domain Day: Works from 1927 are open to all!
"On January 1, 2023, copyrighted works from 1927 will enter the US public domain. 1 They will be free for all to copy, share, and build upon. These include Virginia Woolf’s To The Lighthouse and the final Sherlock Holmes stories by Arthur Conan Doyle, the German science-fiction film Metropolis and Alfred Hitchcock’s first thriller, compositions by Louis Armstrong and Fats Waller, and a novelty song about ice cream. Please note that this site is only about US law; the copyright terms in other countries are different."
ADI ROBERTSON, The Verge ; Sherlock Holmes will finally escape copyright this weekend
"Watching the copyrights on art expire still feels like a novelty. After all, the US public domain was frozen in time for 20 years, thawing only in 2019. But this weekend’s Public Domain Day will give our cultural commons a few particularly notable new works. As outlined by Duke Law School’s Center for the Study of the Public Domain, the start of 2023 will mark the end of US copyrights on Sir Arthur Conan Doyle’s final Sherlock Holmes stories — along with the seminal science fiction movie Metropolis, Virginia Woolf’s To the Lighthouse, and the first full-length “talkie” film The Jazz Singer."
Associated Press; ‘Pooh,’ ‘Sun Also Rises’ among works going public in 2022
"“Winnie the Pooh” and “The Sun Also Rises” are going public.
A.A. Milne’s beloved children’s book and Ernest Hemingway’s classic novel, along with films starring Buster Keaton and Greta Garbo are among the works from 1926 whose copyrights will expire Saturday, putting them in the public domain as the calendar flips to 2022.
Poetry collections “The Weary Blues” by Langston Hughes and “Enough Rope” by Dorothy Parker will also turn 95 and enter the public domain under U.S. law.
The silent films “Battling Butler” starring and directed by Buster Keaton, “The Temptress” starring Greta Garbo, “The Son of the Sheik” starring Rudolph Valentino, and “For Heaven’s Sake” starring Harold Lloyd are also becoming public property.
And under 2018 legislation by Congress, sound recordings from the earliest area of electronic audio will become available."
"When Congress amended US copyright law in 1976, they extended the copyrights on works whose creators had produced them with the promise of not more than 56 years. Since then, almost nothing has entered the US public domain. Every year, Jennifer Jenkins and Jamie Boyle at the Duke Center for the Public Domain list out all the works that today's artists would be free to work from -- as the creators who got their copyrights extended in 76 did -- except for the retroactive extension of copyright terms. This year, we lost a lot of good stuff."
"One reason that the field of Brit Lit spin-offs is becoming so crowded is that Mary Shelley, Charles Dickens and Robert Louis Stevenson invented archetypes and situations that are familiar even to people who have never read the books. This rapid name-recognition is presumably why Fox originally gave its planned drama about a dead cop who is brought back to life to solve mysteries the title Frankenstein, even though it has no more than a vague metaphorical connection with the Shelley story. After objections of literary grave-robbing, the series is now, more sensibly, called Second Chance. In tight financial times, it is also financially canny to plunder the vaults of out-of-copyright books. Adapt a classic novel that is still controlled by an estate and the budget is swollen by a rights fee, with the additional risk that the keepers of the author’s flame may also interfere artistically. Some copyright holders have been so acquisitive or restrictive that, for a decade or so, cultural democrats in various countries have celebrated Public Domain Day on 1 January each year, the date on which literary copyrights cease, 70 years after the writer’s death in many territories, but 95 in America. TV producers, you suspect, are among those whooping most exuberantly as another crop of plots and protagonists become free."
"In fact, even in the United States there has been some recognition that the Sonny Bono extension has done more harm than good. In a 2013 paper called, apparently without irony, “The Next Great Copyright Act,” Registrar of Copyrights Maria Pallante acknowledges that the copyright term is very long and that its length “has consequences” and needs to be made “more functional” (see pages 336-7). Although she stops short of asking Congress to repeal the 20-year extension, she does suggest “offsets” to mitigate the harm that has been done. Pallante is a far cry from being a “copyleft” radical; like previous Registrars, she tends to favor the interests of big content industries. So her suggestion that the term of copyright be readjusted because it is too long is a remarkable acknowledgement of the problem we have created. Public Domain Day is one more reminder that our copyright laws in the U.S. have tipped the balance of protection too far away from its public interest roots."
